ÉVALUATION IMDb
7,6/10
5,8 k
MA NOTE
Ajouter une intrigue dans votre langueA woman meets a man who isn't the right man for her - but she hasn't realised it yet...A woman meets a man who isn't the right man for her - but she hasn't realised it yet...A woman meets a man who isn't the right man for her - but she hasn't realised it yet...
- Director
- Writer
- Stars
- Nommé pour 1 oscar
- 14 victoires et 12 nominations au total
Mikhail Filipchuk
- Sanya 6 let
- (as Misha Filipchuk)
Yury Belyayev
- Sanya 48 let
- (as Yuriy Belyaev)
Anna Shtukaturova
- Devochka-khromonozhka
- (as Anya Shtukaturova)
Ervand Arzumanyan
- Bukhgalter
- (as Ervant Arzumanyan)
Avis en vedette
Pavel Chukhraj's award winning film THE THIEF is one of those special films that should be owned and revisited - like a favorite novel or poem or symphony. Chukhraj both wrote and directed this tale/fable set in Stalinist Russia, a story which encompasses the impact on a child of loss of a father in the war, the appalling living standards in the communes during the 1950s where multiple families and comrades shared space and survived the lack of privacy, and the extents to which people will go to survive what fate has dealt them and the sad sequelae that follow.
The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.
The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp
The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.
The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp
"Vor" will undoubtedly become a classic of Russian cinema in a few years.
First, this was both written and directed by the great Russian filmmaker Pavel Chukhrai! It's a tender pseudo-autobiographical account of life during the last years in Stalinist USSR. An interesting theme in this movie is that of the "father-figure"...and Stalin as a "father-figure" to the Soviet Union. You don't necessarily have to be familiar with the political context of the film, but it definitely makes it all the more poignant and heart-breaking if you are.
Vladi Mashkov is superb as the charming "soldier" who, not accidentally, has Comrade Stalin tattooed on his chest. Whether Toljian symbolizes a strong-yet-corrupt Stalin and whether Katja and Sasha represent the disenchanted Russian populus, that's up to you to decide. But see it!
Look at "Vor" from the allegorical and political level and it's strikingly true. Look at "Vor" from the emotional and tragic level and it's strikingly true. This movie is deep, painful, and of course riddled with truth. That's why it's so powerful! Of course, the acting and direction show this truth off so vividly. I have to say, once again, that Mashkov proves to be an actor of amazing caliber, expression, and beauty.
Dasvidania ;-)
First, this was both written and directed by the great Russian filmmaker Pavel Chukhrai! It's a tender pseudo-autobiographical account of life during the last years in Stalinist USSR. An interesting theme in this movie is that of the "father-figure"...and Stalin as a "father-figure" to the Soviet Union. You don't necessarily have to be familiar with the political context of the film, but it definitely makes it all the more poignant and heart-breaking if you are.
Vladi Mashkov is superb as the charming "soldier" who, not accidentally, has Comrade Stalin tattooed on his chest. Whether Toljian symbolizes a strong-yet-corrupt Stalin and whether Katja and Sasha represent the disenchanted Russian populus, that's up to you to decide. But see it!
Look at "Vor" from the allegorical and political level and it's strikingly true. Look at "Vor" from the emotional and tragic level and it's strikingly true. This movie is deep, painful, and of course riddled with truth. That's why it's so powerful! Of course, the acting and direction show this truth off so vividly. I have to say, once again, that Mashkov proves to be an actor of amazing caliber, expression, and beauty.
Dasvidania ;-)
This is one of the most ambitious films I have ever seen done; it is an extremely painful movie to watch in places, beautifully photographed, with understated direction that does not get in the way of the story.
A lot will be lost on the small screen, but if you enjoy foreign films (or films in general) you will not find a better one than this. If you are in the mood for lighthearted entertainment, do not rent this film; you will feel sad for a long time after it ends. (It is a Russian story, after all.) Images from the film are guaranteed to haunt for a long time; it reminds the viewer of the power film can have to affect an audience.
Nine stars for me.
A lot will be lost on the small screen, but if you enjoy foreign films (or films in general) you will not find a better one than this. If you are in the mood for lighthearted entertainment, do not rent this film; you will feel sad for a long time after it ends. (It is a Russian story, after all.) Images from the film are guaranteed to haunt for a long time; it reminds the viewer of the power film can have to affect an audience.
Nine stars for me.
This was the first Russian movie I was able to view and, I have to admit, I was impressed. It was one of the best movies I have ever seen.
Mikhail Filipchuk as 6-year-old "Sanya" gave a heart warming performance as a boy who lost his father to a war when his mother was only three months pregnant with him. Getting to know his new step-father and gaining his acceptance wasn't an easy task for him. Especially after his step-father is given 7 years in prison for his thievery.
In the end, 12-year-old "Sanya", played by Dmitri Chigaryov, is in an orphanage after his mother's death. The movie takes a strange twist...and...in the end...."Sanya" gets his justice.
Very enjoyable, indeed.
Mikhail Filipchuk as 6-year-old "Sanya" gave a heart warming performance as a boy who lost his father to a war when his mother was only three months pregnant with him. Getting to know his new step-father and gaining his acceptance wasn't an easy task for him. Especially after his step-father is given 7 years in prison for his thievery.
In the end, 12-year-old "Sanya", played by Dmitri Chigaryov, is in an orphanage after his mother's death. The movie takes a strange twist...and...in the end...."Sanya" gets his justice.
Very enjoyable, indeed.
What a movie
Very well written shot and directed by Pavel Chukhray
This 90 min drama is so engaging and what makes it that much engaging is the story,the cinematography,
its amazing cast and their strong performances especially the child who played sanya
Truly a well made russian tragic,emotional and beautiful drama that takes place in a Stalin era Russia I strongly reccomend to all the movielovers out there to watch this movie and be touched by it.
Truly a well made russian tragic,emotional and beautiful drama that takes place in a Stalin era Russia I strongly reccomend to all the movielovers out there to watch this movie and be touched by it.
Le saviez-vous
- AnecdotesFinal film of Lidiya Savchenko.
- Citations
[first lines]
Sanya - 48 Years Old: [voiceover] I was born right after the war, in 1946. My mother was going to the village where her relatives lived and gave birth to me right on the road. I never saw my father. He was covered with wounds when he returned from the war and died six months before I was born, but throughtout my childhood I kept thinking of him, trying to imagine him.
- Autres versionsThe Russian release features an additional 14 minutes at the end which depict Sanya as an adult. After he shoots Tolyan, the film cuts directly to modern times where Sanya is a colonel of the Russian army. He explains that he has had to kill many times since that day and that his profession justifies it. In a war-torn village, he mistakes an old man for Tolyan. He embraces the old vagrant, who dies in his arms. Upon inspection of his back, he finds that there is no Panther tattoo. It is not Tolyan. As he leaves the village in his own personal staff car, he takes off his shirt. At this point Russian audiences see for the first time that Sanya has a Panther tattoo identical to Tolyan's on his back. (Some non-Russian versions finished the film with a shot of Sanya at 12 lying in his bunk with this tattoo. Russians did not see that scene.) The original Russian version ends with a flashback to Sanya at 6 peering out the window of the train and seeing his father waving to him on the back of a passing railcar. It is rumored that 'Pavel Chukhraj' cut the non-Russian versions for two reasons. First, he wanted to make it shorter and more attractive to foreign critics and film festivals. He also felt it might confuse and complicate the meaning of the film for viewers not familiar with modern Russia.
- ConnexionsFeatured in The 55th Annual Golden Globe Awards (1998)
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- How long is The Thief?Propulsé par Alexa
Détails
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 126 506 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 33 340 $ US
- 19 juill. 1998
- Brut – à l'échelle mondiale
- 1 126 602 $ US
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