ÉVALUATION IMDb
6,4/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueSet in a gritty, real life New York City, alcoholic Sam meets up with a modern day succubus who marks him and controls his will. As his world unravels he slowly figures out what is happening... Tout lireSet in a gritty, real life New York City, alcoholic Sam meets up with a modern day succubus who marks him and controls his will. As his world unravels he slowly figures out what is happening and has to figure out what to do.Set in a gritty, real life New York City, alcoholic Sam meets up with a modern day succubus who marks him and controls his will. As his world unravels he slowly figures out what is happening and has to figure out what to do.
- Prix
- 5 victoires et 3 nominations au total
Avis en vedette
Fessenden embodies much that is great about no-budget, maverick filmmaking. I appreciated his color palette of browns and blacks, and like Polanski's `Repulsion' he manages to place you into the heart of a character on a downward spiral while referencing back to the vampire film. The lingering question for much of the film is, simply, is he going bonkers because of emotional stress or is she a blood sucking vampire draining him dry?
Wisely, Fessenden avoids any overt references to vampirism for almost the entire film, allowing the viewer to determine what is happening. He avoids the clumsy exposition which populates so many films. In a brief moment when Sam encounters his ex at a Halloween party, they make no reference to breaking up or ever having been together; he simply asks her how her apartment hunt is going and offers to help her move, and the way theyinteract says it all. The film is filled with moments like this.
It also helps that the film is shot in such a creepy way, giving the mundane aspects of his life a jolt. The major setpieces at a masked Halloween party or at a carnival evoke mystery and dread without resorting to vampires jumping out at you.
Wisely, Fessenden avoids any overt references to vampirism for almost the entire film, allowing the viewer to determine what is happening. He avoids the clumsy exposition which populates so many films. In a brief moment when Sam encounters his ex at a Halloween party, they make no reference to breaking up or ever having been together; he simply asks her how her apartment hunt is going and offers to help her move, and the way theyinteract says it all. The film is filled with moments like this.
It also helps that the film is shot in such a creepy way, giving the mundane aspects of his life a jolt. The major setpieces at a masked Halloween party or at a carnival evoke mystery and dread without resorting to vampires jumping out at you.
A great vampire film full of realistic eroticism, Habit is one of the best small-scale independent films ever made. The film is stunning on many levels- narrative ambiguity (is she a vampire or not?), incredible visuals and a beautifully detailed soundtrack all combine to make a dark and mysterious film that is more interested in character than in gore.
I love this movie. Fessenden's camera is relentless and surprising - likewise with his edit - he is simple, unique, and engaging - like a down-beat Cassavetes, he works on small impulses and real urban rhythms - while not perfect,the film is dreamily shaggy, a creepy joy every step of the way. beautifuly realized (great art-direction and photography) - this and Ferara's "The Addiction" make a great po-mo NY vampire double bill. BRAVO!
The best vampire movie since George A. Romero's 'Martin'. This one's a bit low-key but very well acted and contains some erotically charged sex scenes. The lead male character played by the wacky Larry Fessenden, complains of feeling weak, drained and a bit sick; which surely is the only downside of being accosted by a truly sexed up vamp, named Anna. Get the 'habit'!
Fascinating movie! Apparently Larry Fessenden is someone to keep an eye on, as his past work (some short films) has been critically acclaimed at Cannes. I don't know how Habit was received, but it is awesome. It takes a familiar theme (vampire/sex/etc.) and completely distorts it into an unexpected, unparalleled cinematic treat. Sort of like a grown up Lost Boys, without the cheesiness. The performances are mesmerizing (Larry himself play the David Yow look-a-like lead alcoholic), the camera work is intriguing, the overall creepy-yet realistic mood all work together to make this a must-see movie for anyone who hates mundane, mainstream fluff.
Le saviez-vous
- AnecdotesShot in 45 days over a 3 month period.
- GaffesIn Sam's last meeting with Nick at Sam's apartment, Sam's hair changes between shots.
- ConnexionsFeatured in Looking Back on Habit (2016)
- Bandes originalesInland Empire
Written by Jesse Hartman and Luke Wood
Performed by Sammy
Published by Slim Phister Music, Inc (BMI)
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- How long is Habit?Propulsé par Alexa
Détails
Box-office
- Budget
- 200 000 $ US (estimation)
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