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The best characters in this sitcom have to be Inspector Fowler and Inspector Grimm. Grimm cracks me up everytime with his bad use of speech and his catchphrase "No Fannying about". I like the idea of the CID and the Police officers not wanting to accept help from each other. Goody is also very funny as is Constable Kray (Series 1). A rare find in the 90's sitcom era thats actually good (Bottom, Vicar of Dibley and Men Behaving badly are the only other good comedies from the decade). British comedy at its best as always.

This series was a bit of a step back for Elton and Atkinson after the audaciously original Blackadder and Mr. Bean series. The Thin Blue Line is an old-fashioned farce set in a city police station. That's not to say it's bad--it's actually very funny, just not anything groundbreaking. A lot of the humor derives from playing stereotypes against themselves: our heroes are bumbling cops who manage to make fools of themselves while eventually solving the crimes and making fools of the bad guys (not to mention the detective division) in the end. Goody, who could be described as a flaming heterosexual, manages to combine a full repertoire of "nelly" mannerisms with a hopeless crush on Habib. Habib herself is both a stereotype (attractive young female character constantly pursued by almost every male character) and a skewerer of stereotypes. This show has its cake and eats it too, but the viewer is too busy laughing to question any of it. And in the tradition of the best British farces, it goes to unbelievable lengths to track down and hammer home every conceivable double entendre and smutty one-liner. When one finishes groaning and/or laughing, one can't help but admire such perseverance in the pursuit of craft.

I just got the series from Netflix after reading about it in one of my Brit-com books. I was sorry when the two discs were done. It is laugh out loud funny. Atkinson as Fowler is right on form and the rest of the ensemble cast matches him. Haig as Grimm is amazing he never falters even in his most tongue twisting lines ! Constable Goody is amazing the facial expressions alone are worth the rental cost. If you love Brit-coms this is a must see ! This is also one where you don't want to miss a word of the dialog. Sharp and witty. I noticed that in almost each episode there appear to be two- three distinct plot lines and how they do it is a mystery but everything comes together and is shown to be interconnected by the final fade out.

This show has Rowan Atkinson (Inspector Raymond "Feely" Fowler) at his very best, funnier than either Mr. Bean or Black Adder. He shares the screen with a delightful array of competent actors who all know how to deliver a funny line without squashing it, although sometimes I find David Haig's delivery of Detective Inspector Grimm's rants to be just a little too much.

I don't find much of what Ben Elton has written to be that funny, but this show has me laughing out loud time and again. Almost every episode in the two seasons available is well paced and loaded with double entendres. If only American sitcoms could match or come close to this!

Ben Elton, one of the creators of Blackadder, got back together with Rowan Atkinson for two seasons and twelve episodes of this unexpectedly low key situation comedy about life at a police station in a sleepy section of the U.K. Beyond arresting the occasional shoplifter or student prankster, they have next to nothing to do. This does not sit well with the action-starved CID man Grimm (whose insane tirades on the state of Great Britain are an every episode treat) but does not seem to worry anybody else. The emphasis here is, for once, not on the outrageous or the farcical, but at finding the humor in small everyday happenings.

Atkinson's comedy skills are as impeccable as ever, although after playing the Machiavellian Blackadder for years, followed by apocalyptic silent cinema throwback Bean, Atkinson had to grope around a little for the first couple of episodes to get the right subtle note with his middle aged public servant Insp. Fowler. The racially and gender mixed ensemble worked right away, and this is one of the show's strengths, along with Elton's scripts. It was as if Elton and Atkinson decided to show the world that although they had spent years redefining the boundaries of TV comedy, they could do traditional forms too, so there. This is a small gem of a series and worth discovering, especially since it is so little known beside Atkinson's other series.