Comportement insolite

Steve and his family move from Chicago to Cradle Bay (which based on a road sign is outside Seattle). We later learn his brother Allen died, and that has something to do with the move. At his new high school, he meets Gavin and U. V., who take drugs and listen to depressing heavy metal music. Gavin has the hots for Lorna, but she's a Blue Ribbon, a member of a group of students that help out in the community and help each other study. Gavin wants nothing to do with these people.

It turns out the Blue Ribbons aren't as goody-goody as they first appear. To call them snobs is an understatement. Anyone who isn't a member is treated like dirt, but of course new members are accepted all the time. The organization had its beginning with a deadly car wreck, and Dr. Edgar Caldicott played a large role in getting it started.

This film reminds me of an episode of 'Smallville', except only the villains (who appear to be the good kids) have the super powers. Or maybe they're not actually super powers. This film had its own version of Belle Reve, where all the Smallville freaks seemed to end up eventually. Also, there was the loud alternative rock music in some scenes and the pleasant classical-style background music in others. I really liked the music in Roscoe's Yogurt Shoppe and in the asylum (I'm referring to Barry Manilow).

I actually found the bad kids appealing in this movie--Gavin, Rachel, and Dickie in particular. The real standout character, though, is the demented janitor Mr. Newberry, who comes across as if Gilbert Gottfried had played the Bill Murray role in 'Caddyshack'. Another good though brief performance came from Julie Patzwald as Betty Caldicott.

This was a little on the violent side, but I guess for the type of movie it wasn't too bad. A lot of bad language seemed to have been cleaned up for TV. And I'm not sure whether this is something that was edited out, but in one scene, the position of a girl's head relative to her date suggests something that happened in Bill Clinton's White House.

It wasn't a classic by any means, but it wasn't too bad.

I was a little disappointed when I left this film, but not because of the overall result. I was disappointed because of the wonderful way in which the story was laid out and unfolded itself in the beginning, then seemed to fall away during its 2nd act. The reverse theme of bad kids turning good was fascinating, and the paranoid performance by Nick Stahl was worth watching and intrigued me. But then, as soon as Stahl was converted, the film started to fall apart. For one Stahl was the only character I found to be truly worth watching. Marsden and Holmes were just two pretty faces noticeably void of much talent; I never believed the two as a couple, and I never found any reason to invest myself in hoping for their well-being other the fact they were the lesser of two evils. But most noticeably, I grew disinterested because of the change in aim by the makers. The first half of the film, which by itself I would have given an 8 or 9 out of 10, was more of a grown-up horror movie, where the situation and plot rather than actions dictated the fear of the audience. But after Stahl disappears to the dark side, the film changed into a teen slasher film almost, where blood, violence and screaming is used in a vain attempt to induce fright. This 2nd half was worth a 4 or 5 out of 10. The length did not bother me as much as others (I've seen plenty of effective movies that were under 90 minutes). What bothered me more was the lack of development in some key plot points. I think the entire conspiracy plot behind the conversion of the teens needed to be fleshed out much more, characters needed to be drawn more distinctly, and so on. So I balance out the two halves and come up with a 6 out of 10. Worth renting, but could have been something special.

The theactrical release of Disturbing Behavior is an utter mess of a movie. It has plot holes that the biggest human being in the world could jump through. It moves along at an uneasy pace and at 83 minutes it isn't much of a movie. However, this isn't the filmmakers fault. Blame the studio that released the film. They basically ordered him to cut everything that made the movie make sense and what we got to see was a studio hack job.

The Dvd on the other hand is another story. It provides at least 20 minutes of deleted scenes and when you watch them along with the rest of the movie everything begins to make sense and it makes me grow a new-found appreciation for the film. It isn't cinematic gold but when you look at what the film was like before it may just look like a masterpiece.

The premise is pretty unique. In Cradle Bay failure and misbehaving is a no no. You wil be perfect....or else. When newcommer steve moves to cradle bay he meets gavin who thinks a sinister force is taking over the kids of cradle bay turning them into a group of kids known as the the Blue ribbons. The blue ribbons appear to be perfect with their good grades and bake sales but beneath the surface lies a mal-function that makes them act violently.

What I Liked:

The character of Gavin in both versions of this film remains intact. I completely loved this character and he's played really well y Nick Stahl. I was quite impressed

All the Blue Ribbons are creepy as hell. It's like they came out of an acid-induced version of leave it to beaver or the Brady Bunch.

i like the general idea of the film. Someone trying to make teenagers perfect because we know not we do was pretty interesting to me.

I liked th entire Dvd version of the film. It honestly explains so much and it raises the films level from crap to about average.

What I Didn't Like:

The theatrical release is filled with mistakes. It's too short, the pacing is off, and it ends on a pretty sour note. There are no redemming aspects of this version except for the character of Gavin.

The scene in the insane asylum was pretty dumb. I don't expect much realism out of these films but this was above and beyond being real.

The characters with the exception of Gavin don't really fit their roles. I didn't by James Marsden as a hero. He was quite bland as well. Katie Holmes, who is actually good on Dawson's Creek and in The Gift, and Wonder Boys, doesn't really fit as the rebel gothic girl.

i suggest that everyone that bashed this movie, like me when i firt saw it, go see the DVD version. I promise you that you'll have a better understanding on what is going on and it may make the film a little better for you.

Theatrical Version: 2/10

DVD Version: 6/10

Contemporary horror flick with a standard premise. This flick is about a teen stumbling across an evil conspiracy that is turning the teenagers of a small town into well dressed, well groomed, intelligent students that resort to homicide when angry.

Katie Holmes is totally wasted in a supporting role. Excessive pre-release cutting damaged what could have been one of the best teen horror films of the 90's. This could have been a very emotional, haunting and even touching film with a disturbing ending. What is left now is a teen driven, cold, and chainsaw edited flick with a poor gimmicky ending. Still some signs of intelligent intentions shine through, the performances for the most part are unusually good, and the director does a fine job of building up a paranoid, crazed sense of atmosphere.

Rated R; Violence, Sexual Situations, Nudity, Drug Use, Drinking, and Profanity all involving teenagers.

The original cut would merit a * * *1/2 rating.

I caught this film on a late night TV slot (around 1:00). Since it was an evening of surprisingly watchable movies up until then (Michael Chrictons 'Runaway' & Clint Eastwoods 'White hunter, black heart') this mix of teeny horror and x-files type paranoia sci-fi was just the kind of icing on the cake I needed before finally calling it a night.

Even though it obviously suffers from some plot holes and studio interference, I must say that I still found it much better than other late 90's 'Scream' influenced (and included) teen horror revival stuff. Sci-fi element was, even though lacking in any deeper explanation, believable enough, especially the part with problems arising due to puberty related hormone/neurotransmitter surges (i.e. Lorna's sexual turn violent outburst at Steve's house) etc.

All in all, not really a shining example of cinematic art but still bearable enough for a late night entertainment.