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Libertarias

  • 1996
  • 18A
  • 2h 5m
ÉVALUATION IMDb
6,9/10
2,3 k
MA NOTE
Victoria Abril, Ana Belén, Ariadna Gil, and Loles León in Libertarias (1996)
DramaHistoryWar

Ajouter une intrigue dans votre langueAt the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the grou... Tout lireAt the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not o... Tout lireAt the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional m... Tout lire

  • Director
    • Vicente Aranda
  • Writers
    • Vicente Aranda
    • José Luis Guarner
    • Román Gubern
  • Stars
    • Ana Belén
    • Victoria Abril
    • Ariadna Gil
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,9/10
    2,3 k
    MA NOTE
    • Director
      • Vicente Aranda
    • Writers
      • Vicente Aranda
      • José Luis Guarner
      • Román Gubern
    • Stars
      • Ana Belén
      • Victoria Abril
      • Ariadna Gil
    • 10Commentaires d'utilisateurs
    • 3Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 victoires et 7 nominations au total

    Photos29

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    Rôles principaux75

    Modifier
    Ana Belén
    Ana Belén
    • Pilar
    Victoria Abril
    Victoria Abril
    • Floren
    Ariadna Gil
    Ariadna Gil
    • María
    Blanca Apilánez
    • Aura
    Laura Mañá
    Laura Mañá
    • Concha
    Loles León
    Loles León
    • Charo
    Jorge Sanz
    Jorge Sanz
    • Obrero Hijo
    José Sancho
    José Sancho
    • Obrero padre
    Joan Crosas
    • Boina
    Antonio Dechent
    Antonio Dechent
    • Faneca
    Miguel Bosé
    Miguel Bosé
    • Cura secretario de Durruti
    Paco Bas
    • Un miliciano
    Greg Charles
    • Reportero extranjero
    Claudia Gravy
    Claudia Gravy
    • Madama del burdel
    Francisco Maestre
    Francisco Maestre
    • Obispo
    Héctor Colomé
    Héctor Colomé
    • Durruti
    María Galiana
    María Galiana
    • Superiora
    Ángeles Martín
    • Carmen
    • Director
      • Vicente Aranda
    • Writers
      • Vicente Aranda
      • José Luis Guarner
      • Román Gubern
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs10

    6,92.2K
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    10

    Avis en vedette

    The AK

    An encapsulation of Spanish anarchism

    As social commentary, Libertarias succeeds incredibly well. Despite the ignorant reviews written by some critics complaining that "90's politics ruin war drama," it is clear to any student of the Spanish conflict that the politics displayed are those of the 1930's. The film roundly criticizes the absurd hypocrisy of the Catholic Spain that Franco and his fascists were defending, illustrated perfectly by a scene in which the nun Maria is forced into bed with a bishop in a brothel - women are expected to be both whores and chaste nuns simultaneously.

    As an encapsulation of Spanish (and international) anarchism it also succeeds - the film is peppered with quotes from Bakunin and Kropotkin, Buenaventura Durruti is portrayed as a character (giving his famous "new worlds in our hearts" speech) and the film even goes so far as to portray the ghost of Mateo Morral, an actual historical figure, who in 1906 attempted to assassinate the Spanish royal couple. Unlike Land and Freedom, Libertarias portrays the Spanish Revolution more than the Civil War, showing the Confederacion Nacional del Trabajo and Federacion Anarquista de Iberica (CNT-FAI) at their height, in 1936 after having liberated Barcelona from the fascists. This film does an excellent job of correcting many of the slanders launched against anarchism, and of unearthing one of the most important events of the 30's, the Spanish Revolution. For anarchists, this film is a superb vindication that finally shows the movement at its most powerful.
    7ma-cortes

    Historical picture dealing with Spanish Civil War , including good cast , nice production design and rousing musical score

    Wartime drama about political idealism centered on a group of revolutionary women perfectly played by a Spanish all-star-cast . Barcelona , at the outbreak of the Spanish Civil War, the nun Maria (Ariadna Gil of Pan's labyrinth) is forced to escape her convent. She takes refuge in a brothel (Angeles Martin , Loles Leon, Maria Pujalte , Isabel Ruiz De la Prada , among others) run by a Madame (Claudia Gravy) , until it is liberated by a woman (Ana Belen) accompanied by his anarchist group (Laura Maña , Blanca Apilanez) . Maria joins the group and unites the Republican troops against the General Franco army ; later on , she eventually goes to the front of Aragon . The women's group takes on the problems of battling not only the nationalists, but also factions on the left seeking to impose a more traditional military structure . Then occurs confrontation between FAI, CNT , AIT , anarchists followers of the leader Durruti (who gave name to the Column Durruti , here well played by Hector Colome), regular troops of the Republican government, Stalinists and Troskists.

    This interesting historical story is a passionate retelling and a touching warlike drama . The film originated an intense discussion in Spain about its principal theme , the Spanish Civil War . ¨Libertarias¨ results to be other of the innumerable stories to deal with dramatic deeds regarding the Civil War background . A familiar theme about the global horrors of a fratricide war , impossible to forget to our cinema . "Libertarias¨, adapted by the same director from a story by Román Gubern and José Luis Guarner whom is dedicated the movie . Vicente Aranda also writes the script and being filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement .The main problem has to face "Libertarias", beyond not being able to avoid falling into the politic pamphlet is precisely derived from the coldness of its staging, which eventually become monotonous over two hours and some of footage . This is a Spanish big budget production and obtained much success in the box-office . Excellent female cast forming a powerful human group of women and giving excellent interpretations . Very good support cast playing revolutionary women and men such as Blanca Apilánez as Aura , Laura Mañá as Concha , Loles León as Charo , Jorge Sanz as Obrero Hijo , José Sancho as Obrero padre , Antonio Iranzo , Antonio Dechent, Enrique Villen , among others . Perceptible , sensitive as well as evocative musical score by Jose Nieto . Including a spotless pictorial cinematography by Jose Luis Alcaine , Pedro Almodovar's usual, he carries out a photography with juicy atmosphere , being filmed in Madrid, and Vic, Barcelona, Catalonia . Jose Luis Alcaine is deemed to be one of the best Spanish cameraman with a long artistic career .Furthermore , a willingness , almost perfect of the elements of each shot , every sequence, every space .

    The motion picture was lavishly produced by the great producer Andres Vicente Gomez , being well directed by veteran filmmaker Vicente Aranda . He directed a series of award-winning movies firmly establishing him as one of the best Spanish filmmakers . Vicente is an expert on literary adaptations , he has been working from the 60s with ¨Fata Morgana¨ , Las Crueles¨ and ¨Novia Ensangrentada¨ . His greatest successes were intense dramas with plenty of sex such as ¨Amantes¨, ¨Pasion Turca¨ , ¨Si Dicen que Cai¨ , ¨Intruso¨ , ¨Tiempo de Silencio¨ , ¨Carmen¨ , and specially the historical story titled ¨Juana La Loca¨.
    m-kennedy

    Libertarias presents a visual image of how the struggle for a new common sense and a new social order require selfless sacrifice and organic rather than imposed leadership.

    I was at home attempting to plan a lecture for students. I was attempting to explain the Enlightenment, humanism and anti humanism. I particularly wanted to make an emphasis on how 'progressive' post structural and postmodern thinking has fragmented working class struggle into dozens of small micro struggles. The essence of this framework is that whilst genuine attempts are being made to create a new collective social order and a new common sense some left wing intellectuals impose their 'progressive' credentials to position themselves as the vanguard of change. Whilst the 'progressives' are engaged in a never ending but fragmented debate over the divine right over which fragment of the intelligentsia will lead the struggle the conservatives are able to organize and win the day.

    Whilst attempting to put this lecture together Libertarias appeared on my television set. It was in Spanish with English sub-titles. I couldn't believe my luck as it explained. Marxism, Socialism, Anarchy, Feminism, Fascism, Conservative, Progressive, Humanism, Anti-Humanism, Religion, the Monarchy. I have to confess that my lecture eventually comprised of playing the movie Libertarias to students.

    The outcome was very impressive. It explained the conflicts and contradictions associated with any social struggle.

    Years later I was to visit Spain and as I travel-led through Barcelona. Madrid and Toledo the movie took on a new meaning. Perhaps this is a flawed performance; perhaps it focuses too much on the struggle of women. What it does more than anything else is leave a never-ending impression of the sacrifices we have to make in order to bring about change.
    rachid-2

    The short summer of anarchy

    A tender and cruel film. Paradoxical? No when a real story is told. And the story occurs in Spain during the civil war. For this short summer of anarchy, in the most beautiful of the popular feats of the century, the director conducts an affectionate and anarchical look. He make us to remember that in revolutionary periods, revolutionaries are needed. But does not permit that we forget the monumental inefficiency of anarchism.
    10frejbabes

    Superb

    The best docu drama I have ever seen. Everything was spot on. I have studied this period in detail and it does not disappoint. Only saw it with French subtitles but no problem for me. Why isn't there one with English titles? That is absurd as English speakers need educating

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    Histoire

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    • Citations

      Pilar: I'm going to explain, so listen well. We don't see why the revolution is in the hands of only half the population. We are anarchists, but we are also women and we want to make our revolution. Not have men make it for us. We don't want a struggle designed to fit the male because we'll be fucked, as always. We want to fight so that we can claim our part in the share-out. And we want to make it clear that just now we're beside ourselves with joy and it would be a mistake to keep us at home knitting! We want to die! But we want to die like men, not live like servants!

    • Connexions
      Featured in The Movie Show: Episode dated 7 September 1997 (1997)
    • Bandes originales
      Melodia de Arrabal
      (Carlos Gardel (as Gardel) / Alfredo Le Pera (as Le Pera) / Mario Battistella Zoppi (as Battistella))

      (C) 1938 Ricordi Americana

      Por cortesía de Peermusic Española, S.A.

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    Détails

    Modifier
    • Date de sortie
      • 19 avril 1996 (Spain)
    • Pays d’origine
      • Spain
      • Italy
      • Belgium
    • Site officiel
      • Official site
    • Langue
      • Spanish
    • Aussi connu sous le nom de
      • Juegos de Guerra
    • Lieux de tournage
      • Plaça Reial, Barcelone, Catalogne, Espagne
    • sociétés de production
      • Academy Pictures
      • Canal+ España
      • Era Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 5 minutes
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 2.35 : 1

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    Victoria Abril, Ana Belén, Ariadna Gil, and Loles León in Libertarias (1996)
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