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OK, once you get past the age difference of nolte and roberts, the film is enjoyable. I would have rather seen someone a little younger in Nolte's role, but other than that, i found the film enjoyable and well written. Where the film struggles however is editing. I actually think the film is about 20 minutes too long. There are a lot of traveling too and fro scenes that could have been edited out.

Where the film succeeds is the acting quality. As I said above, the age difference in the leads is distracting, the chemistry in the actors is very likable (including a nice set of guest spots in the beginning, including Robert Loggia). Many of the montages used to illustrate the developing rivalry are well done and the clues in the film are very intelligent.

Ultimately though, the best part of the movie is the fact that it is clean. A nice tribute to the tracy/hepburn days.

Well, I wouldn't exactly describe this as a timeless classic, a thought provoking movie, or one of the legendary love stories of the silver screen. Still, it's a fun romance and an entertaining way to spend a couple of hours.

The tale revolves around two rival Chicago reporters, one relatively novice, Sabrina Peterson, the other the more seasoned, well known Peter Brackett, who are both hot on the trail of a train derailment story. Of course competition between them is intense (and so at times is the chemistry) as the two exchange false leads, fibs, barbs, and witty repartee. Lots of predictable action, chases, and mystery as to the identity of the bad guys.

The lovely, always endearing Julia Roberts plays the journalistic sharp cookie, Sabrina, with Nick Nolte convincing in the role of her rival, Brackett. At least the pair are not hopping into bed within the first half hour (in refreshing contrast to most modern films), leaving a little time for storytelling and character development.

This is definitely describable as a "flick" (for guys or chicks); its spirit is in keeping with its title. Personally, I'm a great Julia Roberts fan. This isn't her best picture but, nevertheless, it's quite watchable.

This one was okay, but a bit too long. The funniest part is actually the scene where Nick Nolte and the boyscouts find Julie Roberts skinny dipping. And isn't Nolte a bit old for Roberts here? Well, if you're looking for a contrived romantic comedy, look no further.

1st watched 2/8/2002 - 6 out of 10 (Dir-Charles Shyer): Nolte/Roberts starpower make this rather convuluted, unbelievable story watchable. A very simple title for a very over-the-top complex story that starts with two rival reporters covering a train de-railment in Chicago and ends with having something to do with a chemical that helps cows produce milk at an early age. As silly as the story plot is, we follow Nolte as a well-known name for the Chicago Chronicle, and Roberts as a newcomer for the Chicago Globe with both of them having one thing on their minds - their egos!! The movie starts out slow but once the two heroes start acting like they're actually trying to work together, things heat up. The exchanges between the two are comical and classic at times. Roberts seems to always to be matched up with some of the best male actors in Hollywood and she usually comes out holding her own, this is no exception and the movie, it's ok too.

That this film fails on so many levels and still remains watchable, if not actually enjoyable, must be a credit to someone involved in the production; it's just not immediately clear who.

There are three main problems with the movie. One, the attempt to graft the noirish elements onto a hi-tech industrial-intrigue plot, which results in an uncomfortable mix of pulp culture from two generations: the hardboiled detectives of the '40s thrust into the realm of today's potboiler mystery bestsellers. Whereas the earlier style was streamlined, and relatively simple and focused, today's genre authors seemingly compete for who can make the most convoluted plot with sidetracks, red herrings and subplots galore. This contrast leaves the film trying to go in two directions at once.

Two, the relationship between the leads is never quite satisfactory. Roberts and Nolte are just not cut out for their cut-out roles, and while they try gamely, it's tough to buy them as reporters who bicker, and almost impossible to imagine them falling in love, even though its obvious from the first reel that this is where the story will take them. Three, the film is far too long, and it becomes a chore to maintain attention and interest in what happens.

On the plus side, there are some redeeming features. The plot plays its cards close enough to its chest that some elements of the ending come as an untelegraphed surprise. The comic touches are successful enough, especially in the bickering between the two as they try to out-do each other in getting the scoop for their respective newspaper. The camera work and editing employ some tricks to freshen up some scenes and the cuts between them. The only problem here is that once the same trick is employed more than once or twice it becomes a little tiresome.

We're left with a very standard piece of work, but one that works just hard enough to keep it relatively entertaining but not quite memorable, even for Nolte and Roberts fans.