ÉVALUATION IMDb
6,1/10
36 k
MA NOTE
Un homme qui n'a jamais assez de temps pour les choses qu'il veut faire se voit offrir la possibilité de se faire dupliquer.Un homme qui n'a jamais assez de temps pour les choses qu'il veut faire se voit offrir la possibilité de se faire dupliquer.Un homme qui n'a jamais assez de temps pour les choses qu'il veut faire se voit offrir la possibilité de se faire dupliquer.
Avis en vedette
This is one of those films that maybe the first time you watch it, you just think, "eh." But on subsequent viewings you realize how funny it is and the absolutely great characters & how well developed each one of the Michael Keaton's are. He does an amazing job & this film was completely overlooked by just about everyone. Granted the plot is nothing to write home about, but neither is "Dumb & Dumbers" but that isn't why it is remembered. It's for all the hilarity that ensues just as this one does. I'm hoping that someday people will realize just how funny Michael Keaton can be in film & that he wasn't just BATMAN! A new generation will soon come to see everything that is classically done & some filmmaker will stick Mr. Keaton in another comedic role so that they can see just how well he can shine as a comedian. Here's hoping it's soon too! So if you liked "Old School, Napoleon Dynamite, & yes even "The Hangover" (though it's far less dirty) then this is right up your alley.
I like Michael Keaton. He was perfect in Pacific Heights and is still the 'Sean Connery' of the Batmen.
But the reason I liked multiplicity was because for once, in a movie about clones, the clones werent out to sabotage the original due to their disgruntlement at playing 2nd 3rd and 4th fiddle.
These clones try as hard as they can to abide by the rules and make sure that the original Michael Keaton's life runs as smoothly as possible: after all thats why they were spawned. And it is really amusing listening to the clones refer to Michale Keaton's Character as Doug (or 'Steve' in the case of #4) but are quite happy and comfortable in referring to each other by the numerical order in which they were created.
One of the most hilarious parts of the movie is when rule number one is put to the test....watch it and you'll see what I mean.....and also how number 2 warns number 3 that Dougs wife is going upstairs.............
Some people might think the character of 4 was a bit over the top, but if he had of been any less crazy than what he was..........it wouldnt have come off as well. After all, when a copy of a copy of a human doesnt come out right......you have to wonder what sections have been muddled up....Brain cells, chromosomes, Dna etc.....when you think of that, number 4's character was fairly tame.
A good movie that uses the talents of a good actor.
8/10
But the reason I liked multiplicity was because for once, in a movie about clones, the clones werent out to sabotage the original due to their disgruntlement at playing 2nd 3rd and 4th fiddle.
These clones try as hard as they can to abide by the rules and make sure that the original Michael Keaton's life runs as smoothly as possible: after all thats why they were spawned. And it is really amusing listening to the clones refer to Michale Keaton's Character as Doug (or 'Steve' in the case of #4) but are quite happy and comfortable in referring to each other by the numerical order in which they were created.
One of the most hilarious parts of the movie is when rule number one is put to the test....watch it and you'll see what I mean.....and also how number 2 warns number 3 that Dougs wife is going upstairs.............
Some people might think the character of 4 was a bit over the top, but if he had of been any less crazy than what he was..........it wouldnt have come off as well. After all, when a copy of a copy of a human doesnt come out right......you have to wonder what sections have been muddled up....Brain cells, chromosomes, Dna etc.....when you think of that, number 4's character was fairly tame.
A good movie that uses the talents of a good actor.
8/10
Though nowhere near as good as Groundhog Day (director Harold Ramis's previous movie) this is still a solid comedy with several big laughs. Though its situation of a man cloning himself in order to make his life more manageable would have been an interesting one to play with a serio-comic focus, Multiplicity - despite some token moralizing - is pretty much content to play its premise for wacky farce. As such, however, it does an expert job: the timing in the scenes is impeccable and the interplay between the main characters is sharp and memorable. This is especially amazing since the "main characters" here are almost exclusively played by Michael Keaton. His ability to not only delineate between the four versions of himself, but also to play each of these "selves" off convincingly against the others is nothing short of superb. In my mind, this represents a much more awesome achievement than does Eddie Murphy's similar multiple role-playing in The Nutty Professor - and here it's not just pointless showboating (there was no reason besides vanity that Murphy had to play every member of his family), but absolutely intrinsic to the movie's success. Essentially, the film rides on Keaton's ability to do precisely what he does as well as he does. Multiplicity represents his funniest film work in years, and perhaps his best ever.
A couple of scenes in particular stand out as howlingly funny set pieces - such as the one in the restaurant and the one where the clones are left alone with Keaton's wife, played by Andie McDowell. It's a shame her character wasn't at least a little bit more sketched in by the writers (compare this, for example, to her wonderfully three dimensional role in Groundhog Day) - it might have made the film a little fuller. In fact, none of the supporting characters are really given much to do here, making it solidly a one man show. But what a show! With Keaton truly hitting every comic grace note available, you don't really have much time to notice or care about the lack of secondary characters. I have seen this film four times and it has yet to lose one iota of its hilarity or charm. Hey, how much more can you demand from a comedy?
A couple of scenes in particular stand out as howlingly funny set pieces - such as the one in the restaurant and the one where the clones are left alone with Keaton's wife, played by Andie McDowell. It's a shame her character wasn't at least a little bit more sketched in by the writers (compare this, for example, to her wonderfully three dimensional role in Groundhog Day) - it might have made the film a little fuller. In fact, none of the supporting characters are really given much to do here, making it solidly a one man show. But what a show! With Keaton truly hitting every comic grace note available, you don't really have much time to notice or care about the lack of secondary characters. I have seen this film four times and it has yet to lose one iota of its hilarity or charm. Hey, how much more can you demand from a comedy?
I think this was a good film with a good concept and adequate execution. Michael Keaton is a workaholic who doesn't have any time for his family, so he goes to a scientist who clones him so he can have the best of both worlds. Complications ensue, however, and Keaton finds that things are going as expected, so he proceeds to make more duplicates, which of course leads to further complications. I loved the part where the duplicates make one of themselves, whom the original Keaton refers to as "Rain Man." The bedroom, home, and work scenes are all hilarious, and the movie also has a good cast. If you want to see a good comedy, I recommend this one. You won't be disappointed.
** 1/2 out of ****
** 1/2 out of ****
I have to say when I saw the IMDb rating for this movie I was surprised. I was tempted to vote it a ten just to raise the average, but I gave it what I honestly think it deserves- a solid 7. Don't expect too much from this flick. The "deeper meanings" are mildly interesting and there is some worthwhile messages, but I like it just to relax and enjoy. If you just go into it looking for a few laughs you will be rewarded. It's not fall down funny but I get some very good chuckles throughout this movie. I'm a Michael Keaton fan, and I thin he does screwball comedy very well. His performance in this role as he portrays the distinctive sides of his personality in individual clones is impressive as he is spot on with each one. Andie MacDowell is always a joy to watch.
Worth a look, and I enjoy it every time it come on cable!
Worth a look, and I enjoy it every time it come on cable!
Le saviez-vous
- AnecdotesIn filming the shot in which Doug #1 introduces Doug #3 to Doug #2, Doug #2 tosses a beer to Doug #1. Michael Keaton catching the beer (tossed by a body double) was shot first. Keaton tossing the beer (this time *to* a body double) was filmed later. Keaton's toss so perfectly matched the body double's original toss that the planned special effect of digitally erasing the tossed beer can then adding in a digital beer can was not needed, thereby saving the production quite a bit of money. This was referred to by the special effects crew as "The Million Dollar Miracle Beer Can Toss".
- GaffesWhen Doug #4 is delivering pizzas on a bike, it is implied that he is delivering in Miami. Clear in the scenery are California Fan Palms. Although not as common in Florida as California, Fan Palms are still visible in some parts of Florida, but do not appear as tall or abundant in Florida as depicted.
- Citations
Doug Kinney #4: [after having sex with Doug #1's wife] She touched my peppy, Steve.
- Générique farfeluThe first few opening credits each appear on screen two or more times.
- Bandes originalesLa Gallinita De Los Huevos De Oro
Written by Jairo Varela
Performed by Grupo Niche
Courtesy of Sony Discos Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Multiplicity
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 21 075 014 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 075 340 $ US
- 21 juill. 1996
- Brut – à l'échelle mondiale
- 21 075 014 $ US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Multiplicité (1996) officially released in India in English?
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