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Amistad

  • 1997
  • 14A
  • 2h 35m
ÉVALUATION IMDb
7,3/10
86 k
MA NOTE
POPULARITÉ
3 366
862
Djimon Hounsou in Amistad (1997)
Theatrical Trailer from Dreamworks
Liretrailer2 min 32 s
2 vidéos
99+ photos
DocudramaPeriod DramaBiographyDramaHistory

En 1839, la révolte des prisonniers de Mende à bord d'un navire sous pavillon espagnol provoque une controverse importante aux États-Unis. Les tribunaux doivent décider si les Mende sont des... Tout lireEn 1839, la révolte des prisonniers de Mende à bord d'un navire sous pavillon espagnol provoque une controverse importante aux États-Unis. Les tribunaux doivent décider si les Mende sont des esclaves ou des hommes libres.En 1839, la révolte des prisonniers de Mende à bord d'un navire sous pavillon espagnol provoque une controverse importante aux États-Unis. Les tribunaux doivent décider si les Mende sont des esclaves ou des hommes libres.

  • Director
    • Steven Spielberg
  • Writer
    • David Franzoni
  • Stars
    • Djimon Hounsou
    • Matthew McConaughey
    • Anthony Hopkins
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,3/10
    86 k
    MA NOTE
    POPULARITÉ
    3 366
    862
    • Director
      • Steven Spielberg
    • Writer
      • David Franzoni
    • Stars
      • Djimon Hounsou
      • Matthew McConaughey
      • Anthony Hopkins
    • 272Commentaires d'utilisateurs
    • 84Commentaires de critiques
    • 64Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 4 oscars
      • 11 victoires et 44 nominations au total

    Vidéos2

    Amistad
    Trailer 2:32
    Amistad
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best

    Photos187

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    + 181
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    Rôles principaux99+

    Modifier
    Djimon Hounsou
    Djimon Hounsou
    • Cinque
    Matthew McConaughey
    Matthew McConaughey
    • Roger Sherman Baldwin
    Anthony Hopkins
    Anthony Hopkins
    • John Quincy Adams
    Morgan Freeman
    Morgan Freeman
    • Theodore Joadson
    Nigel Hawthorne
    Nigel Hawthorne
    • Martin Van Buren
    David Paymer
    David Paymer
    • Secretary John Forsyth
    Pete Postlethwaite
    Pete Postlethwaite
    • Holabird
    Stellan Skarsgård
    Stellan Skarsgård
    • Tappan
    Razaaq Adoti
    Razaaq Adoti
    • Yamba
    Abu Bakaar Fofanah
    • Fala
    Anna Paquin
    Anna Paquin
    • Queen Isabella
    Tomas Milian
    Tomas Milian
    • Calderon
    Chiwetel Ejiofor
    Chiwetel Ejiofor
    • Ensign Covey
    Derrick N. Ashong
    • Buakei
    Geno Silva
    Geno Silva
    • Ruiz
    John Ortiz
    John Ortiz
    • Montes
    Ralph Brown
    Ralph Brown
    • Lieutenant Gedney
    Darren E. Burrows
    Darren E. Burrows
    • Lieutenant Meade
    • (as Darren Burrows)
    • Director
      • Steven Spielberg
    • Writer
      • David Franzoni
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs272

    7,385.6K
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    Avis en vedette

    8philip_vanderveken

    Another historic masterpiece from one of the greatest directors ever

    There is one thing that I've never understood about Hollywood. When it comes to historic and realistic movies, they have used about every possible subject. Think of the American Civil War, the Hollocaust, the Second World War, the Vietnam war,... Each of these historic subjects has been used in a movie at least once. And there is absolutely nothing wrong with that, as long as it is done properly and accurately, because these movies are often the only source of new knowledge for a lot of people once they have left school (and even at school they hate history classes because they don't seem to understand the importance of it). But why aren't there so many movies about the slave trade and the plantations? Are the studios afraid of that subject or are they so racist, that they have never been able to come to terms with the abolishment of slavery?

    "Amistad" tells the story of a group of Africans who start a revolt against the crew of the slave ship La Amistad and get adrift for several weeks after this horrible event. Then they are discovered by some American marine officers, who bring the ship into harbor and hand over the slaves to the local authorities. Soon they have to stand trial for this revolt and the fact that they have murdered the crew. But a couple of honorable men, who want to end the slavery in the New World, will defend them with everything that is within their power ... even if that means that they will offend some other countries or start a civil war.

    At the same time it's very easy and very hard to say what I liked about this movie. I liked almost everything about it, but explaining why will take some time. Let me start with the story on itself. The fact that it hasn't been told at least a dozen times makes it original, but doesn't make it easy to compare it to other similar movies of course. Still, the quality was more than OK and had a lot of variation to offer. It's clearly well-written with a good eye for detail and even though I'm normally not a fan of court room drama's, I must say that it didn't even bother me that a court room was the place where the biggest part of this movie was set. What I also liked was the acting. From people like Morgan Freeman and Anthony Hopkins you can't expect anything else but a fine performance, but it was the rest of the cast that offered me a nice surprise. Djimon Hounsou for instance still isn't a house hold name, even though he has played in a few excellent movies like "Gladiator" and "In America", but once again he proves that he's a talented actor and I sure hope to see him in many more big productions soon.

    Even though a large part of this movie was shot in a court room, it also offered plenty of other sets. You'll get to see the fort in Sierra Leone where the slaves were brought together to be shipped to the New World, you'll see a nice representation of the American cities of those days, you'll see the ships of that time... And perhaps it's the slave boat and all the scenes on it that were the most incredible. I don't think the horror of the slave trade was more obvious as it was in those scenes. They certainly aren't suited for people who can't stand the sight of blood or very graphic violence, but excluding them from this movie would not only be a shame, it would harm the sense of reality. And it's that sense of reality that makes this movie so special. Of course Steven Spielberg knows exactly how to make a movie feel as real as possible. Think of "Schindler's List" and "Saving Private Ryan", both movies that will always be in my list of the best movies I've ever seen, but with this movie he has proved that he can do more than telling a story situated in WWII.

    In the end I can only say that this is a movie that every American and every European should see. The Americans should see it because the slaves ones were the reason why the plantations in the South prospered and the civil war was fought and the Europeans shouldn't miss it, for we should never forget that the slave trade will always be a dark page in our long history. This movie is for so many reasons worth to be seen (not once, but at least a couple of times), that it doesn't deserve anything less than an 8.5/10.
    7TheLittleSongbird

    Uneven film with many great elements

    'Amistad' is not one of Steven Spielberg's best, in the way that 'Schindler's List', 'Jaws', 'ET' and 'Raiders of the Lost Ark' are. He has however done worse, with the likes of 'The Lost World' and '1941'. Instead it's around solid middle when it comes to his films.

    Starting with the positives, the best things are the production values, coupled with the handsome and evocative period detail and the rich, searing cinematography there are some really arresting images here, and the sensational debut of Dijimon Hounsou, a performance of blistering passion and grave sensitivity.

    Throughout, especially in the first three-quarters, 'Amistad' boasts moments that are harrowing (the brutal voyage of the slaves), powerful (the opening scene) and moving (most of the film). The script is well-intentioned and thoughtful, if sometimes a bit over-sentimental and heavy-handed (especially Adams' big speech, that could have been stirring but didn't seem to know how far to go to make its obvious point, so it felt preachy). Much of Spielberg's direction is impeccable, with enough of what makes his direction so great in his best films.

    Hounsou isn't the only great actor here. Anthony Hopkins gives his all in an authoritative and stirring account of Adams and Matthew McConaughey shows more engagement and charisma than he does in some of his later films. Morgan Freeman is underused but is as you expect.

    On the other hand, 'Amistad' is a long film (not a bad thing necessarily), but could have been about 20 minutes shorter with less characters and some of the final act being trimmed. Some of the latter part of the film drags, and the score disappointingly is over-emphatic and gives a heavy-handedness. Despite being brilliantly delivered by Hopkins and clearly written with thought and good intent Adams' big speech just went too far making its point.

    In conclusion, a brave attempt at bringing a significant, if not as well known, event to film that works very well in a lot of elements but just misses the mark of completely working as an overall film. 7/10 Bethany Cox
    mermatt

    Powerful History

    I arranged for the students at my school to see this film last winter. It is a powerful piece of history presented in a powerful way. The incident which is portrayed in the film should be part of American history courses since it led, directly or indirectly, to the Civil War.

    Everyone in the film gives an excellent performance. The real power comes from Djimon Hounsou (Cinque) and Anthony Hopkins (John Quince Adams). Hopkins' summation at the trial defines what America is all about.
    7slightlymad22

    I Got This Wrong

    Continuing my plan to watch every Steven Spielberg movie in order, I come to Amistad.

    I hold my hands up, and say I was totally wrong on this movie. It did nothing for me the first time I watched it. Yet, when I rewatched it I was blown away. It's not perfect, its historically inaccurate and Morgan Freeman is surprisingly under used. We get a lot of shots of him looking on, but not actually doing a lot.

    All the cast are great, and Spielberg knows how to tug on the heartstrings.

    Amistad was mostly ignored by cinemagoers upon its release the 50th highest grossing movie of 1997. With a $44 million dollar domestic gross.
    8helpless_dancer

    excellent, thought provoking tale of the agony of slavery

    The horrors of slavery are depicted here in graphic detail. The scenes dealing with the ships carrying their human cargo were awful - very hard to sit and watch. When the slaves were brought to America, a huge trial ensued over whether or not they should be freed or not. This was a big production complete with all the costumes of the era - the early 19th century. Great story, dialogue, and acting made this a must see film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir Anthony Hopkins astounded the crew by delivering the entire seven-page courtroom speech in a single take. Steven Spielberg was so in awe, he couldn't bring himself to call him Tony, and insisted on addressing him as Sir Anthony throughout the shoot.
    • Gaffes
      Martin Van Buren was never photographed while in office, and in 1839 photography was extremely new technology and not widespread. The first president to be photographed while in office was Van Buren's immediate successor William Henry Harrison in March 1841. Van Buren was photographed in 1845, well after he had left office, but he was not wearing a sash as depicted in the movie. Former Presidents John Quincy Adams and Andrew Jackson were also photographed that same year.
    • Citations

      John Quincy Adams: [to the Court] This man is black. We can all see that. But can we also see as easily that which is equally true: that he is the only true hero in this room? Now, if he were white, he wouldn't be standing before this court fighting for his life. If he were white and his enslavers were British, he wouldn't be standing, so heavy the weight of the medals and honors we would bestow upon him. Songs would be written about him. The great authors of our times would fill books about him. His story would be told and retold, in our classrooms. Our children, because we would make sure of it, would know his name as well as they know Patrick Henry's. Yet, if the South is right, what are we to do with that embarrassing, annoying document, The Declaration of Independence? What of its conceits? "All men created equal," "inalienable rights," "life, liberty," and so on and so forth? What on Earth are we to do with this? I have a modest suggestion.

      [tears papers in half]

    • Générique farfelu
      The events depicted did not historically occur at Fort El Morro
    • Autres versions
      The board of film censors of Jamaica have excised the opening scenes, depicting a violent slave uprising on a ship, from all copies of the film released in Jamaican theatres.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Alien Resurrection/Welcome to Sarajevo/Flubber/Public Housing/Bent (1997)
    • Bandes originales
      Andante From Quartet No. 2 In B Flat Major
      Written by Giovanni Battista Viotti

      Performed by Quartetto Aira

      Courtesy of Dynamic SRL.

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    FAQ20

    • How long is Amistad?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 décembre 1997 (United States)
    • Pays d’origine
      • United States
    • Langues
      • English
      • Mende
      • Spanish
      • Portuguese
    • Aussi connu sous le nom de
      • Chuyến Tàu Nô Lệ
    • Lieux de tournage
      • San Juan, Porto Rico
    • sociétés de production
      • Dreamworks Pictures
      • Home Box Office (HBO)
      • Amblin Entertainment
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 36 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 44 229 441 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 4 573 523 $ US
      • 14 déc. 1997
    • Brut – à l'échelle mondiale
      • 44 229 441 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 35 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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