Le Mutilateur

When someone asks you what makes a traditional 80's slasher, just show them The Mutilator. It has everything one would expect - cardboard characters, a secluded location, a deranged killer, bad fashions, a little nudity, a synth score, and lots of creative death scenes. It's not a great movie, but it accomplishes exactly what it sets out to do and that deserves something.

The Mutilator (1984)

** 1/2 (out of 4)

A young boy named Ed is cleaning his father's gun for his birthday but while cleaning it the thing goes off killing his mother. From this point on the father has nothing to do with Ed. Flash forward several years and Ed is in college when he gets a call from his father out of nowhere. The father asks for Ed to return to a beach front property and close it down for the winter. Ed takes along his girlfriend and four other friends but soon they start to get violently murdered.

THE MUTILATOR has a pretty big following among people who enjoy the slasher boom that happened from 1980-84. I'm a major slasher fan but for the most part there were a lot of movies that were made to try and get some of the box office dollars. More times than not these films were poorly made, poorly shot and featured very little gore. They were just cheap C movies that were thrown into theaters for a quick buck. THE MUTILATOR isn't one of those movies as it's fairly well-made, features a nice cast and best of all is that it actually delivers on the gore.

One thing that did surprise me about this film is that it really doesn't try to play up a mystery aspect. We're pretty much told from the start what to expect and we see who the killer is pretty early on. The screenplay spends way too much time with the characters as the murders are spread out quite a bit and there are some logical issues but I guess this here is to be expected. I think the film really benefits from the six main characters being likable and you at least don't mind hanging out with them while you wait for them to be slaughtered.

Of course, when it comes to a slasher the most important thing is the actual kills and THE MUTILATOR is a major success here. In fact, I'm really surprised that these effects got past the MPAA because they are rather graphic and gory. This includes a decapitation but the highlight of the film involves a hook. I'll just leave it at that but it's certainly very cringe-worthy and contains a great amount of blood. THE MUTILATOR certainly isn't a masterpiece by any stretch of the imagination but it's a good slasher.

A young boy accidentally kills his mother while playing with his father's gun. Distraught, his father has a break from reality and, years later, the young man takes his college buddies to his family's beach house for a little fall break fun and his father shows up, still angry at what his son did, so he decides to punish him and his friends by going on a bloody rampage.

You have to put together a lot of pieces yourself as you watch The Mutilator. Where has this nutty father been all this time? Why did he pick now to go on a killing spree? This movie isn't one for nuanced character development and deep psychological insight, but the murder scenes are a gory delight and a few scenes crackle with some suspense.

For a tiny budgeted little movie, the effects work is fantastic even when the thin script can make you scratch your head and twiddle your thumbs. Some of the actors are decent, but some are downright laughable. The killer isn't very imposing to look at, but he does some serious damage and there's a catchy theme song. The Mutilator might be middle of the road as slashers go, but there are fast worse ones out there and the effects give it that little extra bit of pizazz to give it a solid cult following.

My guess is, if you're reading this review, you're already aware of those movies that are indeed so bad they're actually quite enjoyable. Well, THE MUTILATOR is a prime example of such a flick, at times comical and on the odd occasion impressively gruesome.

It opens grimly with a tragic and fateful accident. A young boy - who we later find out is called Ed - who's cleaning his father's rifles, accidentally fires one of them, killing his mother instantly. Daddy arrives home , and lets just say that he doesn't seem like the forgiving type! He slaps the kid round the face and points a loaded shotgun at him forcing the petrified child to flee from the house. We are then left with an effectively chilling scene showing the dad looking clearly disturbed, pouring whisky into the corpse's mouth before downing some himself. Fast forward ten years and Ed is now a wise-cracking teen. To make matters worse he's made himself some stereotypically cheesy early eighties friends that all look like they make up the perfect ingredients for a good old fashioned blood bath! Before long they're all of to close down Ed's dad's secluded beach house , and guess who's ominously creeping about armed with a chainsaw and watching them...

Ok, ok so there are certainly no Oscar nominees here (Watch out for Mike played by Morey Lampley, he's a real budding thespian!), and at times the film can seem to drag a bit - mostly in what seems like hours of character building. But what saves this surprisingly gory (in it's uncut version) little flick from becoming a total loss is how at times it manages to generate a genuinely macabre atmosphere. This is most evident when the maniac dreams of slicing his infant son's throat with a battle axe, or when he impales the heads of his victims on to spikes in a rack as if they're some kind of trophy. All the other trademark cliches are included: the clearly asthmatic killer (heavy breath, a virgin final girl, a dopey sheriff, an axe, chainsaw, pitch fork and even a giant fish hook! Mark Shostrom's gore is also a lot more visible now (in the UK prints) thanks to VIPCO's extreme version and a much more lenient censor!

So all in all not brilliant but not rubbish either, a worthy rental for a night of harmless and memorable cliches!