Star Trek VI: La conquête du nouveau monde

The final Trek for the original crew of the Enterprise restores the talent behind the camera including Star Trek II's Nicholas Meyer as director and thus intelligence and high production values are back on screen after the stagnant Star Trek V. The Undiscovered Country is a generous cut of the franchise's sweet meat though it doesn't hold the same place in my affections as Trek's II, III and IV. The story is the series at it's best - a deft allegory of the fall of Soviet Communism with the old cast having to question their old assumptions about those 'Klingon bastards' who are now suing for peace with their Federation foes. The ensuing political double crosses, assassinations and space battles are far meatier and more interesting than anything in the previous film and this is all counterbalanced by something approaching poignancy given that the movie represents a final fling for our quasi-geriatric heroes. The direction and visual effects are top notch with Meyer getting the best out of the classic cast including a surprisingly descent turn from Shatner who rediscovers a bit of the old magic as a Kirk trying to reconcile his hatred of the enemy and his personal resentment against the practicalities of the peace initiative. Its really his movie, though Spock and McCoy have some good moments and Christopher Plummer's General Chang provides prime cut villainy with just a glint in his eye (literally just the one eye) and a stroke of his Klingon moustache. His propensity to quote Shakespeare is a bit of a hoary old cliché for your would-be enemy but it works nicely as a hallmark of a man who has invested in the culture of his adversaries in an attempt to best them intellectually. As a military man with an less than honourable agenda he's a far more convincing villain than any megalomaniac hell bent on world domination, partially because writers Meyer, Nimoy and Flinn understand that the real world grounding of the story invests it with a edge and a credibility that might otherwise be wanting. There are a few false notes - The Enterprise rescue of Kirk and McCoy has always felt a bit too clean and easy for my liking and the purple Klingon blood is just inaccurate for continuity purposes but I'll put my hands up to pedantry on that one. The major faux pas though is the final 'sign off' from the crew in which their signatures are 'written' across the screen. Its not the idea that's wrong its the fact we're looking at the actor's signatures and not those of the characters. It feels like a bit of mis-step because it betrays a misunderstanding of the fact that it's the characters that made the series fly not an interest in William Shatner, Deforrest Kelly and so on. From the moment I first saw it it never felt right to me but still, there you go. Gene Rodenberry just got to see this before he died and a good job too because I think he'd have been satisfied that his original crew had gone out on a something of a high note. He'd also never see the 4 movies that followed with the Next Generation cast and for that alone he may have got out at just the right time.

After an ecological disaster the future of the Klingons is in doubt; there only chance of survival is forging a peace with the Federation. A reluctant Captain Kirk is ordered to take the Enterprise to a rendezvous point and escort the Klingon chancellor to the peace conference. They meet and have a dinner together then, shortly after the Klingons return to their ship, it appears as though the Enterprise is firing on them even though nobody on the bridge is giving any such orders. In the immediate aftermath two men in Star Fleet uniforms beam aboard the Klingon vessel and shoot many people including the Chancellor before leaving again. Wishing to prove their innocence Kirk and Dr McCoy beam over to help but are arrested and ultimately jailed on a frozen penal colony. If they are to survive they must escape from their prison and their colleagues aboard the enterprise must find out who is the true villain behind the attempted sabotage of the peace conference.

Too my mind this is one of the best 'Star Trek' films. The story is top notch; providing good reasons for the events we see. This leads to plenty of action scenes; a sense of peril, especially for Kirk and McCoy; and, something we don't usually get in 'Star Trek' films... a mystery. This mystery means that much of the fil can be looked on as a sci-fi police procedural/spy thriller as the crew sift the evidence, hunt down clues and close in on the real culprits. While the identity of the most important of these culprits wasn't too surprising their motivation wasn't quite as villainous as one might expect. As well as action and mystery there were moments of humour; notably a Klingon warrior who constantly quotes 'the Klingon playwright' Shakespeare! The cast does a fine job; as one would expect all the regulars impress in their established roles; also notable are Kim Cattrall, as Lt. Valeris; David Warner, as Chancellor Gorkon; Christopher Plummer as Chang and Iman as the shapeshifting prisoner Martia. While only in a small part it was fun seeing Michael Dorn, who will later play Worf, as the Klingon lawyer representing Kirk and McCoy at their trial. Overall I'd say this is a must see for all Star Trek fans.

The journey that began on the small screen in 1967 comes to its end on the big screen in 1991, after three TV seasons, six films, and the creation of a cultural phenomenon unrivaled in the history of television. The crew of the original series had met with mixed results on the big screen, producing the excellent The Wrath of Khan, but also the inexcusably bad The Final Frontier; the other four ranged from passable to good. After the financial failure of Star Trek V, Paramount brought back Star Trek II director Nicholas Meyer, and commissioned from him the final voyage of the original cast. As Star Trek so often does, the events depicted mirror the glasnost of the late 1980s, as the collapse of the Soviet Union eased global tensions and heralded the beginning of a new era. In the Trek universe, the possibility of rapproachment between the Federation and the Klingon Empire raises the hackles of hardliners on both sides, and Kirk and co. must prevent the weak peace from being destroyed. The original cast is in fine form, all of them giving their all to make the (potentially) final appearances of their characters memorable. Despite William Shatner's reputation as a ham actor, he delivers a great performance here; his final log entry is one of Trek's finest moments. As the villain of the piece, we get General Chang (Christopher Plummer), a Klingon out to insure "no peace in our time". Plummer is superb, chewing scenery and spewing Shakespeare with a wonderfully loathsome presence. I would rank Chang below Khan and the Borg Queen, but far above all the other Trek villains. There are some tacky anachronisms typical of Meyer's style, and the usual amount of discontinuities and canon issues; but that's inevitable, and I can accept it if it leads to a good story. Trek VI is a good story. 9/10.

The Klingon home world Kronos is in trouble after its moon Praxis explodes. It's estimated that Kronos has 50 years of life left. The Klingon Chancellor Gorkon and Ambassador Sarek want a permanent peace. Spock volunteers Kirk and the Enterprise to escort the Chancellor to Earth for peace talks. Kirk is not happy. He hates them for the murder of his son David, and he doesn't trust them. The thing is he's not the only one. A conspiracy is afoot to derail the peace process for good.

This is obviously alluding to the end of the Cold War in our time. The parallels to the old Soviet Union is unmistakable. Christopher Plummer is wonderful strutting around spouting Shakespeare. This is a fitting end to the original 6 and arguably the best of them. The special effects and production value is superior to ST5. And it has seismic implication for the Star Trek universe. It is a great movie with a thrilling political mystery to boot.

Boldly going where no man (or woman) has gone before, climb aboard the Enterprise and let it fly and soar, as old friends gather, reunite, off to battle and to fight, strange new worlds, civilisations to explore.

They've got themselves into a pickle, a metaphorical hammer and sickle, Klingon labour camp, shackled and clamped, sentenced by a biased judicial.

Sabre rattling Klingon renegades attempt to destabilise the peace after a devastating moon fall.