Omega Doom

"Omega Doom" is a movie whose ambitions clearly outweigh its budget. However, there is something to be said for genre filmmakers like Albert Pyun who try to make the most of the budget they do have. As others have already pointed out, this is essentially a spaghetti Western transported to a post-apocalyptic setting. At times laughably pretentious, at other times interesting. Rutger Hauer (who has the "stoic, mysterious and deadly loner" role, in the classic Clint Eastwood tradition) still has screen presence, and Tina Cote is pretty hot even when she's playing an emotionless, cold-as-ice killer robot. Their last fight could have been longer and better edited, though. (**)

Nah, I don't think it's a horrible movie. Sure it lacks a lot of action that movies of the period had, but I never thought of this as an action movie anyway. It seemed to me to be more like a comic book/graphic novel meets 70's samurai movie meets spaghetti western. Despite the obvious overarching situation (apocalypse, possibility of humans returning, obvious society gone to hell), it pretty much all but ignores that and focuses on the problem at hand: ridding the robot town of the "bad guys." It ends with a sense that Omega Doom has really done nothing more than put a band-aid on the whole situation, but his actions are more along the lines of self-preservation than anything else. He just showed up for a drink and gets sucked into a fight. That's how pretty much any of the same genre starts. Someone comes along, wanting to be left alone, but some dumb schmuck picks a fight and then our hero has to teach them a lesson. Nothing is resolved, the world is still as crummy as it ever was, but the hero gets to get back on the road in one piece. Lather, rinse, repeat.

That's why this kind of movie appeals to me. I don't think it's boring or a waste of time. It's interesting enough in it's hopeless nothingness. I don't always want to see a happily ever after ending or some Matrix-y, save-the-human-race type of fight. Those are a dime a dozen. That's what has always appealed to me in old samurai movies, though those tend to focus more on making things better. This movie was very reminiscent of Philip K. Dick stories: bleak futures with small stories that just are what they are.

Of course this kind of movie doesn't appeal to everyone, not by a long shot. I think my little brother fell asleep. Van Damme movies were more his thing. Lots of fight scenes and the bad guys get their due. Not that I don't like those movies, I do. It's just that something of the type of movie that Omega Doom is, is a breath of fresh air. There's a pointless despair to it that I enjoy. Something is done, and yet it isn't.

Also, I know the special effects are bad, but I honestly thought it was an 80's movie. I was surprised to see 1995-1997 as a release date. I think it's much better thinking of it as an 80's movie if you're the type of person who just can't get past special effects not being as good as LotR or Star Wars.

So this gets 6 stars from me. Not the greatest, but not the worst. Despite IMDb's plot description, it doesn't try to be anything other than it is, it fulfills my comic book/graphic novel pleasures, and I much enjoyed some of the talent in it compared to, say Van Damme.

Most people would tell you that this flick stinks because it's got poor special effects or the plot seems to be vague. Frankly, you can't judge it next to A-list movies. It's not an A-list movie. What it is though, is a remarkable story with some interesting film tricks to get around its obvious low budget.

In Canada we have a TV station that happens to play independent Sci-fi flicks on weekends and Omega Doom caught my eye because it has Rutger Hauer in it. I figured I would turn it on, have a good chuckle at a plotless flick with a good actor and was surprised to see an intriguing situation of the "Omega Doom", Guardian Angel (Hauer) being feared by others of his kind. That and he has a wicked looking sword...it's like the line in the Simpsons when Homer says "but that little guy hasn't done anything yet, you know he's gonna do something and you know it's going to be good."

While you wait for him to do his thing, the other characters are introduced, the war is explained...and frankly, by then I was salivating. You just *know* who he is. Finally, Angel begins to do his work. The film work is well done, and despite what has been said above, Hauer did his own stunts. And for you Ladyhawke fans, he performs the sword-throwing trick again.

It's also a very good example of a short story brought to life. It could work well on a stage, too. The acting is very consistent and the dialogue, while sparce, doesn't betray the characters. The only thing I didn't like was the bartender singing Joy to the World at the end, but it's okay, because the conversation between Zeke and Angel at the end nods at the idea that life is about waiting, knowing when to act and when not to.

If you are looking for an A-list movie, go to your local theater. If you want to see something quaint and intriguing, watch this. Just don't raise the bar too high...that wouldn't be true to the flick. It's an excellent B-movie, and something good to write a paper on!

This looks like its going to be an exceptionally dull sci-fi, with Rutger Hauer, looking like some kind of Russian WW2 soldier, playing a renegade android in a post-apocalyptic landscape - a setting which allows for no expensive effects, just a derelict, rubble-strewn building site.

'Omega Doom' is still dull, but when after 20 minutes or so, you realise that the story is a Yojimbo/Fistful of Dollars remake, the film starts to have some minor points of interest.

With no real sci-fi elements - a bloke with shaven bits in his hair, metal gloves and blue contact lenses doesn't totally convince as a fully-fledged android - the film leans towards its Western roots, with two rival gangs holed up on either side of the street and a saloon where Rutger Hauer muses with the friendly female bartender, before playing off the opposing gangs. Hauer fits into the role as the impassive stranger well, accompanied by a spaghetti western guitar theme building up the tension to the inevitable showdowns, which are settled in the classic Western tradition - Omega Doom has a quick draw Shane would be proud of.

Although I quite enjoyed these areas, they couldn't cloud the fact that 'Omega Doom' is boring and derivative, not demonstrating any particular areas of ability on the part of its cast or crew, apart from Hauer who is OK despite being on auto-pilot - but then he is a class actor who, for some reason, prefers to ply his trade in these bargain-basement efforts.

With an annoying whirring noise which accompanies each androids move, and a tiresome 'head' character providing Hauer with his sidekick, there is nothing here for even the most easily satisfied sci-fi viewer. Kurosawa and Leone fans will find enough points of reference to make this interesting, but only in the same way that 'Jaws' fans enjoy 'Orca' or 'Grizzly.

I've always tried to watch all the films Albert Pyun has done, ever since I watched "Mean Guns". His way of directing is weird, his usage of special effects generally is bad, but I can't say I do not enjoy his films. Unfortunately, American straight-to-video releases of this kind seldom make it to my country, and cable TV every once in a while blesses me with them.

Like "Adrenalin", "Omega Doom" is another of his apocalyptical future films, and like "Cyborg", there are cyborgs involved (redundant I've been called). The title character is a human-robot hybrid who arrives at a place where he finds two different kinds of robots who would normally be "killing" each other. Apparently, they are looking for guns for when "the humans come to destroy them", so they are in a sort of truce. Of course, and because otherwise it would not be interesting, OD (a.k.a. Guardian Angel) soon makes the two groups (which are composed of 3 members each) angry with him.

The main problem with this film is that, albeit similar to "Cyborg", it lacks action. While Jean Claude Van Damme surely provides that, Rutger Hauer gives more acting, and keeps you all the film waiting for him to use a sword he carries. THere are a couple of badly-made short-lived western-like fights, yet I confess the final fight was better than expected.

As for the performances, Rutger is Rutger. One will always like him. The bar woman is fairly decently played. As for the cyborgs, they were somewhat, if a bit exaggerated, believable. Tina Cotè playing BlackHeart looks so sensual, and her look will remind you of "The Matrix"'s Trinity, but not only this movie is older, Tina looks better!

Concluding, this is a futuristic film. It lacks the depth of "Nirvana", the effects of "The Matrix", or the action of "Equilibrium". But if you were looking for any of these, you would not rent an Albert Pyun's film, would you?