L'unique survivant d'un horrible combat d'armes à feu raconte les évènements sinistres, qui débutèrent lorsque cinq criminels furent rassemblés par la police pour une session d'identificatio... Tout lireL'unique survivant d'un horrible combat d'armes à feu raconte les évènements sinistres, qui débutèrent lorsque cinq criminels furent rassemblés par la police pour une session d'identification a priori aléatoire.L'unique survivant d'un horrible combat d'armes à feu raconte les évènements sinistres, qui débutèrent lorsque cinq criminels furent rassemblés par la police pour une session d'identification a priori aléatoire.
- A remporté 2 oscars
- 37 victoires et 17 nominations au total
Sommaire
Reviewers say 'The Usual Suspects' is acclaimed for its intricate plot, iconic twist, and masterful storytelling. Kevin Spacey's performance and the ensemble cast are praised for depth and believability. Themes of manipulation and betrayal are central, with Verbal Kint as a complex figure. Bryan Singer's direction and Christopher McQuarrie's screenplay are noted for precision and suspense. The atmospheric direction, sound design, and score enhance immersion. Despite criticisms of the convoluted plot and twist's impact on coherence, it is a seminal crime thriller.
Avis en vedette
When you think of 90's thrillers, you will probably think of Heat, Pulp Fiction, Silence of The Lambs and many more, and whilst Goodfellas is perhaps my favourite of them, but close behind is The Usual Suspects.
It's a wonderful, clever thriller, it's full of twists and turns, with surprises galore, it's a film that makes you think. Just when you think you know all, they pull the rug from under you, and make you think again. Direction is taut, the script is impressive.
I would argue this is one of Spacey's best ever performances, if not the best of the lot, he is phenomenal here, and really does stand out in a crowd of immense talent, hopefully he'll get his career back on track.
Gabriel Byrne and Pete Postlethwaite shine, as does Stephen Baldwin, a time where that handsome brotherhood seemed to pop up everywhere, but he was excellent also.
It's a super slick production, with some pretty fine special effects, and good use of pyrotechnics, a polished production, one that's not overdone.
This is one of those movies that you can watch and watch again, it simply doesn't diminish or lose any of its intrigue. You know there's a twist coming, you'll sit there waiting for it, and the first time round your jaw may drop, it's a very well delivered moment. The ending of this film is fabulous.
10/10.
It's a wonderful, clever thriller, it's full of twists and turns, with surprises galore, it's a film that makes you think. Just when you think you know all, they pull the rug from under you, and make you think again. Direction is taut, the script is impressive.
I would argue this is one of Spacey's best ever performances, if not the best of the lot, he is phenomenal here, and really does stand out in a crowd of immense talent, hopefully he'll get his career back on track.
Gabriel Byrne and Pete Postlethwaite shine, as does Stephen Baldwin, a time where that handsome brotherhood seemed to pop up everywhere, but he was excellent also.
It's a super slick production, with some pretty fine special effects, and good use of pyrotechnics, a polished production, one that's not overdone.
This is one of those movies that you can watch and watch again, it simply doesn't diminish or lose any of its intrigue. You know there's a twist coming, you'll sit there waiting for it, and the first time round your jaw may drop, it's a very well delivered moment. The ending of this film is fabulous.
10/10.
I couldn't help but set rather high expectations for 'The Usual Suspects' as I went into watching this. I knew this was no action movie or any of the crap we get nowadays. This was true cinema! I was excited 'The Usual Suspects' is a mystery film about what cargo was on board the ship when it was destroyed and the events leading up to it as we are told from the only known survivor of that accident.
Around 45-50 minutes into the movie, I was starting to find myself a bit tired and thought the movie may perhaps have dragged along just a bit. I was becoming rather disappointed. Then the film truly began to change in such a way that I find it rather hard to explain. The characters began to get a little more entertaining, the pacing certainly began to pick up, the dialogue was getting more interesting and overall, I was more excited.
Then comes the amazing final twenty minutes with the plot twist and the story finally closing in perfectly, making the story more understandable. However, the final 5 minutes of the movie are some of the best moments of movie ever made and that is the ultimate plot twist which surprised the hell out of me! It was a cheering end to what ended as a great movie and a movie I would be more than happy to check out again and again! A-
Around 45-50 minutes into the movie, I was starting to find myself a bit tired and thought the movie may perhaps have dragged along just a bit. I was becoming rather disappointed. Then the film truly began to change in such a way that I find it rather hard to explain. The characters began to get a little more entertaining, the pacing certainly began to pick up, the dialogue was getting more interesting and overall, I was more excited.
Then comes the amazing final twenty minutes with the plot twist and the story finally closing in perfectly, making the story more understandable. However, the final 5 minutes of the movie are some of the best moments of movie ever made and that is the ultimate plot twist which surprised the hell out of me! It was a cheering end to what ended as a great movie and a movie I would be more than happy to check out again and again! A-
The interrogation, the lineup, and the story telling are all intricate to this film and really is what makes this a great movie and a 90's classic.
The lineup scene is iconic and absolutely a fan favourite no doubt. Each characters personality is defined in that one sentence.
Kevin Spacey gives a heck of a performance and for me it's definitely his best.
The lineup scene is iconic and absolutely a fan favourite no doubt. Each characters personality is defined in that one sentence.
Kevin Spacey gives a heck of a performance and for me it's definitely his best.
One day in a bookshop, I flipped through a book entitled: "the movies of the nineties" and this movie wasn't included! How can a book specialized in cinema skip such a milestone of the last decade? Any movie buff, any cinema critic must have considered the nineties a fruitful era for the American thriller. According to one's tastes, some will say that the best thriller of the nineties is "Silence of the Lambs" (1991). For others it will be "Pulp Fiction" (1994) while others will praise to the skies "Se7en" (1995). For me, the pinnacle is this present movie, "the Usual Suspects" (1995) with its staggering story (to put it mildly). It's a sensational debut for Bryan Singer which enabled to put him on the map. With a little help from his accomplice Christopher McQuarrie, he signed an unparalleled gem in the landscape of the American thriller, even the whole cinema.
The average viewer who watches "the Usual Suspects" for the first time might think that the whole crew concocted him a meandering story with as a leading thread, Spacey's convoluted story. At the end of the projection, he may feel puzzled and will probably wish to watch the movie a second time. He won't regret it and Singer and McQuarrie will rejoice at it. Their masterwork gains by several repeated viewings to appreciate the subtleties of a rich movie with a convoluted construction which will take its seemingly definitive form in the five last minutes. To watch "the Usual Suspects" is like gathering the pieces of an intriguing puzzle, a little like any other suspenseful movie but in the case of Singer's flick, one will never really be able to completely end it. So many things happen in less than two hours that we are never really sure of what we watch and this is reinforced by a breathtaking unexpected twist at the end which makes our assumptions falter. Singer and McQuarrie take a mischievous delight in taking the viewer in their nebulous scenario and to follow it according to Spacey's declarations and it's obvious that they raise more questions than answers. It's up to the viewer to make his imagination work and to bring his thoughts on the film. This is what inspires its pernicious charm.
From Spacey's story, the authors developed a top quality script, set with clockwork precision. Singer's directorial style virtually evolutes on the razor's edge and conveys an increasing tension. It is filled with ingenious visual ideas and served by fluid camera movements. Singer was in his early thirties when he shot his film but it presents the signs of a seasoned author. There's also a tight editing and a unsettling score which cement the movie in its place of winner. More remarkable, the authors pull off with gusto to increase the audience's curiosity throughout the film in spite of a somewhat deliberate confusion and the interest won't weaken until the end which constitute the apex: an unexpected twist which will leave the audience speechless once they understood it. In Singer's flick, it doesn't disappoint because there are little but noticeable visual and verbal clues which justify it. However, it has something unsettling. We believe that we are at the end of the maze but there's more to the picture than meets the eye. Maybe this "coup de theatre" veils one more truth. Maybe also the shrewdest ones will have guessed it but the result is the same for any viewer: Singer puts a baffled spectator in his pocket.
Singer and Quarrie show a perfect master in the domain of the film noir: an ominous atmosphere, nocturnal scenes which stay rooted in the mind and a deep psychology of certain characters which give more substance to the film. Considering the last point, the character of Gabriel Byrne is the most interesting one: a former crooked cop who seemingly redeemed himself in catering but caught up by his past and forced to come back to work. I personally think that Byrne is the stand-out of the topflight cast the movie boasts. But don't neglect the other members. Kevin Spacey pocketed a deservedly Oscar in 1996 and the rest of the cast doesn't stay on the bench. Maybe Singer grants a little shallow attention to the three others baddies in the gang but in a way it's necessary to underscore the fact that they're lousy gangsters embroiled in a infernal spiral and unable to perceive what lies beneath all this. Pete Postlewhaite and Chazz Palminteri make their scenes count too.
A riveting storytelling, a painstaking flash-back, a tight and first-class directing, a thoughtful twist, a topnotch cast, "the Usual Suspects" includes almost everything a director would sell his soul for. Everything contributes to make it a stalwart model in the suspenseful movie and the whole cinema. After the first vision, be prepared for mental gymnastics and for a second screening...
The average viewer who watches "the Usual Suspects" for the first time might think that the whole crew concocted him a meandering story with as a leading thread, Spacey's convoluted story. At the end of the projection, he may feel puzzled and will probably wish to watch the movie a second time. He won't regret it and Singer and McQuarrie will rejoice at it. Their masterwork gains by several repeated viewings to appreciate the subtleties of a rich movie with a convoluted construction which will take its seemingly definitive form in the five last minutes. To watch "the Usual Suspects" is like gathering the pieces of an intriguing puzzle, a little like any other suspenseful movie but in the case of Singer's flick, one will never really be able to completely end it. So many things happen in less than two hours that we are never really sure of what we watch and this is reinforced by a breathtaking unexpected twist at the end which makes our assumptions falter. Singer and McQuarrie take a mischievous delight in taking the viewer in their nebulous scenario and to follow it according to Spacey's declarations and it's obvious that they raise more questions than answers. It's up to the viewer to make his imagination work and to bring his thoughts on the film. This is what inspires its pernicious charm.
From Spacey's story, the authors developed a top quality script, set with clockwork precision. Singer's directorial style virtually evolutes on the razor's edge and conveys an increasing tension. It is filled with ingenious visual ideas and served by fluid camera movements. Singer was in his early thirties when he shot his film but it presents the signs of a seasoned author. There's also a tight editing and a unsettling score which cement the movie in its place of winner. More remarkable, the authors pull off with gusto to increase the audience's curiosity throughout the film in spite of a somewhat deliberate confusion and the interest won't weaken until the end which constitute the apex: an unexpected twist which will leave the audience speechless once they understood it. In Singer's flick, it doesn't disappoint because there are little but noticeable visual and verbal clues which justify it. However, it has something unsettling. We believe that we are at the end of the maze but there's more to the picture than meets the eye. Maybe this "coup de theatre" veils one more truth. Maybe also the shrewdest ones will have guessed it but the result is the same for any viewer: Singer puts a baffled spectator in his pocket.
Singer and Quarrie show a perfect master in the domain of the film noir: an ominous atmosphere, nocturnal scenes which stay rooted in the mind and a deep psychology of certain characters which give more substance to the film. Considering the last point, the character of Gabriel Byrne is the most interesting one: a former crooked cop who seemingly redeemed himself in catering but caught up by his past and forced to come back to work. I personally think that Byrne is the stand-out of the topflight cast the movie boasts. But don't neglect the other members. Kevin Spacey pocketed a deservedly Oscar in 1996 and the rest of the cast doesn't stay on the bench. Maybe Singer grants a little shallow attention to the three others baddies in the gang but in a way it's necessary to underscore the fact that they're lousy gangsters embroiled in a infernal spiral and unable to perceive what lies beneath all this. Pete Postlewhaite and Chazz Palminteri make their scenes count too.
A riveting storytelling, a painstaking flash-back, a tight and first-class directing, a thoughtful twist, a topnotch cast, "the Usual Suspects" includes almost everything a director would sell his soul for. Everything contributes to make it a stalwart model in the suspenseful movie and the whole cinema. After the first vision, be prepared for mental gymnastics and for a second screening...
10Agent10
Such films like this should be enshrined in museums, simply due to the fact it destroyed the entire genre of mystery films. While this film was unique and captivating, no other mystery will ever accomplish this sort of cult status, single handedly shaping a genre. While most mysteries try to shock you too often with twists and even more twists, it turns out to be overkill. This film encompassed such ideas with flair and originality, which is probably the reason Brian Singer is sticking to sci-fi action films. Only Memento and The Game are the only recent mystery movies worthy enough to stand beside this film. Sadly, Singer has somewhat sold out by doing the X-Men movies, but I guess trying to make films like this would be too taxing. This film will always bring a smile to my face when I watch it with someone who hasn't seen this movie. A good viewing every time I watch it, the new special edition DVD is awesome.
Le saviez-vous
- AnecdotesThe idea for this movie started only with the concept of a movie poster of five men in a lineup.
- GaffesDuring Verbal's interrogation, his coffee mug is empty when he takes the first sip. In the next scene, it is fine.
- Générique farfeluThe editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines."
- Autres versionsThe Australian television version left the line-up scene unedited for language. However, all other scenes with strong language, such as McManus's call for payback at the discovery of Finster's body, were shortened or removed.
- ConnexionsEdited into Keyser Söze: Lie or Legend? (2002)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Usual Suspects
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 23 341 568 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 645 363 $ US
- 20 août 1995
- Brut – à l'échelle mondiale
- 23 342 724 $ US
- Durée
- 1h 46m(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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