ÉVALUATION IMDb
5,1/10
4,5 k
MA NOTE
Ajouter une intrigue dans votre langueAn indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.An indolent artist in Portland, Oregon becomes addicted to marijuana, prompting his girlfriend to flee to New York City with a heroin addict.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Christian J. Meoli
- Tobo
- (as Christian Meoli)
Avis en vedette
This is a movie which is just for fun. I think you just have to get it or like this kind of film to enjoy it, as I am sure a ton of you out there will think its a waste. I liked it very much. Alot of familiar faces in this one before they became more well known. Andy Dick is great, so is Jack Black. Some cool songs too which worked great with the scenes. Just a messed up fun escape for an hour and a half, if not just to see some of these stars of today in a smaller indie film. Simple, witty, and a guilty pleasure.
When I first saw the trailer for Bongwater, I thought, "This will be the best movie of all time." I really did think that. This could not be further from the truth. Quite frankly, I'm not quite sure what I saw. I would analogize it to cotton candy(or Chinese food, just hear me out). I ate a lot, but it just kind of dissolved. I know that I watched this movie, but what was it that I saw? Was I too deep for it or was it too deep for me?? Unfortunately, this is another case in the grand tradition of "Mr. Wrong" and "Dude, Where's My Car" where a trailer writes a check that it's ass simply cannot cash. My advice is to watch the trailer continously- it's hilarious on so many levels. Watch the "Mr. Wrong" one as well to really get a taste of unbridled potential gone horribly awry.
Seemed to go nowhere in particular. Though, the 80s party at the end was hilarious. Get your groove on Jeremy! The rest of the movie was somewhat hopeless and the end with the spaceship. Give me a break! Why would he ever go back to that Serena any way.
I saw a screening of this film in its uncut version 3 months ago... (I intern at the company that aquired it and is going to distribute it.) It has some great *realistic* caricatures of potheads and all other sorts of drug users and such... Luke Wilson is okay, but his subtlety doesn't quite work here. The story is as meandering as its subject matter, much like the finer, non-Hollywood stoner films. Amy Locane is pretty good, (why didn't her career ever fly?) Other cast are frighteningly familiar caricatures of neo-hippy-ites. Final cut will probably be better than what I saw, as I hear that many long, boring segments are being cut from the film. People in on the scene, or stoned at the time, will enjoy the film a lot. Doesn't, however, have mass-audience appeal at all.
I read many of the other review before adding my comments, so the net result may be a review of the reviews more than commentary on the movie itself. What a twisted, postmodern web I weave, huh?
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
The first point I would like to address is criticism of the plot - sure it meanders a bit, but it seems more cohesive and lucid than the lives of the stoners this movie illustrates. Also, there is a pretty clear parallel between the stoner sensibilities of the characters and the way the movie was directed. Without giving too much away, I can say that the movie is about inertia. And sometimes the movie is similarly inert. To me this does not challege the the viewer's imagination too much.
There are far more challenging movies out there, even in the same genre (if there is in fact a stoner/slacker genre) - well, Slackers is a good example. It has virtually no plot, no Jack Black comedy payoff, and yet it is a good film. Bongwater, although it does not rely on the same devices, is a good film for the same reasons.
The writing seems to be perfectly good. But there is no accounting for taste. It was not sublime, but neither was it conspicuously bad. I think the characters are rendered well too. Even the smaller parts played by Andy Dick and Jeremy Sisto have a proper amount of complexity to them.
I'll sum up by saying that I think the disappointment I have read here is a reflection of expectations of the movie and the movie not aligning to some viewers' satisfaction. So if you have not read the book, or you have not seen the trailers, and you don't have unrealistically high expectations hot chicks in daisy dukes, prepare to be amused. Excepting most of the scenes Brittany Murphy is in.
I give it a solid B+
Le saviez-vous
- AnecdotesWhen Tommy (Jamie Kennedy) looks at Serena's driver's license, we see that her last name is Witt. Alicia Witt, who plays Serena, wrote her last name on it exactly like in her own signature.
- GaffesThe boom mic can be blatantly seen several times in the full screen (1.33) version.
- Générique farfeluThrough the closing credits, we hear people leaving coded messages on an answering machine about buying pot.
- Autres versions96-minute version:
- Opening credits uses the song "Sunday" by Sonic Youth.
- 65 minutes in, at the end of David's hallucination, his mom walks away and says "Now how the hell do I get out of this place?" In this cut, she fades away into nothingness after saying that line.
- ConnexionsReferences When We Were Kings (1996)
- Bandes originalesSunday
(uncredited)
Written by Thurston Moore, Kim Gordon, Lee Ranaldo and Steve Shelley
Performed by Sonic Youth
[Appears 1 minute in during some versions of movie]
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Détails
- Durée
- 1h 37m(97 min)
- Couleur
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