Ajouter une intrigue dans votre langueA bounty hunter leads the U.S. Army to massacre a Cheyenne camp, rescuing White Wolf. Raised by whites, he later guides Black settlers to Oklahoma, where their arrival sparks a tragic clash ... Tout lireA bounty hunter leads the U.S. Army to massacre a Cheyenne camp, rescuing White Wolf. Raised by whites, he later guides Black settlers to Oklahoma, where their arrival sparks a tragic clash with White Wolf's tribe.A bounty hunter leads the U.S. Army to massacre a Cheyenne camp, rescuing White Wolf. Raised by whites, he later guides Black settlers to Oklahoma, where their arrival sparks a tragic clash with White Wolf's tribe.
- Nommé pour 3 prix Primetime Emmy
- 7 nominations au total
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I would also suggest viewers who enjoyed this film to check out the book there is a more rounded storyline with Corby/Whitewolf and Rachel, more on Black History and Buffalo Solders. There were two many storylines for the series or this film.
Sidney Poitier only shows he gets better with age, the talent just keeps growing the chemistry between his character of Gypsy Smith and Regina Taylor were wonderful viewing. I also enjoyed the Billy Wirth/Joanna Going storyline, they seems to play off each other well.
Billy Wirth is of course the "Model of Indian Vision". The look, the attitude, the dream of every woman who was wanted to be carried off in one of those romance novels by a native hero. Worked for me also.
Much more could have been done with this storyline but it did give the viewer a brief glimpse of racial problems back in the 1880's, white take over of native schooling, lack of Black pioneers to setup towns in the west. Michael Moriarty (Maxwell) as always a great actor comes across as a very caring and confused teacher, not sure if the "whites" should be interfering with native culture.
For anyone who enjoys characters and watching them change this film is for you. I thought the chemistry between Poitier's character and that of the orphan Whitewolf very moving and thought Wirth and Poitier worked very well together. Billy Wirth did some of his best scenes when working with Poitier.
Going got on my nerves sometimes when you want to just stop and shake her or give her a " wake-up and grown-up" call. But on the whole it was a great evening of entertainment.
Look for the two tape version of this mini series if you are a fan you will really see the difference.
Good, though I think the film might have been better had much of it not seemed like a romance novel.
There were things I liked and disliked about this film. I appreciate the look at 18th century racism and found a couple of the plots very compelling...such as the emasculation of the sheriff and his revenge against the scum that hurt him. But, at the same time, I thought occasionally the film seemed a bit like a bad romance novel...which in some ways deflected from the stories. Now I am not saying the romance between the white lady and the native man was bad or unnecessary...but it did seem like the emphasis on their passion was distracting. As a result, the portions about the mistreatment of blacks on the prairie seemed stronger and more to the point.
By the way, I am not trying in any way to gloss over the mistreatment of black people in the west...though in many ways, the actual life was far better for a black American than those who remained in the South. There were more opportunities, less racism AND many of the US Cavalry soldiers were black...though you seldom see this in most films about the period.
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- AnecdotesThis movie first aired on television less than one week after Sidney Poitier celebrated his 68th birthday.
- Citations
Gypsy Smith: I ain't nothing but a gunslinger. I can't teach you nothing but how to kill people. You got a change to learn books. That's where the power is. It's better than guns.
- ConnexionsFeatured in The 47th Annual Primetime Emmy Awards (1995)
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