Lors de son premier jour en tant qu'officier du département de stupéfiants à Los Angeles, un policier dépasse les limites d'une journée de travail avec un détective qui n'est pas ce qu'il se... Tout lireLors de son premier jour en tant qu'officier du département de stupéfiants à Los Angeles, un policier dépasse les limites d'une journée de travail avec un détective qui n'est pas ce qu'il semble être.Lors de son premier jour en tant qu'officier du département de stupéfiants à Los Angeles, un policier dépasse les limites d'une journée de travail avec un détective qui n'est pas ce qu'il semble être.
- Réalisation
- Scénariste
- Vedettes
- A remporté 1 oscar
- 18 victoires et 23 nominations au total
- Sara
- (as Eva Mendez)
- Mark
- (as Jaime P. Gomez)
- Moreno
- (as Noel Guglielmi)
- Letty
- (as Samantha Becker)
Avis en vedette
From the moment you set eyes on him you can relies that Alonzo is a feisty character, who will stop at nothing to get what he wants.
Ethan Hawke provides excellent backup but Denzel steals the show. I don't want to give an plot lines away but there are only three movies in cinema history I have given 10/10, and this one was so close to being number four.
I sincerely hope to see Denzel put in another performance like this one.
Plot is excellent as it leads you into false sense of securities and even shouting at the TV set.
I loved every breathtaking moment of this film and I am sure you will too.
Quite extraordinary.
Washington's character, Alonzo, never really changes throughout, despite a supposed problem of his. I kept waiting for a reason to change the opinion that the first act puts to you regarding him but it never came, there's never a point I cared for him and I assume I was supposed to... at least to some degree? Also, his issue is thrown at you in one scene and isn't really mentioned again until the end. I get the character, just not his arc.
Ethan Hawke is very good, too, in this, even if I kept hearing Tom Cruise when he spoke... You also have a load of now familiar faces involved, including Eva Mendes, Raymond Cruz, Cliff Curtis, Dr. Dre, Snoop Dogg and Terry Crews. Quite an interesting cast list, that.
Loved all of this, except the (still good) plot execution. Maybe that's just me though. From what I've seen, Washington's best performance so far. He's the main takeaway from this whatever way you look at it.
The acting by both leads is amazing. Honestly, for everyone in this. Denzel steals the show, but Ethan still really makes a mark. This is immensely gritty, with many honest looks at what happens in the bad neighborhoods of LA, as told by a screenwriter and director who actually lived there. The authenticity is a huge part of why this is so compelling. With a few exceptions, you really feel like this could happen(there are things that are not very credible. Others have already detailed them, I don't really have anything to add), and it really provokes a discussion of police brutality. Despite an episodic nature, every scene has a distinct purpose in the overall narrative, although for a number of them, you won't realise what it is until later.
This contains a lot of strong language, some brutal violence, and a little nudity. I recommend it to everyone who can stomach the contents. 8/10
The movie isn't the fastest paced one around - there are some slow moments but they are played out meaningfully due to some great acting talent which gels the scenes together well. The more you watch it, the more subtle lines and actions you will pick up which make this movie authentic.
Overall, to each his own. I have found this to be one of my favorite movies due to great acting, great directing, great casting (Hawk, Washington, Scott Glen etc) and an interesting storyline.
Le saviez-vous
- AnecdotesThe line "King Kong ain't got shit on me!" was ad-libbed by Denzel Washington.
- GaffesWhen Alonzo's car is wrecked, it hits two cars - one in the rear and one head-on. When he is seen later driving the same car, it is completely repaired.
- Citations
Alonzo Harris: [to the residents of The Jungle] Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me.
- Générique farfeluThere are no opening credits after the title is shown.
- Bandes originalesCry Freedom
Written by Franky Perez
Performed by Franky Perez
Courtesy of Lava/Atlantic Recording Corp.
By Arrangement with Warner Special Products
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- How long is Training Day?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Training Day
- Lieux de tournage
- 1031 Everett St, Los Angeles, Californie, États-Unis(Rogers' house)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 76 631 907 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 22 550 788 $ US
- 7 oct. 2001
- Brut – à l'échelle mondiale
- 104 876 233 $ US
- Durée
- 2h 2m(122 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1






