La prisonnière espagnole

Mamet work that is a lot closer to House of Games than to Glengarry Glen Ross (which used up all the swear words; there's none here). If you're okay with Mamet's way with dialogue and line reading, then the only real complaint is the terrible ending.

Joseph Ross is a researcher for a major corporation. He is in the Caribbean for a business trip to discuss his invention with the heads of the firm - a formula that stands to make the company very, very rich. While on the trip he meets the charismatic Jimmy Dell who he does a favour for and gradually befriends. As Joe starts to realise that his employers are trying to squeeze him out for his just deserves, Jimmy starts to offer him understanding and legal help to secure his end.

I first discovered this film on late night sky about 5 years ago now and was very taken by it. Later I got to see it again when I had a free weekend of FilmFour (this weekend in fact!) and I was happy to see it again. The film is a con, from start to finish it is what the tagline claims - never what it seems. The whole audience know this and therefore are ready for twists and turns and it is to the film's credit that the twists are still gripping and enjoyable even if we expect it. The film has a very slow pace and is quite unshowy all the way.

In one regard this is to it's detriment but it does create a film that is unassuming and all the more surprising for it. However the lack of fire works also meant that it never got the audience it deserved. I believe that, if it had gone more dramatic and tense that it would have played better in multiplexes and drawn in less patient audiences.

In a rare (at the time) serious role, Martin is actually very good. He may not have a great character but he does a really good job with the two sides of his performance - even if the darker side is more revealed through Joe's fate than it is through his performance. Scott is good but is forced to play a rather bland simple man - meaning that his performance was rather bland at times. The support cast is good and features several Mamet regulars including the charismatic and distinctive Ricky Jay. Talking of Mamet, he is great as writer and director and this is yet another film that justifies his reputation in my mind.

Overall this is a great film that will engage you and entertain you with it's twisty and enjoyable plot. It may lack the fireworks or heavy slick style of other films of the genre but it is all the better for it. Criminally under seen and deserves to be discovered.

Steve Martin in a serious role in a Mamet film is reason enough to see "The Spanish Prisoner", which I believe gets its name from a type of sucker scam of the same name. And that's what this film is about. A young professional invents "the process" which is very valuable to his company but he is worried he will not get compensated well enough. This seed of doubt, which others around him recognize, sets into motion a whole series of secrets and deceptions. The dialog is snappy as in all Mamet writing, and you either really like the style a lot, or you don't. I really like it. The various twists get a bit hard to follow, and it is the kind of movie you have to see at least twice for full benefit. It is not a great film, but a worthy one.

Beside Steve martin in his serious role, which he pulls off very well, the film also has Ben Gazzara and Mamet's wife, Rebecca Pidgeon who is very good in one of the key roles in this film.

I finally got to see this film again. I love this film. But I realized after another viewing with a savvy partner that there are just too many holes in the plot and Mamet isn't quite as clever as we first think or would like to believe. Too many plot twists just don't make sense on second viewing. I'd always recommend this movie.. it's fascinating and has great performances but I think the audience is easily tricked into finding it brilliant. Maybe someone can explain why Martin's character is so easily found in the car showroom. Did I miss something there? And what if Campbell Scott's person had actually tried to deliver the tennis book directly to Martin's sister. That would have been the end of the story, period.

As I inspect the review department, I pick up a lot of "masterpiece" or "excellent subtle great...etc thriller" opinions, which is definitely very odd. And not just the common fans, even "pro" critics. I think movie-goers have put the emphasis on the crime-mystery plot and figured it was well put together and suspenseful til the very end ?

But rather than focus too much on what everybody else is saying, I'd say this. The film is very slow to finally get started and REALLY does feel like a B film even about 30min into it. I felt awkward/embarrassed towards the others having picked this one for the night. The delivery of the lines, the atmosphere, that slowness overall or even the filming/irregularity in sound from scene to scene felt very amateurish...

I indulged into it and waited for the plot to finally open up show its quality. If anything, this had an almost David Lynch element to it in how distinctly atypical it felt, lead actor Campbell Scott being such a cold distant, distinguished almost a bit eerie protagonist with a Kyle MacLachlan springing to mind, sort of on the border of being a 'bad actor' but not really at the same time.

So this is one of these super convoluted mystery-thrillers where the protagonist somehow finds himself into some deep crud and he can't be sure who to trust anymore and tensions switch sides every time ... it's well done in how it keeps the suspense going til the very end.

In the finer details, there are those facts of the film that seem too convenient but we understand need to happen to stick to the plot...

Eh. Not bad though. 6.5/10.