Afin de déjouer un complot, un agent du FBI subit une greffe du visage et endosse l'identité et l'apparence physique d'un terroriste. Mais ce plan tourne mal lorsque ce terroriste se fait pa... Tout lireAfin de déjouer un complot, un agent du FBI subit une greffe du visage et endosse l'identité et l'apparence physique d'un terroriste. Mais ce plan tourne mal lorsque ce terroriste se fait passer, de son côté, pour l'agent du FBI.Afin de déjouer un complot, un agent du FBI subit une greffe du visage et endosse l'identité et l'apparence physique d'un terroriste. Mais ce plan tourne mal lorsque ce terroriste se fait passer, de son côté, pour l'agent du FBI.
- Nommé pour 1 oscar
- 11 victoires et 23 nominations au total
- Buzz
- (as Jamie Denton)
Avis en vedette
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
Nicolas Cage and John Travolta are phenomenal in their dual roles each. The rest of the cast isn't very deep and is more filler than anything else. The editing job feels underdone, particularly when the action sequences get to the "overcooked" staged. Still, how many speedboat chases or airplane crashes are you going to see in a slow-motion?
Overall, a summer action movie that delivers in acting, directing, and most other departments. 4 out of 5 stars.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Le saviez-vous
- AnecdotesNicolas Cage and John Travolta spent two weeks together before filming to learn how to play each other. They decided on specific gestures and vocal cadences for each character that could be mimicked.
- GaffesDuring the hangar shootout one of Archer's federal agents is killed with a shotgun blast (we get a good look at his face), yet a few moments later you notice the same agent is standing, alive and well.
- Citations
Castor Troy: [to agent Winters as she poses as a flight attendant] Y'know, I could eat a peach for hours.
- Autres versionsIn the Domestic release, the Paramount opening logo is played, and at the end of the film, The still closing version of the Paramount logo is shown; while on the International prints, the Buena Vista International logo is played for 20 seconds before the company credits is shown.
- Bandes originalesThe Hallelujah Chorus - Since By Man Came Death
From oratorio "Messiah"
By George Frideric Handel (as Georg Friedrich Händel)
Performed by Boston Baroque Orchestra & Chorus
Conducted by Martin Pearlman (uncredited)
Courtesy of Telarc International Corporation
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Double identité
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 112 276 146 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 23 387 530 $ US
- 29 juin 1997
- Brut – à l'échelle mondiale
- 245 676 146 $ US
- Durée
- 2h 18m(138 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1