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6,2/10
9,5 k
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Ajouter une intrigue dans votre langueA comedy about making it on Wall Street. Prejudices are hard to break and Laurel Ayres quickly learns that in order for people to take her seriously she has to work for an older white man or... Tout lireA comedy about making it on Wall Street. Prejudices are hard to break and Laurel Ayres quickly learns that in order for people to take her seriously she has to work for an older white man or be one.A comedy about making it on Wall Street. Prejudices are hard to break and Laurel Ayres quickly learns that in order for people to take her seriously she has to work for an older white man or be one.
Zeljko Ivanek
- SEC Agent Thompkins
- (as Željko Ivanek)
Colleen Camp
- Detective Jones
- (as Colleen Camp Wilson)
Avis en vedette
Watchable if nothing else, this Whoopi Goldberg vehicle doesn't reach for the stars, but instead weaves social commentary on the glass ceiling and racial prejudice into the comedy of a business whiz (Goldberg) who invents a fictitious business partner when she finds she can't advance on her own merits, apparently due to her gender and race. But the ruse becomes difficult to manage as various investors demand to meet the elusive "Mr Cutty", and Goldberg resorts to costumes and well-staged theatrics to hide the fact that Cutty doesn't exist.
Reasonable supporting cast features Tim Daly as a sleazy corporate type, ubiquitous to just about every film that depicts 'corporate America', Dianne Wiest as Goldberg's chronically under-appreciated right-hand woman, Eli Wallach as an old-school investor keen to meet the elusive Mr Cutty, and Austin Pendleton as a bookish inventor and CEO on the brink of bankruptcy until Goldberg can restore his standing. Blink and you'll miss Colleen Camp in a very minor role as a detective.
Occasional slapstick and farce, fused with the usual dry-wit for which Goldberg is accustomed, it's a studio picture with all the typical hooks and clichés, nevertheless, very mild and satisfying. And as a footnote, good to see Bebe Neuwirth in a particularly sultry role as an all-too-eager business associate to Wallach; she has a couple of scenes sans most of her wardrobe that are quite revealing.
Reasonable supporting cast features Tim Daly as a sleazy corporate type, ubiquitous to just about every film that depicts 'corporate America', Dianne Wiest as Goldberg's chronically under-appreciated right-hand woman, Eli Wallach as an old-school investor keen to meet the elusive Mr Cutty, and Austin Pendleton as a bookish inventor and CEO on the brink of bankruptcy until Goldberg can restore his standing. Blink and you'll miss Colleen Camp in a very minor role as a detective.
Occasional slapstick and farce, fused with the usual dry-wit for which Goldberg is accustomed, it's a studio picture with all the typical hooks and clichés, nevertheless, very mild and satisfying. And as a footnote, good to see Bebe Neuwirth in a particularly sultry role as an all-too-eager business associate to Wallach; she has a couple of scenes sans most of her wardrobe that are quite revealing.
10ilanjaco
The low rating this movie got here is very strange since statistically , I think, the user rating should reflect the movie resonance/quality quite well - however not in this case.
This evening I watched The Associate for the 4th time and I loved it even more then ever.
Its funny and very cleverly crafted.
I will dare and say - a must see.
9/10
This evening I watched The Associate for the 4th time and I loved it even more then ever.
Its funny and very cleverly crafted.
I will dare and say - a must see.
9/10
Don't usually like Whoopie starrers, but she really does herself proud in this funny but sadly true account of discrimination against women in the business world (and others - academic, entertainment, etc.). Amusing and clever film, but you have to be a working woman to really appreciate its truth and poetic justice.
I always enjoy Whoopi Goldberg in films, and the 1996 film "The Associate" is no exception. Based on a French film, it's the story of a Laurel Ayres (Goldberg) who is having trouble "making it" in a man's world, though she's smarter than all of them. After being manipulated and beaten out of a promotion at her old job by slick Frank (Tim Daly), Laurel starts her own company and quickly goes nowhere. She gets some help from an assistant at the old firm, Sally (Diane Wiest) and ultimately decides to make up a male associate, Robert Cutty. It works like a charm, and business is flying in the door. However, everyone is most anxious to meet Cutty, and there comes a point when she has to produce him. And when she does, he's obviously been based on Marlon Brando - the older Marlon Brando.
This is an amusing film that could have been hilarious. It does have some great moments, though, and likable characters in Goldberg and Wiest. Other fine performances include those of Daly, Lainie Kazan as a cutting columnist and Eli Wallach as a client.
The other problem I have with the film is that it is sorely dated. It's hard to believe that, while sexism still exists, Laurel would have so much trouble from the old boys' network in 1996. Sure enough, as I suspected, the film on which it is based was done in 1979. Remington Steele, a TV series based on the same premise, was produced in the '80s.
Surely in 1996, a woman of Laurel's obvious talent would have been more appreciated where she worked and could have launched a successful business without a fake male associate. Anne Mulcahy of Xerox and Ho Ching of Temasek Holdings are only two examples of such powerful executives from the 1990s.
Still, it's entertaining and fun, and a reminder that they don't make this kind of comedy anymore.
This is an amusing film that could have been hilarious. It does have some great moments, though, and likable characters in Goldberg and Wiest. Other fine performances include those of Daly, Lainie Kazan as a cutting columnist and Eli Wallach as a client.
The other problem I have with the film is that it is sorely dated. It's hard to believe that, while sexism still exists, Laurel would have so much trouble from the old boys' network in 1996. Sure enough, as I suspected, the film on which it is based was done in 1979. Remington Steele, a TV series based on the same premise, was produced in the '80s.
Surely in 1996, a woman of Laurel's obvious talent would have been more appreciated where she worked and could have launched a successful business without a fake male associate. Anne Mulcahy of Xerox and Ho Ching of Temasek Holdings are only two examples of such powerful executives from the 1990s.
Still, it's entertaining and fun, and a reminder that they don't make this kind of comedy anymore.
Never having seen this film, we decided to take a chance with it. We were quite surprised to learn this Hollywood film is based on a French one, "L'associe", written for the screen by Jean Claude Carriere and based on Jenaro Prieto's novel "El Socio". Daniel Petrie, its director is working with Nick Thiel's adaptation, which appears to have been a vehicle for its star, Whoopi Goldberg.
Some comments have compared this movie with "Working Girl", a film that also dealt with a smart woman working in the financial world, one of the themes in "The Associate". We are introduced to an intelligent woman, Laurel Ayers, who happens to have three things going against her, she is black, a woman, and is intelligent enough to merit a promotion in the Wall Street firm she works for. Unfortunately, it comes as no surprise that Laurel is passed and her co-worker, Frank, gets the good job and becomes her boss.
The film is mildly funny, as Laurel goes to make a name for herself by creating a "silent" partner, Mr. Cutty, who is never seen. The financial world is all in a frenzy to meet him, and the hilarious appearance at the Plaza Hotel, instead of making things clear, contributes to his myth.
Ms. Goldberg is delightful to watch. Dianne Wiest makes an impressive appearance as the loyal Sally, who is an under appreciated woman. Timothy Daly is perfect as the egotistical Frank. The supporting cast is good. Bebe Neuwirth, Eli Wallach, Austin Pendelton, and a funny Lanie Kazan as a financial gossip writer.
While the film is predictable, it offers some funny moments.
Some comments have compared this movie with "Working Girl", a film that also dealt with a smart woman working in the financial world, one of the themes in "The Associate". We are introduced to an intelligent woman, Laurel Ayers, who happens to have three things going against her, she is black, a woman, and is intelligent enough to merit a promotion in the Wall Street firm she works for. Unfortunately, it comes as no surprise that Laurel is passed and her co-worker, Frank, gets the good job and becomes her boss.
The film is mildly funny, as Laurel goes to make a name for herself by creating a "silent" partner, Mr. Cutty, who is never seen. The financial world is all in a frenzy to meet him, and the hilarious appearance at the Plaza Hotel, instead of making things clear, contributes to his myth.
Ms. Goldberg is delightful to watch. Dianne Wiest makes an impressive appearance as the loyal Sally, who is an under appreciated woman. Timothy Daly is perfect as the egotistical Frank. The supporting cast is good. Bebe Neuwirth, Eli Wallach, Austin Pendelton, and a funny Lanie Kazan as a financial gossip writer.
While the film is predictable, it offers some funny moments.
Le saviez-vous
- AnecdotesWhoopi Goldberg's final theatrically-released film where she received top billing as of 2023.
- GaffesThe output of an HP Laserjet 4 printer is shown emerging face-up, but should be face-down.
- Citations
Frank: You better be premenstral.
Laurel Ayres: Baby, if I was premenstral, you'd be dead.
- Générique farfeluOpening credits are presented like a stock ticker.
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- How long is The Associate?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Associate
- Lieux de tournage
- 22 Remsen St., Brooklyn, Ville de New York, New York, États-Unis(LAUREL Ayres apartment building)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 12 844 057 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 261 304 $ US
- 27 oct. 1996
- Brut – à l'échelle mondiale
- 12 844 057 $ US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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