Une bouteille à la mer

MESSAGE IN A BOTTLE (1999) ***

Starring: Kevin Costner, Robin Wright Penn, Paul Newman, Ileana Douglas, Jesse James Director: Luis Mandoki 126 minutes Rated PG-13 (for sexuality)

By Blake French:

What do you do when somebody asks you a question? Well, if you're like any normal person, you'd answer it. How do you form romantic chemistry between two characters in a movie? If there isn't already dramatic fire when you look at two characters, then you have to form it will dialogue.

In the new romantic drama "Message in a Bottle," all that the two main love birds do is ask each other and respond to questions. They meet when a Chicago newspaper worker named Theresa finds a bottled up note on the shore while jogging. She becomes curious as her friends find more evidence leading to this man that she deeply wants to meet. When she does meet him, a boat worker named Garret Blake, (hey, Blake is my first name, isn't that neat) romantic music instantly surrounds them. And the questioning begins.

Theresa asks Garret many questions, but all Mr. Blake does is answer. Is that a bad thing? Not really, but when a movie is trying to form romance chemistry, well, this is not the way to do it. The only character who seems to be at all alive here is Paul Newman, as Blake's father, who masters every scene he is in.

The scenery in "Message in a Bottle" is absolutely stunning. From the busy landscape of Chicago to the blue sea waters and crystal clear waves. This kind of material sweeps me away every time I see it in the movies. I would compare this film to the beautiful Montana countryside's in "The Horse Whisperer," one of the best movies of 1998.

The performances in this film are mostly quite good, but none are Academy Award material. Robin Wright Penn is realistic and well-casted. She uses confusion and sorrow to build up momentum for the Costner character. As for Costner himself, however, he is surprisingly bad. I mean, just recovering over last year's "The Postman," this man should be rebuilding his career, not destroying it even more. He gives another "Waterworld" type of performance, acting dumfounded throughout most of the film. It's Paul Newman who is the real surprise. He adds comic relief from all the ineffective melodrama which permits most of the movie.

The characters themselves are indeed likeable. Some are a bit stubborn and bull-headed, others are freewheeling and care-free. This is okay because variety is good, you know. I liked Newman the most, but Robin Wright Penn is right up there with him.

A major flaw in the film, however, is the ending, which is completely out of place and disappointing. I have nothing against this type of closing, but I have already seen this in material in last years "City of Angels," sorry if that gives anything away. It leaves the audience with a feeling of depression and disappointment as they walk out of the theater.

In the end, "Message in a Bottle" is a close call, but I do recommend it. Thanks to some attractive features, original screenplay based on a Nicholas Sparks novel, and some fascinating characters, Luis Mandoki has created a satisfactory movie that I did enjoy for most of the way.

Brought to you by Warner Bros.

Message in A Bottle packages the strength of a love story about finding love again, with the breathtaking beauty of the sea, and seasoned actors who make endearing characters come alive to bring an unforgettable romance to the screen.

It reminisces of "Bridges of Madison County" but with a stronger and more real-life appeal. Theresa Osborne (Robin Wright Penn) is from the city, quite happy in her work as a Chicago Tribune researcher, and as a mother to Jason. But in her moments alone, she has to deal with the reality of her husband leaving her for another woman, sometimes forced to face the two of them and their own toddler when she brings Jason to visit with him. Garret Blake (Kevin Costner) restores sailboats in a seaside town, he looks after his father Dodge (Paul Newman), and keeps a shrine for his wife Catherine in his house, even after her death 2 years ago. He has left every brush, oil, pastel crayon and easel where it was as when she died. It was through the letter he wrote to Catherine which Theresa found in a bottle at the beach that brought him and Theresa together.

I thought the development of the story was fast paced at the start, when the mystery of the letter sender was quickly revealed in the first quarter of the movie that I wondered what was to be expected to happen for the rest of the story. And after that initial, exciting build-up leading to the meeting of Garret and Theresa, the pace slackened - a bit too slow for my taste as the pair discovers their attraction. What added relief to the intense, romantic, but sometimes, dragging moments is the appearance now and then of Paul Newman's character Dodge. Dodge has his own hurts to heal, but his stubbornness not to let Garret go through the same path he did, and his curt but witty remarks brings out laughter and makes him truly endearing. One notable scene is in the diner when he flared up when asked why he chose a particular seat. The romantic scenes are also complimented by the scenery. The glorious backdrop of the sea - you'll almost feel relaxed as you hear the breeze rustling the leaves, the lapping of the waves on the shore and the cry of the seagulls.

Kevin Costner as Garret could have done better. He convinces us that Garret is a simple unassuming man, but I was hoping to see the same man who wrote with such sensitivity and passion to his wife and I just couldn't find it in Kevin. Robin Wright Penn however, is very inspiring. She shows you just what it is like to fall in love in these times. She shows both the vulnerability and the strength of which Theresa is made of. She draws the viewers into feeling for her - her courage to go into something so unsure, her excitement, her joy in letting go and loving again, and then, her fear of expecting too much.

Another character who brings comic relief is Theresa's editor Charlie. Robbie Coltrane couldn't be more perfect for the role. He leaves the audience on guard, wondering if he is really the big bully which he seems to be or someone with a soft heart. Anyway, I end up laughing at his antics whenever he comes on screen. Best scene is when he gave Theresa a framed picture of himself. In all of the movie, I think it is Charlie who is the most unreal, as I find it hard to believe that there could be editors who are genuinely caring for their staff in this way.

Perhaps it is also the script that adds to the magic of the story - the dialogue was written so cleverly and the scenes made just so that I can say, hey, this is real life, this is what everyday people say and feel and think. No false pretensions. You will especially be drawn to it if you were broken yourself. You will recognize the same words that you said and the same odd things that you did and only you understand that is right. You will also not miss the glaring contrast of the two lifestyles - Garret in slickers, literally smelling of grease and sea salt in his beach home; and Theresa in her power suits, in a modular office and a sea of computers. How they are able to bridge this difference gives me hope. I'm not really sure myself if this kind of relationship will work, but who knows what can happen if we really try?

The message of love in Message in a Bottle is courage. To go on, in spite of, despite of. In spite of the hurt in the past, in spite of the uncertainty of the future. There will be others who have been broken too and their courage will inspire and sustain you.

I think the ones that gave 1 to this movie are the ones that gave 10 to Doom. Otherwise there is no way that this movie can be rated as low as a terrible production such as Doom..

It is a story of a guy (Kevin Costner) that is stucked between living the past or looking for the future after meeting Theresa. It is a well acted love story the end of which is not signaled as some other argued!It is not a cliché at all.If someone claim otherwise, i would like him/her give me an example similar to this movie in plot.

I would recommend this movie to everyone for a nice evening! Watch it you will not be regretful.

This is the movie that proves that most critics don't know what they're doing. The critics shed their sentimentalism sometime in the mid-1960's, so how could they know or care?

One must have a heart to enjoy "Message in a Bottle". It's a treasure--beautiful, poignant, tragic. The cast is wonderful, and if you don't cry at the ending, you aren't human (which most critics apparently aren't).

I can imagine liking this film a lot more than I did if the screenplay was given another pass. Sure the overall film is a melodrama built on cliches but Costner, Penn work well together. The overall vibe of the film is pretty much what you would expect. Newman is especially endearing as the crusty father figure. The ocean side scenery is quite nice for escapist fluff. Unfortunately, the final plotting is *terrible.*

The climax as not real connection-in terms of characters or ideas present in the story-to anything that occurs prior to it. It is likea duex ex machina only that it randomly complicates the plot instead of resolves it. It feels so very forced; a mere mechanical device to stick the story with a downer of an ending. This could have been something more.