Les quatre filles du Docteur March

This version of Little Women is lovely. Everyone is perfectly cast, and fans of the novel will be happy that it is quite true-to-book. Winona Ryder is perfect as Jo, quite equal to Katherine Hepburn's performance in the 1933 version. Susan Sarandon is wonderful (though I'm not sure Marmee would talk about 'restrictive corsets' to John Brooke). :) Christian Bale is an excellent Laurie, and Gabriel Byrne is wonderful as our Professor Bhaer. Kirsten Dunst and Claire Danes showed acting ability beyond their years. Trini Alvarado was a very pretty and sweet Meg. Samantha Mathis was a very pretty older Amy, but she could have been more lively. Eric Stoltz was a great John Brooke. I had never pictured Brooke with red hair, but it was nice. The rest of the cast was terrific, especially Mary Wickes as Aunt March. For once, Mary wasn't playing somebody's nurse or maid. :)

The music and cinematography were beautifully done. It was absolutely wonderful, and I highly recommend it (and the book of the same name). :)

I've seen the original, starring Katherine Hepburn as Jo which was directed by George Cukor in (what seems to be) 1901. That's an excellent version of this story, a real classic.

Maybe the story just needed a 'new coat of paint' to spruce it up a bit because it sure does seem new and worth telling again.

Winona Ryder has to carry the movie, more or less, and gives a confident performance as the independent Jo. Susan Sarandon is not around that much but makes a good Marmee. Christian Bale is great, as always, and Trini Alvarado and Eric Stoltz round out the cast.

You don't see Claire Danes that much, but then it becomes about her quite a bit as the story moves on. A gift she receives for Christmas from a kindly neighbor could give your tearducts a workout, at the very least.

Beautiful movie. Could even be longer, and how many times can you say that about anything?

"Little Women" is a gem of a movie, encompassing comedy, drama, and romance into one well-made film that is true to Louisa May Alcott's literary classic. It follows the lives of the four March sisters, from the turbulence of youth, the turmoil and romance of adolescence, the joy of love, and the pain of loss. The quality of this movie depends entirely upon the chemistry between the actors, and it accomplished this with success. The film is a vignette of scenes throughout the sisters' lives, showing their relationships with one another and with the people around them.

Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.

Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.

Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.

Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.

10/10

Having seen all the versions, including the 2019 version, this is the best out of all of them. Much truer to the book, as are the characters. Totally charming, beautiful dialogue and music.

Superlative, mostly faithful adaptation of Louisa May Alcott's acclaimed novel of four impoverished teenage sisters who come of age in Civil War era New England. The film chronicles ambitious scribe Jo, decorative and impressionable Meg, timid, musically inclined Beth, and artistic, precocious Amy, with emphasis placed on their relationship with their beloved "Marmee" and their growing bond with the playful, cultured boy next door as they attempt to make their way while their father is off fighting in the war. While devoted readers may have wished for an ending that was more in line with the novel, this is perfectly cast and brilliantly acted, with wonderful characters, a pinpoint sense of the time period, and genuine emotions that flow throughout the proceedings; a worthy adaptation indeed. ***