Yeuk saat

Red to Kill is about a mentally retarded girl who is brought into a home for the handicapped after her father dies in a car crash. She's welcomed with open arms by all the residents and staff. Well, to add some spice to the story one of the staff is a psycho killer who goes absolutely nuts when he sees the color red....or whenever he takes off his glasses. Will the mentally challenged girl wear the color red? Find out in Red to Kill.

Now I've seen four Cat 3 flicks, Ricky O, Untold Story, Ebola Syndrome and now this, and each one doesn't disappoint. The dude who plays the maniac does an awesome job. I'm not sure if I've seen a crazier portrayal of a psychopath ever before....he was definitely the best part of the film. If you're looking for a unique, crazy flick, Red to Kill definitely fits the bill. 8.5 outta 10

RED TO KILL (Ruo Sha)

Aspect ratio: 1.85:1

Sound format: Mono

Though Chinese filmmakers have long been fascinated with images of violence and bloodshed - from the vintage horror films of Ma-xu Weibang through to Chang Cheh's splattery kung fu pictures of the 1970's - it wasn't until the early 1990's that Hong Kong horror movies found a new and unexpected foothold within the cultural mainstream, due to a wave of 'true crime' dramas spearheaded by DR. LAMB (1992) and THE UNTOLD STORY (1993), both helmed by Danny Lee (Chow Yun-fat's cop nemesis in John Woo's THE KILLER). For a brief period, the former colony played host to a wave of confrontational 'Category III' (Adults Only) movies, dominated by the work of controversial director Billy Tang. Already notorious for a scene in RUN AND KILL (1993) in which a little boy is burned alive in merciless detail, Tang proceeded to scale the heights of calculated outrage with RED TO KILL, arguably one of the most harrowing films ever made.

Orphaned by the death of her parents, a mentally handicapped young woman (Lily Chung) is remanded to the care of a hostel for the disabled, where she falls prey to 'benevolent' caretaker Ben Ng, a musclebound hulk whose charming demeanour belies his true nature: Traumatized by a childhood incident in which his mother slaughtered his father and brother with a meat cleaver, drenching him in blood, Ng is prompted to murderous psychosis whenever he sees the colour red, resulting in horrific explosions of rape and murder. Unable to control himself when confronted by Chung wearing a long scarlet dress, Ng assaults her and is promptly arrested, but his indictment is later dismissed on a technicality, and the three main characters (including Money Lo as a sympathetic social worker) converge on the workshop beneath the hostel for a climactic showdown which closes proceedings on a note of ABSOLUTE SCREAMING HYSTERIA!!

Judged alongside similar Asian atrocities, such as MEN BEHIND THE SUN (1987) or the infamous "Guinea Pig" series from Japan, RED TO KILL is either a fearless challenge to established cinematic limits or a reckless descent into the abyss, depending on your point of view. Photographed with stunning visual flair by Tony Mau and expertly edited by Choi Hung, the movie alternates scenes of naive sentimentality with eruptions of graphic horror, taking time to establish Chung's beauty and innocence before unleashing the forces of hell against her. But while Chung and Lo are dignified in adversity, Ng plays the villain as an unstoppable force of nature, literally throbbing with uncontrollable rage; his descent into complete psychosis during the hair-raising finale provokes a devastating rampage which is truly frightening to behold. Unsurprisingly, Ng has been typecast in villainous roles ever since.

But the filmmakers' bravura technique, coupled with an obstinate lack of moral restraint, makes it difficult to defend the film's worst excesses. The protracted rape scenes are designed as a visual spectacle, showcasing the humiliation of vulnerable female characters. Worse still, following the sexual assault on Chung (the movie's pivotal set-piece), the actress is involved in a shocking episode of self-mutilation which not only degrades the entire production, but seems deliberately contrived to test viewers' patience to breaking point. However, despite its questionable motives, the film is executed with such breathtaking cinematic gusto, it compels attention in a way that few other horror movies have managed before or since.

Director Tang continued his one-man assault on the boundaries of taste and decency with such inferior offerings as BROTHER OF DARKNESS (1994) and SEXY AND DANGEROUS (1996) before going 'legit' with a number of socially conscious dramas, beginning with Chinese MIDNIGHT EXPRESS (1997), featuring Ben Ng and HARD-BOILED's Tony Leung Chiu-wai.

(Cantonese dialogue)

A lurid and sleazy piece of gratuitously violent exploitation, Red To Kill will either have you switching off in disgust or glued to the screen in complete awe, such are the levels of excess committed to celluloid in this notorious Hong Kong shocker. Personally, I loved it, but then I've always had rather 'dubious' taste in films.

Ben Ng plays Chi Wai Chan, a seemingly mild-mannered care-worker at a home for the retarded; however, it transpires that, as a child, he was badly traumatised by a violent family incident and as a result, he isn't quite right in the head. Now, when Chi sees the colour red, he becomes a sweaty, sex-crazed, spittle-flecked maniac who rapes and kills with sadistic glee.

When Ming Ming (Lily Chung), an orphaned retarded girl with a love of dance, accidentally flashes the gusset of her red knickers to Chi, and later wears a red dress for a dance performance, she becomes the latest victim of the twisted lunatic, suffering a brutal sex attack.

Chi is arrested, but is later freed on a technicality. Ming Ming's social worker and close friend Ka Lok Cheung (Money Lo) vows revenge. She follows Chi to a bar, dressed in a sexy red outfit, and teases him enough to cause him to wig out and go postal in a finale which has to be seen to be believed.

Director Billy Tang, who gave us the stylishly sick Dr. Lamb, goes all out to offend the sensibilities with what may be the most repulsive, yet compelling movie to ever be awarded the Category III rating. Just setting a rape/revenge movie in a home for the mentally handicapped might be considered reason enough for most to avoid this film, but fans of extreme cinema will be delighted. If you are able to look beyond the questionable subject matter, it is not hard to admire Tang's audacity as he enthusiastically ladles on the excess.

Lily Chung and Money Lo both give excellent assured performances, but it is Ben Ng as the crazed sex-fiend Chi, who steals the show. His transformation from gentle care-worker to deranged muscle-bound, sledgehammer-wielding rapist is a joy to behold and goes to the top of my list of all-time favourite cinematic psychos (sneaking just ahead of Anthony Wong as Bunman).

Given the extreme nature of Red To Kill, one should think carefully before viewing. Even if you are an experienced Cat III junkie, be prepared to have your jaw hit the floor at least once or twice during this relentlessly harrowing and sleazy tale.

RED TO KILL is tied for #1 (with THE UNTOLD STORY...) as my favorite Cat III HK shocker that I've seen so far. Though extremely violent by nature of the films brutal subject matter, RED TO KILL still beautifully, thoughtfully, and compassionately relates the child-like innocence and loyalty of the mentally handicapped. RED TO KILL is the story of Ming-Ming, a mentally retarded girl whose father is killed in a car accident. Ming-Ming is then taken to a home for mentally handicapped kids by Ms. Lok, a compassionate and kind-hearted social worker. Ming-Ming is also greeted by Mr. Chan, a seemingly benevolent and considerate caretaker at the home. Soon Ming-Ming begins to make friends and falls into the daily life at the home, and all seems well, until... And this is where RED TO KILL really takes off. Mr. Chan turns out to be a psychopathic rapist who goes completely out of whack at the sight of any woman wearing any red clothing. After seeing Ming-Ming perform a very innocent dance routine adorned in a red dress, Chan flips the f**k out, and brutally rapes Ming-Ming. Chan is hauled into court but let off due to a technicality. Ms. Lok, who by this point has grown very fond and protective of Ming-Ming, decides to take matters into her own hands and bait Chan into coming after her, in hopes of seeking revenge for the rape of Ming-Ming. Unfortunately, this scheme sorta backfires, leading up to one of the most incredible climaxes in film history. Anyone judging this film solely on the violent nature of RED TO KILL is missing the point entirely. Of course, due to the graphic portrayal of rape and violence, this film is not for all tastes, by any means. But unlike other reviewers who insist on classifying this as violent, gory, exploitation cinema - I feel that in many ways this is a beautiful film that works on many levels. All of the actors are dead-on, whether it be Lily Chung as the lovable, innocent, victimized Ming-Ming, or Money Lo as the compassionate and fiercely loyal Ms. Lok, or especially Ben Ng as Chan, the friendly-care-taker-by-day and psychotic-rapist-murderer-freak by night (whose performance is one of the best that I've ever seen on film, period). The film never tries to portray the mentally handicapped as weak or inferior and really goes out of it's way to shed a pleasant light on those individuals that have mental disabilities. One scene in particular has Ming-Ming sitting in a corner after the trial of Mr. Chan; she is shocked and catatonic due to the nature of the preceding incidents that she obviously can't truly fathom. The other handicapped children are offering her gifts and support to help bring her around, but to no avail. All this while Ms. Lok looks on helplessly with tears in her eyes. The compassion shown in that one scene alone was more touching than pretty much any Hollywood drama bulls**t that I've ever seen. This could have been a truly exploitative film, but I feel the director handled all of the situations with care and compassion, to faithfully tell a story of lost innocence. Now that I've raved about RED TO KILL for so long-I do have one gripe...My copy comes from a company called Universe who did THE WORST SUBTITLING JOB, EVER!!! I see another reviewer quoted the "Crash your Penis" line, so I guess he got the same copy I did. The subtitling is so disjointed in parts (if you speak English, that is...) that a few scenes are almost unintelligible, or unintentionally funny. It doesn't really impact the overall impression of the film, but it can be confusing at times. Overall, I love this movie. There are definitely some intense and graphic scenes of rape and violence that casual film-goers would probably be repulsed by. This film is in my opinion not as gory as THE UNTOLD STORY, THE GUINEA PIG films,etc... but still only recommended for those who enjoy "extreme" cinema. A beautiful, compassionate, horrifying, disturbing film. Highly recommended 9/10

I've seen quite a few of Billy Tang's films, and I must say this is the best. The direction is great, Tang's penchant for blue lighting works perfectly with the material. Lily Chung plays a retarded girl who is sent to a home after the death of her father. Ben Ng plays the mild mannered director, who happens to be a psychotic killer and rapist, his violent impulses triggered by the color red. This is an awesome performance, ranking as one of the most entertaining film loony's I've ever seen (and that's no small number). While bleak, there is also plenty of humor, some unintentional, due to the poorly translated subtitles ("Crash your penis, cut it to make soup!"). Fans of HK horror will love this.