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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • 14A
  • 2h 30m
ÉVALUATION IMDb
8,2/10
19 k
MA NOTE
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Liretrailer3:51
1 vidéo
60 photos
Documentaire sur la criminalitéCrimeDocumentaire

Ajouter une intrigue dans votre langueA horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

  • Réalisation
    • Joe Berlinger
    • Bruce Sinofsky
  • Vedettes
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,2/10
    19 k
    MA NOTE
    • Réalisation
      • Joe Berlinger
      • Bruce Sinofsky
    • Vedettes
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88Commentaires d'utilisateurs
    • 42Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • A remporté 1 prix Primetime Emmy
      • 9 victoires et 10 nominations au total

    Vidéos1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Photos60

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    Distribution principale58

    Modifier
    Tony Brooks
    • Self - KAIT-TV
    • (archive footage)
    Diana Davis
    • Self - KAIT-TV
    • (archive footage)
    Terry Wood
    • Self - KAIT-TV
    • (archive footage)
    Dick Clay
    • Self - KAIT-TV
    • (archive footage)
    Jenna Newton
    • Self - KAIT-TV
    • (archive footage)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Réalisation
      • Joe Berlinger
      • Bruce Sinofsky
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs88

    8,219.3K
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    Avis en vedette

    annenk38

    Beyond "Deliverance"

    Truth may be stranger than fiction, but the American courtroom is stranger, still. For the two hours during which I've watched this film I've gained a valuable insight into the nature of the witch trials. I feel powerless, as there is not much I can do to help these kids. But perhaps there is a lesson in it for us, and everyone who has seen the film should have taken some mental notes. First -- never name youself or your children 'Damien' -- especially if you live in the Bible Belt. And, as a general survival strategy, do not be the black sheep of the local community. There may come the time when your eccentric behavior alone will be used against you to sentence you to death.
    chaosnbeer

    disturbing documentary

    I remember watching this documentary when it appeared on HBO and being completly disgusted. This was a witch hunt. The trial of these boys was based more on their look and taste in music more than actual hard evidence. I grew up around this area and I know exactly what it's like to be a noncormist..you're automatically accused of being a satanist and associated with murders just because you look and think a certain way. Now I can't honestly sit here and say that these boys didn't do it..because I don't know..it's possible..and my heart tells me they didn't..but ya know i'd look like an ass if the evidence came up that they did. What disgusted me was the trial..and the assassination of the boys . There was no real concrete facts..just their lifestyle of music and fashion. The second one focused more on the father of the murdered children..all evidence pointed at him and away from the boys..just my opinion. This is a disturbing look at corrupted justice in the Bible belt.
    billybrown41

    Great Documentary

    I'll admit that I've never been too crazy about documentaries. For one thing, I think that they are generally biased and you are only seeing what the film-makers want you to see. Now, I watched Paradise Lost for several reasons. One, I've always been intrigued by peoples' ignorance and I'm still amazed at how quick they are to point a finger at something they know nothing about. Several years ago, I remember this story being all over the news, and the way it was presented then, it was very easy to believe that these three outcasts were the killers. I've been through West Memphis numerous times since the killings and I still get the chills everytime I pass by the Blue Beacon truckwash.

    I sat down to this three hour film with a pretty open mind. While the film doesn't really answer any questions, it does bring a lot to mind and never takes sides on whether the boys did or didn't do it. That's what I admire about the film-makers. They managed to stay almost completely neutral, no matter what their feelings or opinions may have been on who the actual murderer(s) were.

    Watching this movie is scary. I've polluted my mind over the years with just about every junk-horror movie that I could find and nothing has given me that icy feeling quite like this has. I've seen it three times now and it never loses its impact.

    For those who don't know, here's the story: In West Memphis, three young children are found mutilated in a patch of woods just off the interstate. For no real reason whatsoever, three nonconformist teens are brought to trial, one of which has an I.Q. that is somewhere in the 70s. When he gives a very phony sounding confession, the trials begin with absolutely no other evidence to prove that the boys are guilty. Throughout the film, we meet each of the deceased boys parents, the defendents, and the defendents' families. Most angry of all are the parents of the Byers boy who was murdered. Now, before I get started on the step-father Mark Byers, I really want to say that I can totally empathize with the guy and his rage is completely understandable. However, what I really can't get past is the guy's bizarre behavior and the impression that he left me with. The guy takes up a lot of screen time. I know that the guy is a jeweler by trade and acting may not be his thing, but this is a DOCUMENTARY and while watching him, on more than several occasions I got a little confused. Yeah, the guy has some mental problems, he's on numerous medications, he's suffering from a brain tumor and he's going through some major grieving. But why does he act like he's been watching TOO much WWF? His lines are straight out of a BAD movie and if this is how the guy really is, I'm staying the hell out of this guy's way. Throughout the film there are several subtle (or not so subtle) indications that he may be a suspect. The fact that he gave one of the film-makers a bloody knife as a Christmas present more than proves that the guy is a little off his rocker. He even admitted to having beat the child the day that he was murdered.

    Remember, there is absolutely NO physical evidence to pin on the accused and the only thing that got them there was a false confession given by a legally retarded teenager who had been interrogated for hours. Oh, and did I mention that his story KEPT changing? Listening to Jesse Misskelly, the time that the boys were murdered takes place all over the clock. Once, he states that the boys were murdered in the A.M. hours, then during broad daylight, then at night. I don't get it. It didn't matter to the jury. Two of the boys still got life sentences and the other (Damien Eckols) got the death sentence. His crime is that he had a fondness for wearing black, had a bad haircut, and a slight interest in Wicca...Not a whole lot different from myself. Anyway, there is also mention of another mysterious person who made an appearance in a Bojangles restaurant restroom, covered in blood. Oh yeah, that is another issue that is barely mentioned, and then dropped.

    After seeing this movie, I was still terribly confused and my questions were still unanswered, but I guess that is the sign of a good documentary. I'm really glad that the film-makers stuck with the facts and never let their opions get in the way of making the film. The sequel is also very good, but still leaves nothing answered. Now, it's been several years since the first time I watched this but the boys are still in prison, still trying to get out. I reccomend this film to anyone who has ever been criticized for their appearance. It'll make you realize just how lucky you are, while questioning the justice system at the same time.
    7Chrissie

    Raises good questions, leaves others unasked.

    This film left me with a bad taste in my mouth. Not that it was gruesome -- it is, but I've done research involving reading coroner reports, so gruesome I can cope with. It was the unanswered questions and the unasked questions.

    It seems so utterly implausible that a jury could have convicted any of the suspects that I wonder what the filmmakers did not show us. Specifically, I wonder about the fiber evidence, which was the only real physical evidence at all.

    I could only rate this documentary a 7 out of 10 because of the unasked questions and the evidence we were not shown. I would like to have come away from watching Paradise Lost with a clearer understanding of what those jurors heard and saw that led them to their verdicts. Mind you, I don't think those boys did it -- I think that even fiber evidence could have been too flimsy to convict them. But I wish I had been left convinced.
    strauss12

    inspires frustration and ultimately, apathy

    Despite all the praise this documentary has received, I did not find it very moving at all. Granted, it was a horrible crime, and the footage of the three young victims' bodies was shocking and almost unwatchable. But most of this film serves only to expose the extreme incompetence of everyone involved in the case. With regard to the wrongly(?) accused boys -- never have I seen three innocent people put up such a weak, pathetic fight for their innocence. Most of the time, they stare doe-eyed and slack-jawed in front of the camera, seemingly uninterested in their own fates. Sure, these boys were only 16-17 years old and very scared, but they seem to have no intuition for survival whatsoever in this life-or-death situation. Any realistic grasp of the situation eludes these boys completely -- they behave almost as if they're playing a part in a movie. It is quite possible, and perhaps even probable, that they are indeed innocent, but they themselves do not seem to care, and so dear viewer, why should you? The overwhelming impression I get from these boys is that they lead very boring lives in a very stagnant town, and they know that this whole case is the most exciting thing that will ever happen to them. They seem interested not in the issue of their guilt or innocence, but rather in the surreal quality of their quasi-celebrity (in the end, Damien waxes romantic over the notion that his name will become famous in West Memphis as a synonym for "bogeyman", scaring generations of children to come). They are genuinely pleased with all of the attention they're receiving -- not that they have much to say, but they're just happy that someone is asking.

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    Intérêts connexes

    The Thin Blue Line (1988)
    Documentaire sur la criminalité
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
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    Documentaire

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Gaffes
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Citations

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Connexions
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Bandes originales
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    FAQ15

    • How long is Paradise Lost: The Child Murders at Robin Hood Hills?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 juin 1996 (United States)
    • Pays d’origine
      • United States
    • Site officiel
      • arabuloku.com
    • Langue
      • English
    • Aussi connu sous le nom de
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Lieux de tournage
      • West Memphis, Arkansas, États-Unis
    • sociétés de production
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 30m(150 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.37 : 1

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