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7,6/10
12 k
MA NOTE
Ajouter une intrigue dans votre langueTheatrical film of "Persuasion" with Ciaran Hinds and Amanda Root. Directed by Roger Michell.Theatrical film of "Persuasion" with Ciaran Hinds and Amanda Root. Directed by Roger Michell.Theatrical film of "Persuasion" with Ciaran Hinds and Amanda Root. Directed by Roger Michell.
- A remporté le prix 5 BAFTA Awards
- 7 victoires et 2 nominations au total
Ciarán Hinds
- Captain Wentworth
- (as Ciaran Hinds)
Avis en vedette
I enjoy Jane Austin best of all when it is free of the Hollywood temptation to populate her cast with handsome men and beautiful woman. Anne Elliot is attractive not because she is some buxom blonde, but because her character is intelligent, quiet, and generously caring.
The photography in this film is extraordinary as are all the performances. Colin Redgrave is fabulous as Anne's father, a sniveling social climber, and Samuel West as the seedy relative who tries to get back in the families good graces to make sure that his fortunes are preserved. The actresses playing Anne's two sisters also do a praise worthy job.
I recommend this film highly even if you aren't an Austin fan.
The photography in this film is extraordinary as are all the performances. Colin Redgrave is fabulous as Anne's father, a sniveling social climber, and Samuel West as the seedy relative who tries to get back in the families good graces to make sure that his fortunes are preserved. The actresses playing Anne's two sisters also do a praise worthy job.
I recommend this film highly even if you aren't an Austin fan.
A real pleasure to watch and by far superior to the later version with Sally Hawkins. (Sally Hawkins was fine but the whole later production looks like a cartoon version compared with this elaborate rendering of Jane Austen's world.) Amanda Root as Anne Elliot is perfect as the underestimated and unloved daughter of a spendthrift snob of a father and a stepmother right out of Grimm's fairy tales. (Not to speak of being henpecked by her hyper nervous younger married sister.) They filmmakers also managed to make Amanda Root look rather unattractive at the beginning and one wonders how any man could have been so much in love with her as the still lamented Frederick Wenthworth, whom she sent away on the heavy influence of her family, because he was a nobody with no regular income at the time. Years have past when we comes back into her neighbourhood, apparently haunting her serenity and feeling her more wrong then ever before. Cairán Hinds is equally good as the former lover Wenthworth, still hurt and trying hard to ignore Anne and seemingly having a good time without her. Once Wentworth pops up every now and then we notice that Anne begins to look more pretty, even the presence of the man she thinks she has lost forever make her look so much better.
The beauty of this version is not only grounded on the excellent cast but also in the magnificent eye for details, and, although only running a mere 100 minutes, gives the viewer the appropriate feeling of time passing by very slowly (don't get me wrong, I don't speak of the pace inside the story), but time that painfully slows down when being with people you despise or you feel dispised by. I always cherished this book by Jane Austen very much and I'm so glad that finally I found this film that really does it justice!
The beauty of this version is not only grounded on the excellent cast but also in the magnificent eye for details, and, although only running a mere 100 minutes, gives the viewer the appropriate feeling of time passing by very slowly (don't get me wrong, I don't speak of the pace inside the story), but time that painfully slows down when being with people you despise or you feel dispised by. I always cherished this book by Jane Austen very much and I'm so glad that finally I found this film that really does it justice!
For some reason, people seem to leave "Persuasion" out when they are naming Jane Austen adaptations. I find that lamentable, since it is such a wonderful film. It is exceedingly British, which means that Americans might find it a little hard to understand, but personally I think it is superb.
All the acting is stellar; I can't really identify a bad performance. Ciaran Hines especially shines as the warm but reserved Captain Wentworth.
Of all the Jane Austen adaptations (except "Pride and Prejudice") I believe "Persuasion" is the truest to the time period. The characters act within the conventions of regency England and seem to be comfortable doing so.
I would recommend this movie to any Jane Austen lover or a person who enjoys period films or classic literature. A person who does not fall into those categories might enjoy it as well, but is likely to find it slow and difficult to understand.
All the acting is stellar; I can't really identify a bad performance. Ciaran Hines especially shines as the warm but reserved Captain Wentworth.
Of all the Jane Austen adaptations (except "Pride and Prejudice") I believe "Persuasion" is the truest to the time period. The characters act within the conventions of regency England and seem to be comfortable doing so.
I would recommend this movie to any Jane Austen lover or a person who enjoys period films or classic literature. A person who does not fall into those categories might enjoy it as well, but is likely to find it slow and difficult to understand.
The recently released DVD provides a wonderful opportunity to revisit this exquisitely done Austen. Her usual themes of elligible young women and men, their social positions, and their incomes, are very much in evidence; however here there is something a bit quieter and more deeply felt, as two special people get a second chance at happiness. The direction is remarkably fine-tuned, and the production makes a welcome attempt to portray a more realistic glimpse of the life of various classes during the period than is usual. The flamboyant period costumes are particularly amusing, and the sight of the naval men striding along jettys in uniform with their very striking hats is one that has always stuck in my mind.
This has got to be the most watchable Jane Austen adaptation since the recent influx. Amanda Root and Ciaran Hinds are simply the best at conveying unrequited love. One is not blindsided by the big names and distracting beauty of those that have filled the roles of more recent Austen films, and that's how it should be. The performances by Sophie Thompson (Emma's sister), Phoebe Nicholls (remember "Brideshead Revisited"?), and Corin Redgrave is enough to make this movie recommendable, but the 2 main characters are absolutely superb and sympathetic without being sappy or gratuitous. The other supporting cast is phenomenal; what one expects from a nice little English film. Cinematography and soundtrack are fitting as well. Highly recommended!
Le saviez-vous
- AnecdotesAmanda Root originally was wanted by Ang Lee and Emma Thompson for the role of Marianne Dashwood in their adaptation of another Jane Austen film, Raison et sentiments (1995), and she performed the role at a read-through of an early draft of the script before she was cast in Persuasion.
- GaffesWhile clearing out her things at Kellynch near the beginning of the film, Anne finds a paper boat tucked inside a navy list. Look closely: the words written on it come from the letter Captain Wentworth writes to her at the end of the film. It says: "You pierce my soul. I am half agony, half hope. Tell me not that such precious feelings are gone for ever. I offer myself to you again..."
- Citations
Lady Russell: Captain Wentworth.
Captain Wentworth: Lady Russell.
Lady Russell: You have an extraordinary ability to discompose my friend, sir.
Captain Wentworth: And you have an extraordinary ability to influence her, ma'am, for which I find it hard to forgive you.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Доводы рассудка
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 £ (estimation)
- Brut – États-Unis et Canada
- 5 269 757 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 30 986 $ US
- 1 oct. 1995
- Brut – à l'échelle mondiale
- 5 269 757 $ US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Persuasion (1995) officially released in India in English?
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