[go: up one dir, main page]

    Calendrier de lancementLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreBx-office supérieurHoraire des présentations et billetsNouvelles cinématographiquesPleins feux sur le cinéma indien
    À l’affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléÉmissions de télévision les plus populairesParcourir les séries TV par genreNouvelles télévisées
    À regarderBandes-annonces récentesIMDb OriginalsChoix IMDbIMDb en vedetteGuide du divertissement familialBalados IMDb
    OscarsBest Of 2025Holiday Watch GuideGotham AwardsCelebrity PhotosPrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd’huiCélébrités les plus populairesNouvelles des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels de l’industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Ouvrir une session
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
Retour
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro
Arnold Schwarzenegger and John Pantellas in Terminator 2: Le jugement dernier (1991)

Anecdotes

Terminator 2: Le jugement dernier

Modifier
Robert Patrick undertook a rigorous running regime and practiced breathing only through his nose, in order to appear to be a cyborg that could run at high speeds without showing fatigue. He had trained so hard that he was able to catch up to Edward Furlong on his dirt bike with ease.
Production took sufficiently long that Edward Furlong's growth caused the production team to have to make certain adjustments during the shoot. He is noticeably younger in the desert scene than in other scenes. His voice began to break and had to be pitch adjusted in post-production. He had also grown quite tall over the months that, for one scene shot late in the production schedule, he had to stand in a hole in the ground in order to maintain continuity in height difference with Linda Hamilton.
There was concern as to how realistic CGI would look when it came to the helicopter going under the bridge, so the pilot just did it for real.
Linda Hamilton's twin sister, Leslie Hamilton Gearren, was used as a double in scenes involving two "Sarah Connors" (for example, when the T-1000 was imitating her), and in a scene not in the theatrical release (but on the DVD) as a mirror image of Linda.
Carolco studio executives were nervous and concerned when the original budget of US $75 million ballooned up to US $88 million, with more to come. In order to keep the budget manageable, they proposed to eliminate a few scenes, particularly the opening biker bar scene where The Terminator is introduced. They tried to get Arnold Schwarzenegger to persuade James Cameron to remove that scene, but Schwarzenegger turned them down, saying, "Only a studio guy would cut a scene out like that."

Cameo

William Wisher: (at around 27 mins) Co-writer Wisher is the photographer during the mall fight when the Terminator is thrown through the galleria window. Wisher also played the police officer who was violently carjacked in Terminator (1984) (hence his look of recognition as he photographs the Terminator).
Van Ling: (at around 21 mins) The DVD Producer and Special Effects Coordinator appears as Dyson's assistant in the lab.
Joel Kramer: (at around 49 mins) Stunt Coordinator appears as the guard in the hospital security room.

Director Trademark

James Cameron: [white frame] (at around 48 mins) When Sarah clocks Douglas in the face with the mop handle, a single solid white frame is spliced in at the moment of impact. This trick accurately conveys the flash a person sees when they get hit in the head. It was also used in L'abysse (1989) when Cat punches Coffey in the face.
James Cameron: [nice cut] (at around 1 min) During the opening credits, the cut from the playing children to the dark future.

Contribuer à cette page

Suggérer une modification ou ajouter du contenu manquant
  • En savoir plus sur la façon de contribuer
Modifier la page

En savoir plus sur ce titre

En découvrir davantage

Consultés récemment

Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
Télécharger l'application IMDb
Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
Suivez IMDb sur les réseaux sociaux
Télécharger l'application IMDb
Pour Android et iOS
Télécharger l'application IMDb
  • Aide
  • Index du site
  • IMDbPro
  • Box Office Mojo
  • Données IMDb de licence
  • Salle de presse
  • Publicité
  • Emplois
  • Conditions d'utilisation
  • Politique de confidentialité
  • Your Ads Privacy Choices
IMDb, une entreprise d’Amazon

© 1990-2025 by IMDb.com, Inc.