Dans un monde futur dévasté par la maladie, un condamné est renvoyé dans le temps pour recueillir des informations sur le virus créé par l'homme qui a anéanti la majeure partie de la populat... Tout lireDans un monde futur dévasté par la maladie, un condamné est renvoyé dans le temps pour recueillir des informations sur le virus créé par l'homme qui a anéanti la majeure partie de la population humaine.Dans un monde futur dévasté par la maladie, un condamné est renvoyé dans le temps pour recueillir des informations sur le virus créé par l'homme qui a anéanti la majeure partie de la population humaine.
- Director
- Writers
- Stars
- Nommé pour 2 oscars
- 11 victoires et 25 nominations au total
Avis en vedette
Twelve Monkeys is typically Terry Gilliam, loaded with the director's trademark quirky visuals, and, as such, should get right up my nose (I'm not a huge fan of his hallucinatory, surreal style, to say the least). And yet I still love this unusual time travel tale: it's got great performances, with a particularly strong turn from the then up-and-coming Brad Pitt, and Gilliam's chaotic storytelling actually suits the inherent madness of the whole movie. The twisty-turny plot keeps the viewer on their toes throughout, and Gilliam pulls all the threads together neatly for the finale. The occasional moment of visual excess still niggles (the steampunk/trash-heap aesthetic of the future isn't my cup of tea), but on the whole this is definitely one of the director's best films.
Bruce Willis stars as James Cole, a convict from the future who is sent to the past to try and discover the origins of the virus that wiped out most of the world's human population. After a violent altercation with the police of 1990, Cole is sent to an asylum where he meets patient Jeffrey Goines (Pitt), son of a wealthy scientist (played by Christopher Plummer), and quite possibly plants the seeds of mankind's destruction in the lunatic's mind. Together with his psychiatrist Kathryn Railly (Madeleine Stowe), Cole tries to prevent the disaster from occurring.
At times, it seems as though Gilliam has only the slightest command of proceedings, and the film demands that the viewer puts in 100% concentration to avoid becoming as lost and confused as Cole himself, who becomes more and more unsure about what is reality and what isn't as the film progresses. Characters ramble, often seemingly incoherently, but what they are saying is, for the most part, intrinsic to the outcome, so pay attention (or have your finger on the rewind button). Those who make the effort will be rewarded by a film that is constantly inventive and frequently clever, and worth at least a few viewings to appreciate it to the fullest.
Bruce Willis stars as James Cole, a convict from the future who is sent to the past to try and discover the origins of the virus that wiped out most of the world's human population. After a violent altercation with the police of 1990, Cole is sent to an asylum where he meets patient Jeffrey Goines (Pitt), son of a wealthy scientist (played by Christopher Plummer), and quite possibly plants the seeds of mankind's destruction in the lunatic's mind. Together with his psychiatrist Kathryn Railly (Madeleine Stowe), Cole tries to prevent the disaster from occurring.
At times, it seems as though Gilliam has only the slightest command of proceedings, and the film demands that the viewer puts in 100% concentration to avoid becoming as lost and confused as Cole himself, who becomes more and more unsure about what is reality and what isn't as the film progresses. Characters ramble, often seemingly incoherently, but what they are saying is, for the most part, intrinsic to the outcome, so pay attention (or have your finger on the rewind button). Those who make the effort will be rewarded by a film that is constantly inventive and frequently clever, and worth at least a few viewings to appreciate it to the fullest.
There is a story (possibly apocryphal) about an exchange between Bruce Willis and Terry Gilliam at the start of Twelve Monkeys. Gilliam (allegedly) produced a long list (think about the aircraft one from the Fifth Element) and handed it to Butch Bruce. It was entitled "Things Bruce Willis Does When He Acts". It ended with a simple message saying: "please don't do any of the above in my movie".
There is a fact about this movie (definitely true). Gilliam didn't have a hand in the writing.
I would contend that these two factors played a huge role in creating the extraordinary (if not commercial) success that is The Twelve Monkeys.
Visually, the Twelve Monkeys is all that we have rightly come to expect from a Gilliam film. It is also full of Gilliamesque surrealism and general (but magnificent) strangeness. Gilliam delights in wrong-footing his audience. Although the ending of the Twelve Monkeys will surprise no one who has sat through the first real, Gilliam borrows heavily from Kafka in the clockwork, bureaucratic relentless movement of the characters towards their fate. It is this journey, and the character developments they undergo, which unsettles.
I love Gilliam films (Brazil, in particular). But they do all tend to suffer from the same weakness. He seems to have so many ideas, and so much enthusiasm, that his films almost invariably end up as a tangled mess (Brazil, in particular). I still maintain that Brazil is Gilliam's tour de force, but there's no denying that The Twelve Monkey's is a breath of fresh air in the tight-plotting department. Style, substance and form seem to merge in a way not usually seen from the ex-Python.
Whatever the truth of the rumour above, Gilliam also manages to get a first rate (and very atypical) performance out of the bald one. Bruce is excellent in this film, as are all the cast, particularly a suitably bonkers - and very scary - Brad Pitt.
It's been over a decade since this film was released. When I watched it again, I realised that it hadn't really aged. I had changed, of course. And this made me look at the film with fresh eyes. This seems to me to be a fitting tribute to a film that, partly at least, is about reflections in mirrors, altered perspectives and the absurd one-way journey through time that we all make. A first rate film. 8/10.
There is a fact about this movie (definitely true). Gilliam didn't have a hand in the writing.
I would contend that these two factors played a huge role in creating the extraordinary (if not commercial) success that is The Twelve Monkeys.
Visually, the Twelve Monkeys is all that we have rightly come to expect from a Gilliam film. It is also full of Gilliamesque surrealism and general (but magnificent) strangeness. Gilliam delights in wrong-footing his audience. Although the ending of the Twelve Monkeys will surprise no one who has sat through the first real, Gilliam borrows heavily from Kafka in the clockwork, bureaucratic relentless movement of the characters towards their fate. It is this journey, and the character developments they undergo, which unsettles.
I love Gilliam films (Brazil, in particular). But they do all tend to suffer from the same weakness. He seems to have so many ideas, and so much enthusiasm, that his films almost invariably end up as a tangled mess (Brazil, in particular). I still maintain that Brazil is Gilliam's tour de force, but there's no denying that The Twelve Monkey's is a breath of fresh air in the tight-plotting department. Style, substance and form seem to merge in a way not usually seen from the ex-Python.
Whatever the truth of the rumour above, Gilliam also manages to get a first rate (and very atypical) performance out of the bald one. Bruce is excellent in this film, as are all the cast, particularly a suitably bonkers - and very scary - Brad Pitt.
It's been over a decade since this film was released. When I watched it again, I realised that it hadn't really aged. I had changed, of course. And this made me look at the film with fresh eyes. This seems to me to be a fitting tribute to a film that, partly at least, is about reflections in mirrors, altered perspectives and the absurd one-way journey through time that we all make. A first rate film. 8/10.
"Twelve monkeys"'s got all the elements to become Terry Gilliam's masterpiece. An outstanding screenplay, a sustained rhythm, clever sometimes ironic dialogs. Moreover, he had a good nose about the cast. "Twelve monkeys" is also the first movie where Bruce Willis stands back from the kind of character he used to play in his previous movies. Here, a jaded and hopeless character which you could nickname a prisoner took over from a fearless and invincible hero (as it was the case in "Die hard"). No matter how he tries, he's a prisoner of the time. The movie contains a very thrilling end too. It's got a real dramatic power. But this terrific movie is also a reflection about man, the dangers he dreads (notably, the ones that could cause the end of the world and here, these are virus that can create illnesses). No matter how long it will take, "twelve monkeys" will be estimated at its true value: one of the masterpieces made in the nineties.
In 1996, a deadly virus is released by a terrorist group known as The Army of the Twelve Monkeys and wipes out 5 billion people from Earth and the survivors are forced to live underground.
In 2035, the prisoner James Cole (Bruce Willis) is forced to return to 1996 to find the original virus to help the scientists to research the cure to mankind. However, he is mistakenly sent to 1990 and locked up in a mental institution, where he meets the lunatic Jeffrey Goines (Brad Pitt). James Cole unsuccessfully tries to explain his assignment to the doctors, including the psychiatrist Kathryn Railly (Madeleine Stowe) that is responsible for his treatment, and then he tries to escape but is incarcerated in a cell. Out of the blue, he vanishes, in the beginning of the incredible journey of James Cole.
"Twelve Monkeys" (1995) is a sci-fi ahead of the time. The plot has many details that requires the viewer to watch this film more than once to fully understand the story. Watching "Twelve Monkeys" again in 2021 is particularly scary in times of the pandemic Covid. Hope that the history does not follow fiction. My vote is nine.
Title (Brazil): "Os 12 Macacos" ("The 12 Monkeys")
Note: On 24 February 2025, I saw this film again.
In 2035, the prisoner James Cole (Bruce Willis) is forced to return to 1996 to find the original virus to help the scientists to research the cure to mankind. However, he is mistakenly sent to 1990 and locked up in a mental institution, where he meets the lunatic Jeffrey Goines (Brad Pitt). James Cole unsuccessfully tries to explain his assignment to the doctors, including the psychiatrist Kathryn Railly (Madeleine Stowe) that is responsible for his treatment, and then he tries to escape but is incarcerated in a cell. Out of the blue, he vanishes, in the beginning of the incredible journey of James Cole.
"Twelve Monkeys" (1995) is a sci-fi ahead of the time. The plot has many details that requires the viewer to watch this film more than once to fully understand the story. Watching "Twelve Monkeys" again in 2021 is particularly scary in times of the pandemic Covid. Hope that the history does not follow fiction. My vote is nine.
Title (Brazil): "Os 12 Macacos" ("The 12 Monkeys")
Note: On 24 February 2025, I saw this film again.
I don't know why his name is not under credits, but Pitt has done one of the best acts ever, of his career. No wonder he was nominated an Oscar for this. For all his amazing looks, he puts too much hard work in his roles. I never thought if that crazy guy role for a slim, good looking, stubbled stud will ever work. But he proved these amazing guys too can be crazy, that too beautifully.
Bruce was good as usual, may be too much drooling in his role and for his psychiatrist. Even for that personality he easily managed to overpower those two guys in the theater (kinda Die Hard thing). That scene was funny as hell.
Time travels, I think, if are that frequent, can never be right on the money. Ending up in the trenches as result is never a good idea. Can't they transport the person with his clothes on. I mean I will never wish to be teleported to some place naked, at-least factor in the weather for God's sake.
We have witnessed Corona recently and 2035 is a bit far away. Doesn't portend well for the human race.
Overall a good watch #TwelveMonkeys1995 - 8/10.
Bruce was good as usual, may be too much drooling in his role and for his psychiatrist. Even for that personality he easily managed to overpower those two guys in the theater (kinda Die Hard thing). That scene was funny as hell.
Time travels, I think, if are that frequent, can never be right on the money. Ending up in the trenches as result is never a good idea. Can't they transport the person with his clothes on. I mean I will never wish to be teleported to some place naked, at-least factor in the weather for God's sake.
We have witnessed Corona recently and 2035 is a bit far away. Doesn't portend well for the human race.
Overall a good watch #TwelveMonkeys1995 - 8/10.
Le saviez-vous
- AnecdotesTerry Gilliam was afraid that Brad Pitt wouldn't be able to pull off the nervous, rapid speech. He sent him to a speech coach but in the end he just took away Pitt's cigarettes, and Pitt played the part exactly as Gilliam wanted.
- GaffesIn the first surface scene, the bear shot is reversed and, thus, it manages to completely inhale the condensation of its breath.
- Citations
James Cole: All I see are dead people.
- Générique farfeluThe film is introduced by the typing sound and sight of what are apparently excerpts from Dr. Kathryn Railly's notes on James Cole.
- Autres versionsThere are two releases of the film, by different companies, one from Arrow Video (released both in the US and UK) and the US Blu-ray by Universal. The Arrow release of this film contained a mistake in a scene about 40 minutes in. Bruce Willis's character is interrogated and the tracking shots and close-ups of the researchers questioning him are duplicated. This error was spotted by fans, who contacted Arrow Video to point it out. Arrow admitted the misprint, vowing to correct it (a similar problem was discovered in Arrow's 4K release of Henry: Portrait of a Serial Killer). Arrow issued this statement: "Sadly, we have identified a fault on our 12 Monkeys UHD disc (FCD2191/AV380), where at approximately 41 minutes some footage is briefly repeated with no interruption to the soundtrack. This error was not spotted by the producers, the facility that carried out the work or the filmmaker who approved the restoration. The fault was traced to the initial 4K data when one of the scanned reels contained some overlap in content and this wasn't flagged in the initial conform. We are continuing to review our workflow processes to prevent these issues from happening in the future. Please hold on to your copy and we will follow up with further information as soon as possible. Sorry for the inconvenience, we look forward to resolving this for you soon."
- Bandes originalesWhat a Wonderful World
Written by Bob Thiele, George David Weiss
Performed by Louis Armstrong
Courtesy of MCA Records
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is 12 Monkeys?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Twelve Monkeys
- Lieux de tournage
- Eastern State Penitentiary - 2124 Fairmont Avenue, Philadelphie, Pennsylvanie, États-Unis(interiors: asylum in 1990)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 29 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 57 141 459 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 184 776 $ US
- 1 janv. 1996
- Brut – à l'échelle mondiale
- 168 839 459 $ US
- Durée
- 2h 9m(129 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant