La cage de ma tante

Granted The Birdcage isn't perfect, it is a little too long and the ending came across as rather sudden, but I was really surprised at how much I enjoyed this film. It looks good, has a nice soundtrack, has a (I think) terrific script, good pacing, a fun story and above-decent direction from Mike Nichols. As for favourite scenes, there are some great scenes, but who can forget the dinner scene? The whole film is worth watching just for that scene for so many reasons. And the acting I had no problem with whatsoever. Robin Williams underplays but still delivers the laughs solidly, while Gene Hackman proves he is great as a comic actor. Dianne Wiest, Calista Flockhart and Hank Azaria also give terrific turns, however it is Nathan Lane's hilarious turn as Albert that steals the show. All in all, this is very good and very funny and charming. 8/10 Bethany Cox

THE BIRDCAGE is the hysterically entertaining Americanized version of the French classic LA CAGE AUX FOLLES. In this version Robin Williams plays the gay owner of a Florida nightclub who learns his straight son (Dan Futterman) is coming home and is engaged to be married. Williams learns from his son that his fiancée's parents (Gene Hackman, Dianne Wiest) are straight-laced and ultra-conservative and will not be comfortable meeting his gay father or his even more flamboyant lover (Nathan Lane) and suggests Williams send Lane out of town while Hackman and Wiest are in town. Instead, Lane puts on his best drag and meets the parents as Williams' wife in one of the most hilarious dinner party scenes ever filmed. This film is chock full of sparkling dialogue and sharp performances. I also found it rather refreshing to see Robin Williams playing straight man to Lane, who along with Hank Azaria as their housekeeper, practically steal the film from everyone else in one of the most entertaining comedies of the 90's. And the sight of Gene Hackman in drag is something everyone must experience.

This film has the distinction of being quite possibly the funniest film that I've ever seen. I remember seeing this film the night it opened and laughing so hard that my friend told me she'd get up and leave me there if I didn't shut up!

Almost everyone I've talked to over the years swears by how hysterical this film is. There is a reason for that: Nathan Lane. This guy is a comic genius. He was nominated for a Golden Globe for his performance but should have been nominated for an Academy Award as well if you ask me. Originally when I first saw it, I didn't care for Robin Williams' character at all but the more I've seen it over the years (over fifty times) it grows on me. Dianne Wiest is her normal, ditzy self but is a scream here and Gene Hackman in that last scene...well, I don't want to give away anything.

Half of the fun of this film is the verbal repartee between the characters, especially anything between Hank Azaria, Nathan Lane or Dianne Wiest.

If you haven't seen this film, you owe it to yourself to just have fun and laugh the night away. Enjoy it!!!

My rating: 4 stars

I'm disappointed to see that some people can't appreciate the brilliance in this film! Robin Williams is on top form, with 'you're taking your toothbrush to the grave, how Egyptian' brilliantly improvised. Weiss is convincing in her role, as usual. Hackman is great, as usual, and Nathan Lane is overly feminate, as usual. Wonderfully cast and with a great script, it will please anyone with a sense of humour. I pity anyone who can't enjoy it, for whatever reason- homophobia, lack of intelligence, arrogance, narrow mindedness etc. I'll admit that originals are often better, but that doesn't stop this from being a film to be enjoyed. I recommend it to anyone looking for a good laugh, happy watching!

Louis Hartshorn, age 15

Though nothing can beat "La Cage aux Folles," the film on which this American version is based, I still found "The Birdcage" delightful fun and hilarious at times, thanks to the comic geniuses of Robin Williams and Nathan Lane. Lane is the dramatic Albert, an over the top drag queen who has lived for years with Robin Williams, Armand, the owner of The Birdcage, where Albert performs. Armand once had a liaison with a woman, which produced a son, Val, who now wants to be married to the daughter of a conservative politician. In order for that to occur, Armand has to become butch, all gay art work, etc., needs to exit the apartment - and Albert must disappear for a few days.

Williams is hilarious - my two favorite scenes are his rehearsal with Albert and a young man appearing with him on stage, and the scene where he coaches Armand on being macho - priceless. Nathan Lane's shtick is familiar to me, as I've seen him in "The Producers" and "The Odd Couple" - he's a riot as the insecure, jealous, easily hurt Albert.

The role of Val is problematic, because how does one keep him from looking like a complete bastard as he shuts out Armand, who raised him. But Dan Futterman and Calista Flockhart as Barbara make a lovely young couple. Gene Hackman and Dianne Wiest are very funny as Barbara's befuddled parents.

It's been a long time since I've seen the French "La Cage aux Folles," and I saw the musical on Broadway as well. The French is superior to any version. The musical is quite poignant and emphasizes its statement in the song, "I Am Who I Am." The joy of the French film is that the actors playing the lovers, Ugo Tognazzi and Michel Serrault, play their roles very seriously, and the humor and poignancy come out of the situation and the outrageousness of the Armand character (Albin/Zaza in the French). In "The Birdcage," it's played for comedy all the way. That's okay. You'll still enjoy it. But see the original.