On extirpe de prison un ancien activiste de l'IRA, Declan, pour stopper un dangereux terroriste qu'il a connu dans une autre vie. Ces deux-là se flairent et se devinent à distance, la traque... Tout lireOn extirpe de prison un ancien activiste de l'IRA, Declan, pour stopper un dangereux terroriste qu'il a connu dans une autre vie. Ces deux-là se flairent et se devinent à distance, la traque du 'Chacal' promet d'être rude. Mais s'il les menait en bateau ? [255]On extirpe de prison un ancien activiste de l'IRA, Declan, pour stopper un dangereux terroriste qu'il a connu dans une autre vie. Ces deux-là se flairent et se devinent à distance, la traque du 'Chacal' promet d'être rude. Mais s'il les menait en bateau ? [255]
- Prix
- 1 victoire et 4 nominations au total
Avis en vedette
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
Brucie plays a nameless assassin, cool as ice and utterly emotionless. Richard Gere is the only man to have seen him. He's let out of prison to assist the FBI in catching the Jackal before he takes out an uncertain high-ranking official. Willis and Gere are, for the most part, leading their own movies as they never meet until the climax. It's very interesting watching them both go about their business, Willis hatching a master plan and Gere methodically picking apart his trail and hunting him down. There is great support from Sidney Poitier and cutie-pie Diane Venora as a scarred Russian cop.
With a wide variety of brilliantly photographed locations across the US and Canada, and plot with a medium-level of complexity it's not entirely brainless viewing but not too taxing as to alienate lazy viewers. I honestly do not get why so many people hate it. Willis has done far worse films (even seen Mercury Rising?) that get off scot-free somehow, but The Jackal doesn't get off so lightly. Aside from Gere's slightly dodgy Oirish accent I have no complaints about this film. Give it a chance and you might just be entertained.
The picture contains lots of action,suspenseful,past paced thriller,intrigue,tension but at times it seems too similar to another action films.Agreeable chemistry between Richard Gere and Sidney Poitier along with excellent action sequences like as the breathtaking final game in the subway are someone of the worthwhile items in this rehash from the classical Day of Jackal.Willis,Gere and Poitier,the trio protagonist, make a solid portrayal of their characters backed by a splendid secondary casting. The film is based in Frederick Forsyth's best selling novel of political intrigue previously adapted successful by Fred Zinnemann with Edward Fox.However here is quite different,but the target is political ,the general Charles de Gaulle by the OAS(terrorist organization anti-independence Algeria),while in this film is apparently the FBI's director. Colorful cinematography with beautiful locations by Karl Walter Lindenlaub and enjoyable music by Carter Burwell .The motion picture is regularly directed by Michael Caton Jones.
Le saviez-vous
- AnecdotesFrederick Forsyth, who wrote the novel "The Day of the Jackal", insisted his name be taken off the credits of this film, which is why it is billed as "based on the screenplay".
- Gaffes(at around 57 mins) When the weapon is first test fired from the mount and misses, the problem is unlikely to have been with the mount and more likely to be poor alignment of the targeting system.
The mount is the only moving part of the gun platform. That's how the gun is aimed, by adjusting the mount. It *is* the targeting system.
- Citations
Valentina Koslova: She's Basque, isn't she?
Declan Mulqueen: Aye.
Valentina Koslova: They say Basques live by the vendetta. If they hate someone it's to the death. It's the same when they love.
- Autres versionsDVD special edition features additional scenes deleted from the theatrical release and an alternative ending, where the Jackal is killed by Isabella.
- ConnexionsEdited into The Jackal: Deleted Scenes (1998)
- Bandes originalesStar
Written by Bobby Gillespie (as B. Gillespie), Robert Young (as R. Young),
Martin Duffy (as M. Duffy), Andrew Innes (as A. Innes)
Performed by Primal Scream
Courtesy of Creation Records Ltd./Sony Independent Network Europe/Reprise Records
By Arrangement with Warner Special Products
Meilleurs choix
Détails
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 54 930 280 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 164 595 $ US
- 16 nov. 1997
- Brut – à l'échelle mondiale
- 159 330 280 $ US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1