Créatures célestes

I was both really shocked and mesmerized at this film. The film is sort of an open-minded story about a real-life event, told in a fantasy genre. Peter Jackson's direction is simply phenomenal. The way he tells this story, he does not want it to be a regular thriller, or fantasy, he lingers in both. He manages to create a sort of scary, yet beautiful account of this event. The way he captures the girls' imaginations on screen is simply spellbinding. The characters themselves are brought to life so effortlessly, so magically realized, thanks to the magnificent screenplay. Melanie Lynskey and Kate Winslet are so great together. Their chemistry, their power together, it is so well captured. But it is Kate Winslet who shines more. This was her first big movie role, and I believe it is what started her amazing movie career. She is simply magnificent. She steals every scene she is in. She was robbed of an Oscar nomination for sure. The cinematography of the film is also what caught my eye. The camera-work is done differently than other films. It is so magnificent though, but it might annoy some people who like 'steady' shots.

Overall, I cannot really out into words how extraordinary this film is. It is enough just to see it. It is probably one of the most memorable films of 90s. One of the most haunting. It is a must-see, and probably Peter Jackson's masterpiece(It is altogether more affecting than the Lord of the Rings)

I understand why teenage girls would like this movie--the thrilling rush of new found deep friendship tied together with nascent sexuality and all that comes with it...the defying of the confines of the world around them...the incredible power of unfettered creativity and self-delusional belief...

What's amazing is that a jaded thirty-something man like myself would consider it to be his favorite film of all time. Peter Jackson shows a deftness in handling interpersonal characterizations and blending in amazing special effects in a way that seems so natural...so fluid...that you while you're awed by what you see, you're not so aware of the process that you're distracted. The oh-so-1993 effect of "morphing" is used better here than any other film (save, perhaps, Terminator 2--but in that movie, the morphing WAS the film...when here, it is merely one element.)

The direction is exemplary. The cinematography is awe inspiring. The script is sharp. The acting...down the line...is superb. Melanie Lynskey delivers a brave performance--giddy, childish, frightening, sexual, clouded... She's everything Christina Ricci pretends to be. Kate Winslet--hyper-bright and wonderful...her performance here reminds you that her "Titanic" performance was "sunk" (sorry!) by the extremely poor dialogue she was given. Her character's overly cheerful demeanor is a mask that covers her disappointment in her parents--but it's extended so far that it no longer seems like a mask...it seems to be a force of nature that drags Lynskey's Pauline along for a dangerous ride...a ride that Winslet's Juliet is in no position to control. There are crisp performances from all of the supporting cast as well.

Jackson should be listed with Gilliam and even Lynch when it comes to directors who can achieve a glorious, if dark, vision. The fact that Jackson's movies (save for "Meet the Feebles") are mainstream accessible--in ways that Lynch, especially, could barely consider (although "The Frighteners" was painfully overlooked by the US market)--makes me wish that he'd try his hand at more mainstream material.

Imagine what a Peter Jackson "Titanic" would have been like...and compare that to what a James Cameron "Heavenly Creatures" would have been like and you get my point.

Heavenly Creatures, based on a true story, is written, directed and produced by Peter Jackson of Lord of the Rings fame. This film captivates, catching you off guard.

Jackson sets the audience up in the beginning by focusing on the tranquil, predictable world of 1950s Christchurch, New Zealand. Before long, the peaceful world is exposed for what it is, repressed.

Two teenage girls, Juliet and Pauline, befriend each other at a private girl's school. They find out they have a lot in common. Sharing a world of fantasy and make believe, leads to an insane reversal. Their fantasy world becomes their reality.

Once they cross that line, their otherwise superficial, conventional world is turned upside down. All the repressed dysfunction surfaces. Ironically, Juliet's mother is a psychotherapist who doesn't see her daughter's neurosis becoming a psychosis. Eventually, Pauline and Juliet go off the deep end, drowning in their make believe world. By the end of the film, they do the unthinkable.

Kate Winslet is superb as Juliet. The rest of the cast is outstanding. Peter Jackson does a masterful job of capturing the essence of 1950s religious repression in New Zealand. It could be England or American in the 1950s. Heavenly Creatures will appeal to anyone who enjoys psychological twists and turns.

Based on a true story that took place in New Zealand in the mid-1950s, "Heavenly Creatures" is one of those films that seems tame at first glance, but is full of explosive devices. Co-writer/director Peter Jackson (of "The Lord of the Rings" fame) crafts a highly-disturbing motion picture about two teenaged girls (Melanie Lynsky and Kate Winslet, in the role that put her on the cinematic map) who have a highly potent relationship that is based on their love for literature and their love for a conjured-up fantasy world. Their intense friendship borders the line on a deep obsession as the two become inseparable. Their parents believe that lesbianism may be part of the partnership. Even though there are dream sequences and undertones aplenty to point to that, the girls' friendship does not go that way in real life. As others try to separate them for good, the girls come up with a devious plan to destroy who they feel is the major culprit (Lynskey's mother, played by Kirsti Ferry). The movie goes into a dark place and its somewhat sweet candy-coating tries to hide the fact that this was a truly major incident in a time and place where things like this just did not occur. Jackson was going for something like Peter Weir's equally disturbing "Picnic at Hanging Rock", but ends up creating a film that runs rings around that disappointing work. Jackson's smart direction just enhances a really intelligent Oscar-nominated screenplay. Kate Winslet does truly steal the show from Lynskey who was meant to be the real focal point of the production. A good film that would lead to even better works for the major players involved. 4 stars out of 5.

In 1952 Christchurch, New Zealand, 14-year-old Pauline Yvonne Parker (Melanie Lynskey) is a bitter introverted student from an all-girls school. Juliet Marion Hulme (Kate Winslet) is the flamboyant new girl from England. Pauline forms a friendship with Juliet obsessed with their imaginary Fourth World. Juliet's parents abandon her in the hospital with TB. Pauline's mother becomes concerned about her rebellious turn and the girls' possible homosexuality.

These are two amazing performances. Lynskey is a wonderful weird introvert. The girls bring out the desperation of puberty coming-of-age. Director Peter Jackson brings out an interesting imaginary world. The movie brings out an early sign of wonder things to come.