Nina prend un amant

The more I see of Laura San Giancomo, the more I like her. She was excellent in "Pretty Woman" and her presence was powerful. I'm sure her real personality comes through when she acts. All of the actors were excellent in this movie, and believable. Wouldn't married life be more fun if we could throw away the boring side, and create new characters every now and then? Instead of a husband going out to create a fantasy, it's all there under his own roof. Be who you want to be at any time, not just on Halloween :-) although it would probably be considered an abnormal state of affairs ... then again, from what we see today at the movies or on TV, maybe it would be accepted. For sure, watching this movie would make you want to try when you see the end results. I enjoyed every minute of it. The TV guide only had two and a half stars against it. I would have given it four!!!

It is refreshing to see a movie about married life, that tells it like it is--this movie actually has a involving story! Furthermore, this movie is funny, interesting, well acted, and erotic. If you liked Laura in Quigley Down Under, and Pretty Woman, you'll love her here. Her sweet, vulnerable, yet strong and assertive personality shines as does her comedic ability. This is a terrific date movie--for married folks. Don't miss it.

Though the movie was somewhat slow and Rhys never got a name- only the "photographer" this was a pleasant movie to watch on a weekend evening with a glass of sherry. San Giacomo is a very attractive woman and carried off the part nicely. Fisher Stevens added to the sleaze factor of it all. What I liked was the romance evolved and didn't go straight into sex scenes. A believable film about two people who are attracted to each other and because both spouses are gone- follow their hearts- though they are breaking vows.

Laura San Giacomo has a husband who's always away on business and it makes her a sad person. She has a meet-obnoxious with photographer Paul Rhys and they start an affair.

This is a terrible movie. Nobody in it has any discernibly human traits, so none of the dialogue sounds like things that real people would say ... and it's all dialogue. Giacomo and Rhys prattle on endlessly in scene after scene after scene.

Full disclosure: The film has a huge twist which caught me totally off-guard. In retrospect, it should have been obvious, but since little about the film made any sense, I assumed that the twist-related details that didn't add up were just part of all the other details that didn't add up. Anyway, the film manages to do nothing of any interest with the twist once it drops.

Nobody in the film is good, but I don't really blame them. At times it reminded me of "The Room", but with better actors and basically competent filmmaking. It's kind of a testament to Giacomo that she can do anything with this.

Michael O'Keefe has a totally irrelevant part that involves sitting in a chair and nodding a lot. Fisher Stevens is about as miscast as it's possible to be as a studly barista.

This is a quiet, scenic film set in the mellow San Francisco of the early 90's, with a pair of convincing & attractive lead actors. You could almost enjoy watching it on that basis alone. When the movie starts, Nina's husband has left town on business and the story unfolds as Nina meets and begins hooking up with a new lover. There's surprisingly little drama considering the subject matter, and the movie gets downright sluggish in parts. This film isn't really an exploration of the thorniness of extramarital affairs - for that you can watch "Unfaithful." Still, there's some food for thought as well as a few really touching scenes. San Giacomo and Rhys are both good actors and manage to keep things interesting.