ÉVALUATION IMDb
7,1/10
4,1 k
MA NOTE
Ajouter une intrigue dans votre langueLugubrious Finns Valto and Reino take to the road in search of coffee and vodka, but are interrupted by the Russian Klaudia and Estonian Tatiana, clearly interested in them. Are there chance... Tout lireLugubrious Finns Valto and Reino take to the road in search of coffee and vodka, but are interrupted by the Russian Klaudia and Estonian Tatiana, clearly interested in them. Are there chances of getting a response though language barrier?Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, but are interrupted by the Russian Klaudia and Estonian Tatiana, clearly interested in them. Are there chances of getting a response though language barrier?
- Director
- Writers
- Stars
- Prix
- 2 victoires et 2 nominations au total
Avis en vedette
Although Finnish film 'Take Care of Your Scarf, Tatiana' is a short film but the manner in which it has been directed by Aki Kaurismaki, it can be stated that it beats many a feature film both in content as well as style. This has a lot to do with its exclusive focus on some unusual male-female relationships which have been shown to be successful even in the absence of a common idiom. Alcohol and Coffee play an important role in Aki Kaurismaki's films and this film is a perfect example of the extent to which people would go in order to get hold of these beverages. For a road movie shot in black and white, this Aki Kaurismaki film has challenging roles for Finnish actors Matti Pellonpää and Kati Outinen. It is with utmost sincerity that they demonstrate that language is not a barrier for two people to communicate their feelings as gestures can also be used to express feelings of mutual appreciation.
The Finnish infant terrible returns to the monochromatic rock'n'roll vibes of his earlier CALAMARI UNION, only this time he substitutes the avant-garde surrealism with the silent, deadpan minimalism he meticulously cultivated for most of his career. Two thirty-something rockers working menial jobs and leading dead-end lives embark on an impromptu journey in their cool car, along with a coffee-car mixer and a portable record player. Along the way they meet two Russian women who are looking for a lift.
TATJANA is part road movie, part romance, both done in Kaurismaki's distinct, ever so enjoyable and relaxed, quiet way. The black and white cinematography is absolutely fantastic, the soundtrack as usually an eclectic mix of rock'n'roll, jazz and folk and the mood of the same deadpan unaffection that permeates the rest of his work. His characters cold and detached on the outside, yet they miraculously emote better than the best overacting could afford you.
Clocking at only 59 minutes, TATJANA doesn't so much feel as a fully-fledged movie as a broad stroke. Seen independent it's one thing; seen as part of Kaurismaki's broader universe, like another vignette of gloomy but not miserable Finnish life, it takes its proper place. See it in a double-bill with CALAMARI UNION or ARIEL.
TATJANA is part road movie, part romance, both done in Kaurismaki's distinct, ever so enjoyable and relaxed, quiet way. The black and white cinematography is absolutely fantastic, the soundtrack as usually an eclectic mix of rock'n'roll, jazz and folk and the mood of the same deadpan unaffection that permeates the rest of his work. His characters cold and detached on the outside, yet they miraculously emote better than the best overacting could afford you.
Clocking at only 59 minutes, TATJANA doesn't so much feel as a fully-fledged movie as a broad stroke. Seen independent it's one thing; seen as part of Kaurismaki's broader universe, like another vignette of gloomy but not miserable Finnish life, it takes its proper place. See it in a double-bill with CALAMARI UNION or ARIEL.
Caught this on Moviedrome a couple of years back and watched it again recently. Kaurismäki's direction is ahem, directionless and very minimal. The two males are boorish; the two Russian girls more expressive and fun-loving. Coffee and vodka are two addictions 'suffered' by Tatjana and Valto.
There is love of sorts found at the end for Tatjana and Reino. Whether or not this savage plot twist will surprise us viewers or not matters little. Beautiful and bleak with a fantastic soundtrack, "Take Care..." is a film that says absolutely nothing but does so with style.
5/10
There is love of sorts found at the end for Tatjana and Reino. Whether or not this savage plot twist will surprise us viewers or not matters little. Beautiful and bleak with a fantastic soundtrack, "Take Care..." is a film that says absolutely nothing but does so with style.
5/10
10nh-2
After seeing this movie I wondered how foreigners would experience it. Without knowledge of the social history of Finland in last century this movie must seem very strange. And if you know nothing about our civil war and the division of society these characters are devoid of meaning. Just two avoidant personalities, maybe? However from a Finnish perspective this is the perfect description of the outsiders of our society. The fellows who are left behind, but don´t agree with that viewpoint themselves. Who are stranded in the no-man´s-land between urban success and country desolation. They try to get along somehow and when they meet two Russian girls it´s the irony of fate staring them in the eye. The Russians are able to surpass social barriers without flinching, they just go on and talk, but these two Fenno-ugrian oedipal conflict prototypes can´t seem to find some meaning in this. Instead they resort to sulking, one of the basic Finnish social coping skills. What else can you do when you´ve got nothing in an otherwise expansive society, when there´s this huge discrepancy between your own success expectancies and reality, and when you watch the grandchildren of the victorious side in the Civil War pass you by. Not much, according to Kaurismäki who manages to make movies about that part of Finland that never goes to movies. For a Finn, the music is lovely as usual, the kind of music we grew up to after the war.
10mingus_x
i really love this movie. it has so many unique and wonderful characters. every one celebrates his individuality. so many bizzare gadgets: a built in vinyl record player for cars, a coffee machine also in the car to ease one of the main characters need for the black drink (when there is no vodka around). a finnish road movie. slow pace, but lovely mood and the will to survive through the darkest night. very recommended. enjoy your life as long as you can and try to watch this movie before it ends ...
Le saviez-vous
- AnecdotesMost of the time when Matti Pellonpää drinks vodka in the film it is the real thing according to director Aki Kaurismäki.
- ConnexionsEdited from Topralli (1966)
- Bandes originalesIf I Had Someone To Dream Of
Written and Arranged by Lindskog and Feichtinger
Performed by The Renegades
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Détails
- Durée
- 1h 2m(62 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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