Unidentified Flying Objects: The True Story of Flying Saucers

Fascinating documentary on UFOs made just shy of a decade after the first flying saucer sighting by Kenneth Arnold. The age of this and its matter-of-fact approach is what makes it so interesting. I've seen countless documentaries and television programs on UFOs. They are a staple of cable and satellite television these days. This stands as one of the best I've seen. It's just a lot of fun to watch and compare to the docs made about the subject today. It's interesting how some things have changed and others haven't, even after half a century. The presentation of facts, as well as the dramatic reenactments, are a little dry by today's standards. But keep in mind that the intention here was to handle the subject matter like a serious news story, which is kind of refreshing. Unlike most approaches to the subject today, it tries to stay unbiased and just report the cases of UFO phenomena without leading the viewer to a specific conclusion. The approach is to put the evidence forth and let the audience make up their own minds about it. This will probably be pretty shocking to those used to being spoon-fed their opinions by comedians and pundits.

Unidentified Flying Objects: The True Story of Flying Saucers (1956)

* 1/2 (out of 4)

Pseudo-documentary about reporter Albert Chop (Tom Towers) who begins to investigate several reports of UFO's and by the end of the film he's convinced that they are in fact real. This movie uses stock footage, documentary footage and reenactments to try and tell people that UFOs are real and throughout the movie we're told a few dozen times that the cases we're hearing about are true. The most annoying thing about this movie is the Dragnet-type narration that runs throughout the running time and it's just so dry and dull that by the ten-minute mark you'll be wishing that you were abducted by a real spaceship just so you can get away from this film. To be fair, it's important to note that this was released when the UFO craze was extremely high in this country and it's clear that the producers were playing this to folks who wanted to know the "truth" even if they weren't really going to get it from this movie. The reenactments are also quite annoying as they never let you actually see the spaceships and usually it's just non-professional actors opening their eyes wide to show what type of shock they're in. The majority of the cases told here are based on true stories but we're never given any clear evidence or any real facts. Instead we're just told over and over that we're supposed to take their word. Another problem with the film is that at 91-minutes it goes on for way too long and considering you really don't get to see anything until the final ten-minutes it would be a lot better skipping this "documentary" and actually watching one of the fake, low-budget films, which would at least give you something to see. I mentioned the final ten-minutes and this is when we see two "actual" UFO films, both in color. Being the early 50s on a hand-held camera, the footage is quite poor but I'm sure the film ended with many people believing that these were actually flying saucers.

If you have the slightest interest in the UFO phenomenon then this is a must see. In many ways the word 'fiction' in relation to this movie does it a disservice. Sure everything is re-staged and re-enacted but only to highlight what Press Officer Albert Chop insists really did happen. From a social history point of view it's a little goldmine too. There appears to have been so much respect in American society throughout the 1950's and it oozes through here.

For the serious UFO enthusiast the inclusion of the original Tremonton and Grand Falls UFO footage makes it an invaluable movie from a research point of view.

It would seem that hardly anybody has seen this remarkable film: those who have seen it don't soon forget it. It's kind of like a 1950's science FACT film that tops most of the 1950's science FICTION films which thrilled so many young viewers during that magic decade.

The movie begins and ends by naming a daunting number of professional and government agencies who authenticate the claims which UFO makes. If the viewer keeps in mind the strict accountability this motion picture holds itself to, the remarkable events the film documents are impossible to doubt. There is absolutely no attempt at sensationalism. These are the facts about unidentified flying objects -- and the facts are very disturbing.

I recognized several familiar voices among the narrators, people whose talents were closely associated with the sci-fi movies of the 1950s. In terms of my enjoyment of the film, this proved to be some very sweet icing on the cake. It was a fond tie-in to great movies like `Forbidden Planet', `War of the Worlds', and other classics from that Great Age of Curiosity -- the 1950s.

A prerecorded tape is available through Amazon.com. I'm going to get it. So should you.

Trivia question for sci-fi fans: name the 1956 film that featured the talents of Les Tremayne (the general in `War of the Worlds' and the opening narrator of `Forbidden Planet'), Marvin Miller (the voice of Robby the Robot in `Forbidden Planet'), Olan Soule (who had a supporting role in `The Day the Earth Stood Still' and `Captain Midnight'), and Harry Morgan (Colonel Porter of `M.A.S.H.'). Here's a hint: Harry Morgan plays an Air Force pilot whose plane is surrounded by six flying saucers above the Washington, D.C. If all this sounds too good to be true, take a peak at this drama-documentary, based on the experiences of Al Chop, a reporter who served as press liaison for the Pentagon during its investigation of UFO's from 1947 to the early 1950s. Miller, Soule, and Tremayne provide the voices for the narrated portions of the film. Although the movie contains only two brief film clips to serve as photographic evidence of UFO's, the producers build a good case based on the credibility of certain UFO witnesses (airline pilots, military personnel, radar operators, etc.). On a more subtle level, director Winston Jones pulls off a clever trick; he begins the film as a pure documentary, but he gradually modifies this approach and focuses on reporter Al Chop's personal involvement in the UFO investigation. Chop slowly changes from UFO skeptic to UFO believer (and so will you). The climax is a gripping reenactment of a true incident which occurred in 1950, when a group of UFO's cruised above Washington DC for several hours. The voice of Harry Morgan is heard over the radio as an Air Force pilot whose plane is literally surrounded by UFO's, during which Al Chop and a group of bewildered military men cluster around the radar scope, watching in wide-eyed wonder. Dramatically speaking, this scene is far superior to its counterpart in `Close Encounters of the Third Kind'. The most amazing thing about this film is the fact that it was made with the full cooperation of the United States government, and every scrap of evidence it presents was made available to any and all scientific agency who wanted to examine it. Watch it and make up your own mind about UFO's -- but you'll loose some sleep over it before you do. Note: Some reviews mistakenly identify the star of `Unidentified Flying Objects' as Tom Powers, a co-star of `Destination Moon' (1950). The star of `UFO' is actually a Los Angles newspaper reporter (not a professional actor) named Tom Powers, who portrays the real-life reporter Al Chop.