Cannabis Express

This is a pretty good movie heavily influenced by John Huston's "The Treasure of the Sierra Madre" with Humphrey Bogart, but original in its content and conflict. It is not so much a comedy as a quirky drama, like Treasure, though its point is not as sharp at the end. You should see Treasure (again) before or after seeing this.

This film was marketed as a comedy but anyone who went into it expecting "Half Baked" was probably dissapointed. Instead of a mindless stoner-comedy, we get a good solid film that is equal parts drama/comedy/thriller. It's the story of a group of pot farmers who, after seeing their boss murdered, decide to cash in the crop for a cool 3 million. Needless to say, things turn out to be a bit more complicated than expected and getting the money takes a back seat to getting themselves out of this bind that they have done such a good job of getting themselves into.

The three central characters, Jack (Billy Bob Thornton), Carter (Hank Azaria) and Harlan (Ryan Phillipe) are working for Malcomn (John Lithgow), manning the pot farm, when Malcom is killed by his own helicopter pilot. Thinking they know way more than they actually do, they decide to take charge of the situation and finish out the job. Jack poses as Malcomn (none of Malcomn's customers have ever actually seen what he looks like) and becomes the natural leader while Carter and Harlan bumble around doing the grunt work.

Things go a little over Jack's head when mob boss "Gionni the wop" (played hilariously by Ted Danson) enters the picture. Pretty soon it's paranoia time for the three stooges and their mutual girlfriend Lucy (Kelly Lynch), fighting off rippers, avoiding hitmen, and trying to find a buyer, all without getting caught by the feds (all the local cops are paid off).

There are many plot twists in Homegrown and the acting is great from a huge ensemble cast. Hybrids like this rarely work completely and Homegrown does sputter occassionally. There are a few scenes that leave you wondering if they are supposed to be funny. One thing that is highly overlooked and misunerstood about this film is how it makes you feel just like the characters. It totally succeeds in putting you in the same boat with them and making you feel the same things that they are feeling.

All in all, I give this movie a 9/10 and I highly reccomend it. It DOES NOT glorify the use and distribution of marijuana (many would like to argue that point) but merely uses it as a backdrop for what is going on. Give it a run. I especially reccommend this one to Billy Bob Thornton fans. He is so perfect in his role that you can almost smell the weed on him.

I was surprised by how much I enjoyed this movie. I tend to like Billy Bob movies and this was no exception. Good cameos by actors, playing roles much different than what we usually see them as. Believable too. I especially liked the community angle of the growers. I also live in a small community and it was funny to see the town stand behind each other the way they did.

Well, it's a weird movie. That Stephen Gyllenhaal seems to LIKE weirdness, really.

The fact that the film is billed as a comedy should not be considered an indictment. A film is made because someone decided to try to share this particular story with you--NOT because he wanted to add another movie to some given drawer/shelf in a video rental store, nor because he wanted to make things easy for the marketing department.

I know the film wasn't well-promoted, but looking at the movie itself, I think it's actually a pretty innovative piece of work.

What really makes the film work is the ambiguity and (ok, I admit it) PARANOIA of it.

If you've found yourself wondering what any particular scene adds to this movie, I fear you've fallen victim to lack of imagination. The characters never know "who knows what," and that is the single most essential premise of the movie. The film uses a far stronger perspective of first-person perspective than such bubble-gum fare as the Matrix. When the hapless dope-growers meet the first distributor they're looking to do business with, they don't know whether he's "in on everything." When BB Thornton talks to Sienna, he has no idea what SHE knows about the situation...and in fact, no matter how you choose to interpret that particular scene, you really ought to acknowledge that perhaps the "reality" (cinematically speaking) is the complete opposite of what you first thought when you watched it. Almost every meaningful dramatic scene in the film is completely ambiguous in possible interpretation. At least up until the climax.

This is a film that truly does get better with repeated viewings, IF you have the patience for a movie that doesn't spell everything out for you. If you want a heavy musical score and a didactic moral "point," stick with Spielberg. He'll never disappoint. If you want to WONDER what the characters are really up to in a film, check this one out.

The cast is terrific, the story is novel if not earthshaking, and the polish and presentation are first-rate. It has a few minor editorial flaws--I could've done without Lithgow's late appearance, or some of the "feel-good" moments laced into the script early on, but I certainly don't think someone else would have done a better job with the concept and script...unless Kubrick or Fassbinder were still alive.

8.5 out of 10.

A fun romp...a lot of good twists and turns! (and we were not even baked!)

Didn't know this movie even existed until watching the extra trailers on a Monty Python DVD...(oddly it was there along with The City of Lost Children, and The Adventures of Baron Munchauhsen)

The plot keeps you wondering throughout.

The acting was awesome...Hank Azaria shows his talent again, Bill Bob is Billy Bob...(wecis?)

Definitely worth watching.