ÉVALUATION IMDb
7,4/10
13 k
MA NOTE
Après avoir été chassée de chez elle, Maria rencontre une femme qui se plaint de ne pas avoir d'enfants. Elle finit dans une maison abandonnée, où elle rencontre Matthew. Quand un bébé est e... Tout lireAprès avoir été chassée de chez elle, Maria rencontre une femme qui se plaint de ne pas avoir d'enfants. Elle finit dans une maison abandonnée, où elle rencontre Matthew. Quand un bébé est enlevé, Maria part à la recherche de la femme.Après avoir été chassée de chez elle, Maria rencontre une femme qui se plaint de ne pas avoir d'enfants. Elle finit dans une maison abandonnée, où elle rencontre Matthew. Quand un bébé est enlevé, Maria part à la recherche de la femme.
- Prix
- 4 victoires et 2 nominations au total
Rebecca Nelson
- Jean Coughlin
- (as Merritt Nelson)
Hannah Sullivan
- Ruark Boss
- (as Patricia Sullivan)
Julie Kessler
- Biker Mom
- (as Julie Sukman)
Avis en vedette
I saw this one when I was working in a small movie theater as a student back in 1991 in Leuven, Belgium. I cannot explain why but this little gem of a movie touched me and I fell in love with all the characters (specially the main ones played by Adrienne Shelly and Martin Donovan), the modest soundtrack (loved the synthesizer score at the end), the dialogs, the humor mixed with social and realistic situations. Now, 23 years later, I had the chance to rediscover this movie by accident through a local internet movie site and honestly, after having seen hundreds of movies in all genres during the passed years, it still remains my favorite movie of all times. Thank you, Mr Hartley! One from the heart!
TRUST (1990) *** Adrienne Shelly and Martin Donovan shine as a pregnant, naive teen who is befriended by troubled loner-type, respectively, in this sharply written satire/black comedy/and at times gimmicky bloodless acting (but that's also the warped appeal) that brings into question the monotony of dreary jobs, thankless relationships and bad parenting. Directed by Hal Hartley in his signature solemnity.
When high school dropout Maria Coughlin (Adrienne Shelly) announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless.
Martin Donovan really excels here and represents a type of person some of us know all too well. The man who rebels against the world, but in a sort of passive-aggressive, nihilistic fashion. It is interesting that this film came out in 1990, as the 90s were very much a nihilistic decade for film and music, and the character of Matthew Slaughter sort of anticipates that.
Hal Hartley may not be as well known as Jim Jarmusch or (early) Richard Linklater, but he has that same independent vibe. He has done here for Long Island what Linklater did for Austin.
Martin Donovan really excels here and represents a type of person some of us know all too well. The man who rebels against the world, but in a sort of passive-aggressive, nihilistic fashion. It is interesting that this film came out in 1990, as the 90s were very much a nihilistic decade for film and music, and the character of Matthew Slaughter sort of anticipates that.
Hal Hartley may not be as well known as Jim Jarmusch or (early) Richard Linklater, but he has that same independent vibe. He has done here for Long Island what Linklater did for Austin.
I first saw this film in 1990 while I was in college and I loved it. I watched it over and over on VHS. I told everyone that this was my favorite movie of all time and watched every Hal Hartley movie I could find. Last night I stumbled across Trust on Netflix Instant and I thought I'd check it out to see if this film that I was so passionate about when I was 20 years old held up over time or if the 40 year old me would find it silly or dated. To my surprise I was blown away all over again by how ridiculously great it is. The smart stylized dialog, the music, the starkness, the silences, the camera framing, all of the whacked out but fully human characters, Martin Donovan and Adrienne Shelly so young and beautiful. As the final, simple, beautiful, frame of the film disappeared and credits rolled I was left sitting on the couch in a state of shocked amazement at the effect this film still has on me. Hands down my favorite movie of all time!
I had the honor of viewing this, one of Hal Hartley's first films, last night. This being 2006, needless to say it has been some time since my first viewing of this very special film. This is the kind of movie that I recommend to certain friends and younger people I know (I first viewed it when very young). So many moments sit in my mind unnoticed until another viewing years after the last. An amazing tale of growth and awakening in a world that often does not present itself as being conducive to growth. The dialog is pure Hartley (if you are unfamiliar with his films I would recommend this as a good place to start). Halfway between John Hughes and Samuel Beckett. The actors portray their awakenings delicately and with precision. Please see this film!
Le saviez-vous
- AnecdotesIn an interview, Hal Hartley once explained that he made the movie on the spur of the moment because he wanted to work with Shelly again immediately after making The Unbelievable Truth (1989), so he had very little money and very little time. The movie was shot in 11 days. The reason he could do that, he said, was because so much of the direction was implied in the dialogue. The dialogue pretty much told the actors what to do.
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Détails
Box-office
- Budget
- 700 000 $ US (estimation)
- Brut – États-Unis et Canada
- 356 122 $ US
- Brut – à l'échelle mondiale
- 357 400 $ US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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