Ajouter une intrigue dans votre langueOne day, ordinary Norwegian girl Sofie receives a videotape on which a certain Alberto Knox talks directly to her from ancient Greece. They start to meet on different occasions as Alberto ta... Tout lireOne day, ordinary Norwegian girl Sofie receives a videotape on which a certain Alberto Knox talks directly to her from ancient Greece. They start to meet on different occasions as Alberto takes Sofie on an odyssey through the history of philosophy, from ancient Greece, the Roman ... Tout lireOne day, ordinary Norwegian girl Sofie receives a videotape on which a certain Alberto Knox talks directly to her from ancient Greece. They start to meet on different occasions as Alberto takes Sofie on an odyssey through the history of philosophy, from ancient Greece, the Roman Empire, the Middle Ages, the Renaissance, the Enlightenment, and all the big revolutions, ... Tout lire
- Director
- Writers
- Stars
- Prix
- 2 nominations au total
- Socrates
- (as Hasse Alfredson)
- Georg
- (as Arne Haakenaasen Dahl)
- …
- Meletos
- (as Giorgios Floros)
Avis en vedette
Sophie is presented as a girl with more going on in her mind than her classmates (which are mostly represented by the astonishingly stupid boys that pop up every once in a while), which may be why she was "chosen" to receive the mysterious notes. She begins to believe that there has to be more to her than just a name and a body, but she gets no help when she talks to her mother, who is a realist and doesn't really believe in or have time for all that philosophical nonsense. Sophie's favorite show is called The Mystery Hour, so already her mind is eager to have something to work on.
Through a variety of ways, Sophie finds herself looking back in time to the time of Socrates and Plato, when the powers that be were sadly trying to eradicate all critical thought. There is a frightening scene where Socrates, possibly the greatest thinker of all time, is forced to drink poison, just before which he says, "It's easy to escape death, you just run away. It's much harder to escape wickedness" This is absolutely true, and it's sad to think that that was not the only time independent thought was so cruelly oppressed. It still happens today.
The time travel itself is pretty cheesy, but it's just something that the viewer has to understand as taking place it's not as important as what is found after it's done. This is not, after all, a time travel movie. It's not even really science fiction. It's Philosophical Criticism 101. And by the way, I love the scene where Sophie and her pink haired friend are watching a shockingly bad American movie. Clearly the movie is so awful because it was just filmed to be put in this one, but I hope that's not a subconscious comment on the quality of American film!
And like all good philosophy courses, I'm not really sure what to think about a lot of the movie. My mind was full of questions after I watched it, although I should mention that some of the questions that the movie calls attention to are things that I've wondered about many times before, but usually only in passing. I've wondered, for example, what other person looks more like me than anyone else. If you could somehow search through every person who has ever lived, there will be one person who looks more like you than anyone else, and I'm sure the resemblance would be astonishing. There is a scene with a mirror that suggests that it is a completely different person looking back.
Overall, the movie encourages philosophical thought, urging you to remember that it is through philosophy that we will find the answers to our questions about the basic human condition. The movie asserts that we are, in fact, in control, and that things don't 'just happen.' Things happen because someone makes them happen. The future is determined by the present.
It's ironic that this movie should teach us that people spend so much time being entertained that, ultimately, we end up acting out our own lives, and the line between truth and fiction becomes more and more blurred, which eventually diminishes freedom of thought. The movie tells us that oppression of free thought led to the execution of Socrates, one of the world's great thinkers, which is a massive indictment of totalitarianism. Ironic that the movie should use film as the medium to deliver the message the too much entertainment dulls free thought.
But then again, as they say, the medium IS the message
The amateurish efforts of some of the cast distracts one's attention from the extremely simplified storyline. Will probably appeal to kids but we adults should stick to the book. Might I suggest a BBC television production? Perhaps a ten part series with professional actors and more subtlety. A big budget is, (contrary to popular convention), not as necessary as it may seem for the modern film-maker. Despite being the "biggest" and "most expensive" Norwegian film ever made, "Sofies Verden", is, unfortunately, far from being the best.
Combining a mystery story with the history of philosophy and using clever examples to illustrate new philosophical insights, the book really managed to stimulate one's curiosity for what came next while at the same time offering some very interesting information.
As I started reading other books and spending my time on other activities, I stopped reading the book in spite of my curiosity. Owning a copy of the movie version, I figured I could just as well finish the story by watching the movie.
Boy oh boy, was that a mistake. The movie just didn't capture either the atmosphere or the intent of the book. The actors were poorly casted and the plot was shopped up and rehashed so amateurishly it left only very little of the philosophical depth of the book.
The movie was confusing, superficial and downright insulting to one of the greatest introductory works to the world of philosophy ever written. I found no redeeming qualities in this movie and highly recommend everyone to skip it and just read the book instead.
It is a cliché that movies based on books tend to be not nearly as good as the book. This movie doesn't just confirm that cliché. It's a caricature of that cliché.
Le saviez-vous
- AnecdotesUpon its release in 1999, it was Norway's most expensive film.
- ConnexionsFeatured in Bak Sofies verden (1999)
- Bandes originalesInternationale
Written by Pierre Degeyter (as P. Degeiter) and Eugène Pottier (as E. Pote)
Moscow Choir and Radio Ensemble
Meilleurs choix
- How long is Sofies verden?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sophie's World
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 NOK (estimation)