Alerte sous la Terre

unlike most of seagal's earlier films with almost too much action,fire down below takes its time to weave another true to life tale of the abuse done to our earth by corporate americia. folks,this kind of stuff goes on everyday and it's films like these sneak a message into you without beating you over the head with it.those who are expecting plenty of guns and bodies flying all over the place every 5 seconds will be disappointed,but those who have a better view of the movie genre can enjoy this film better.

I don't know if it's the amount of Seagal I was given or the mood I was in but this movie delivered me an entertaining time and a glimpse at one of his last better films. Steven portrays an EPA agent that comes into a small town to investigate chemical spills and the bad guys who are in on it. Fire Down Below basically ends up being Steven Seagal chit chatting with all the locals (and a shy girl he is falling for) along with beating the snot out of the evil polluters. It's fun to watch Steven do his thing and the movie lets him do just that. There have been past Seagal films that felt like he was only featured in half the flick, in this it plays almost solely to him. It ended up being enjoyable enough to recommend to an action junkie or someone who wants to watch Steven Seagal's watchable movies.

Steven Seagal is one of those actors with a totally winning personality… He is simply an authority figure, a killing machine with a heart of purest gold… I can't help it; I like the guy.

In 'Fire Down Below,' he is an outsider posing as a church sponsored carpenter while he works for the Environmental Protection Agency to stop a greedy coal baron from dumping extremely large quantities of toxic wastes in abandoned coal mines… Those dangerous chemicals could destroy the drinking water for thousands of miles and kill a bunch of people around the hills… Seagal gallantly promised not to leave the small town until the poison from the air, the streams and the earth is taken out…

Many thugs (with snakes, sticks, guns, and big trucks) are hired by the uncaring mining magnate to get rid of our action hero but Seagal remains virtually untouched…

'Fire Down Below' highlights new environmental message but fails to come up with the expectations… First, Seagal's amorous interest with the sad country woman seems artificial, used in the film to grant the 'new visitor' easy access to statements he might need… Second, the motion picture lacks the best villain whose prowess could equals Seagal's... Steven's character never really faces much of a challenge… In fact, the fight scenes are too short and extremely fast and easy…

If you are a fan of country music and you want to see Seagal playing guitar and singing, and you like to explore sweeping vistas with glorious sunsets, don't miss this movie!

All of the fun from a Steven Seagal film comes from watching the man. You know that when the bad guys are circling him, taunting him, telling him what they're about to do, you know that within less than a minute, everyone around him is going to be lying on the ground, moaning in pain, while he stands there smirking. Literally everything in his reach becomes a weapon and he NEVER kicks. Also, he ALWAYS comes out scratch free. His character will almost always be clad in leather, even when everyone else is walking around in Summer wear. Yep, he's a regular "Jack of all trades" in this one as he's an Enviornmental Protection Agent, a pilot, a carpenter, a martial artist, and a guitar player as well. It's so absurd, but yet SO satisfying, it's just the way action movies should be. No one else could pull it off and do it so well. Lotsa fun.

Steven Seagal plays basically the same character in every movie, and while they're always panned by the critics, his movies always please the audience that they were intended for. Fire Down Below is, in my opinion, the last of his really good movies. Everything else kinda went downhill from there. With Fire Down Below, he took his preachiness from On Deadly Ground, and toned it down a little. Also, he wasn't directing this time. But one thing I have to say is that I could've done without the sped up action sequences. There were a few times, throughout the movie, where I thought that I may have accidentally hit the fast forward button on my remote. But other than that, this movie does what action movies are supposed to do and doesn't pull any punches. I also enjoyed the Kentucky backdrop and it was kinda cool to see so many country musicians make cameos. Marty Stuart, Travis Tritt, Mark Collie, Kris Kristofferson, Levon Helm...they're all here, not too mention several others. My favorite character was "Cotton" played to perfection by one of my all time favorite character actors Harry Dean Stanton. His mountain-boy simplicity put a big ole smile on my face everytime he showed up and I love the guy in everything he's in.

Everyone in the movie seems to be having a great time and it's so hard to take anything seriously. All you can really do is sit back and have a good time. I hope that for his next film, that he ditches all the glossiness of "Exit Wounds" and goes back to the movies that made his audiences love him in the first place.

Since I haven't seen this since the turn of the 21st century, it would be interesting to see again just to see Marg Helgenberger. I really wasn't that familiar with her when I saw this movie a couple of times in the late '90s, although I had seen her before. However, now she's a very familiar face thanks to the hit CSI television show.

Anyway, the movie was a typical Steven Seagal film in that he's the likable hero, you had despicable villains that were easy to hate, and every action scene is Rambo-like in which Seagal never misses injuring his foes.

One big difference in this film from his earlier efforts: an emphasis an aesthetic cinematography. This had some beautiful rural scenes of Kentucky and in particular, a church on a top of a hill, in which a number of scenes take place. Not only is the country scenery nice but there are some good country songs in here and better yet - blues guitar music in the background throughout the movie. All of this was different for a Seagal film. Of course, the nice scenery was probably due to the fact Seagal played an Environmental Protection Agent ("Jack Taggart").

Also different was the fact that Helgenberger ("Sarah Kellogg") was not the typical gorgeous young sexpot normally paraded out in these martial arts films, but was rather plain with no makeup. She wore conservative clothing and showed no skin. (Contrast that to her CSI roles the past six years) Then again, Appalachia being the setting for this story, her dress and manner was appropriate and realistic.

Language-wise, most of the hard profanity comes from Kris Kristofferson's villain character, "Orrin Hammer, Sr.," in the first hour.

How they treated "religion" in this film was bizarre. Good, bad, good, bad - like watching a tennis match. The country reverend was the typical Hollywood wishy-washy minister: the kind would NOT see in this area in real life. The screenwriters are so clueless Seagal called him - a Protestant minister - "father" - as if he was a Catholic. Anyway, the wimpy reverend does "come around" at the end.

More examples: good-guy Seagal bows his head in prayer at church but also tells Helgenberger that "I don't hand out bibles." He also mentions UFOs and Zen to a sick little boy but also mentions "God's work" other times. He covers all the bases, I guess, from occult to the real thing. The bad guys attend church, but then they burn it down! Harry Dean Stanton tells someone that "church people talk down the others," but the next scene something positive is shown. I'm telling you: the theology in here would make your head swim.

Seagal plays a smug kind of guy but his smugness doesn't translate into an offensive jerk, perhaps because his character is so soft-spoken and he is, after all, the good guy. Every action scene in here is a Rambo imitation in which Segal beats up his opponents no matter how many of them are against him. It's ludicrous. Yet, most of the time it's enjoyable enough to watch and the sound-effects on those fights are actually entertaining, almost humorous.

About the film, I still like the blues guitar and the Kentucky scenery the best. The rest of it is pure Seagal nonsense....but entertaining.