Going All the Way

I may be in the minority here, and in fact I probably am, but I LOVED this movie. The play is amazing, and the adaptation is so true to the original that it really makes the experience enjoyable. I'd like to clear one thing up that I read earlier: it's not a "suicide" scene. It's a "cutting" scene. The two are very different, and shouldn't be confused.

At any rate, the plight of Sonny Burns, the protagonist of this film, is so easy to identify with, and the way he sees Gunner is so typical and real that this film really is refreshing and understandable. The oppressive blanket of the 1950's plays another role in this film, really as one of the more important characters. Sonny doesn't know how to deal with a lot of different things, and he isn't being told/taught how to do so by his parents or his society.

It's a sad movie, but filled with hope at the same time. It's worth seeing, and for me, is worth buying on DVD whenever it freakin' comes out. I give it a 10 and stand by that rating based on its emotional merit and strength.

Is there really a need to re-examine the seemingly worn-out subject of the plain, skinny guy looking for his heart's desire while his hunky jock buddy gets all the girls with little effort? Yes indeed, and Mark Pellington's "Going All the Way" takes a harder look at just that theme while adding a little humor and dark pathos to the mix.

Based on the novel by Dan Wakefield (who also wrote the screenplay), this film hopes to show another side of the familiar topic of very different male friends who emotionally lean on each other through the trials of dating, this time set in post-Korean War middle America. Servicemen "Sonny" (Jeremy Davies) and "Gunner" (Ben Affleck) had gone to the same high school but haven't seen each other in quite a while when they meet on a train returning to their native Indianapolis.

Sonny is the soft-spoken, non-athletic ex-photographer who did not see action, while Gunner is the handsome, ex-all-around-jock ladies man who served in Korea. Gunner has returned a changed man after his contact with Zen Buddhism (!), which has made him rethink his vacuous high school and college years and wants more out of life, partly explaining why he befriends the likes of Sonny, who he wouldn't have paid much attention to in the old days.

The root cause perhaps of their emotional differences is that Gunner, besides having the typical charmed life seen in other films of this genre, has a very hot, free-spirited, with-it but bigoted mother, Nina (Leslie Ann Warren), whereas Sonny's parents (Jill Clayburgh and John Lordan) are rather plain, unexciting, very religious and controlling. Back home, the guys have fairly sophisticated personal conversations at bars, and Sonny even teaches Gunner about photography, something that interests the latter because he has some artistic spirit to express. They soon become fast friends.

After a while, Gunner begins to question his sex-based relationship with ex-high school sweetheart DeeDee, who wants to get married because she is already 23 years old, after he meets the intellectually stimulating and physically delicious Marty (Rachel Weisz), who is a Jewish (gasp!) art student who inspires Gunner to dabble in abstract painting. Meanwhile, Sonny has gone back to his old sweetheart, the aptly named Buddy (Amy Locane), with whom he has sex--in his religious parents' house, no less!--but for whom he has little passion; it is a comfortable relationship of convenience that Buddy wishes could be more but who doesn't press him on it.

However, when Sonny ends up meeting Marty's gorgeous, sensuous friend Gail (Rose McGowan) and is convinced she is "the one," he is exceptionally funny and charming, mostly due to excessive liquor, but has trouble "performing" when they get down to business. The troubled feelings caused by this setback, combined with Gunner's impending trip to New York City to follow after Marty and to start a new life there, sends the already rather emotionally fragile/unstable Sonny into a depression, causing a chain of events that the two will not soon forget.

Sure, the basic premise of the film is a familiar one, but the performances and production values are what kept my attention. Davies' rather odd acting style adds an effective extra layer of pathos to the troubled Sonny, and Affleck is quite on the mark (despite a couple of distractingly anachronistic mannerisms) for what we are looking for in a smooth and handsome Gunner type. Clayburgh is completely believable as Sonny's over-the-top-sweet but covertly manipulative mother; however, I would have liked to see more of Warren, whose scene-stealing Nina was a great mix of sex appeal and shocking ignorance. Filmed in Indiana, the movie has nice outdoor scenes, unobtrusive sets (although the abstract painting at the museum is fabulous) and a fun score that add to the overall effect, with the exception of the opening tune which actually came out three years after the setting of this movie!

"Going All the Way" is no 10-star film, to be sure, but the earnest efforts of cast and crew come through sufficiently that it is worth your while to give it a look. This is a character-driven film that asks you to open your heart and, although set in the 1950s, examines one aspect of the human condition that we can relate to even today.

i enjoyed this on a personal level. it is the story of sonny, a introverted and nervous photographer, and gunner, a inquisitive jock type. Both seem to want what the other has, but i wouldn't call it symbiotic because they genuinely enjoy each other's company. It is set in a sort of catcher in the rye(which i never liked because it didn't have a real purpose) sort of tone, of alienation and trying to find yourself when youre a middle class white bread kid in the constricted 50's. The only thing i found to dislike was the MTV style directing, which was overused (but still managed to capture a tone for the most part). I would suggest this.

"Going All the Way" is a touching story about learning to let go, coming to terms with yourself, love, and the power of friendship between two young men whose relationship "is the core of the movie," says MTV Award-winning music video director Mark Pellington, whose debut film shows that he clearly knows what he's doing, and that his talents can be set on more than one profession. Pellington tackles the challenge of presenting two authentic young men who we can relate to, and passes with flying colors.

Aside from the catchy oldies tunes, I really enjoyed the dialogue the two young men shared with one another, which was as absorbing as it is true. Among all, one in particular comes to mind, where Gunner was trying to prove a point that "peach pie is fine, but that's all you get? I mean, morning, noon, and night, peach pie? Breakfast, lunch, dinner, peach pie. Peach pie, day in, day out. Day in, peach pie." Jeremy and Ben were terrific together. As improbable a coalition as their character's had, I thought that they, nonetheless, had perfect chemistry together, and were very enjoyable to watch.

Overall rating: 7 out of 10.

I'm not speaking for anyone besides myself, but I thought that this movie was great. It truly showed growing up from a high school boy into a man who has to deal with things such as marriage and faith. This movie truly showed that many things can change a person, even by visiting a country you can be affected. This movie also shows the realization a person can have when reflecting on his/her life. This was a good movie about life.