Quand Robin et son compagnon maure viennent en Angleterre et y découvrent la tyrannie du shérif de Nottingham, il décide de riposter en tant que hors-la-loi.Quand Robin et son compagnon maure viennent en Angleterre et y découvrent la tyrannie du shérif de Nottingham, il décide de riposter en tant que hors-la-loi.Quand Robin et son compagnon maure viennent en Angleterre et y découvrent la tyrannie du shérif de Nottingham, il décide de riposter en tant que hors-la-loi.
- Nommé pour 1 oscar
- 16 victoires et 25 nominations au total
- Friar Tuck
- (as Micheal McShane)
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Younger viewers coming to this film on television may not appreciate that this film was made at a time when the presence of Kevin Costner was a bonus and indeed almost a selling point. Yes, I know this sounds like crazy talk from an older man who has seen too many movies to be good for him but it is true and Robin Hood is a fine example of a so-so film that was built partly on his star power. Of course the downside of this is that the film itself is not that good because it has his and others' names to let it carry it. The plot is well known but rather annoyingly touched with modernisms and Americanisms to the detriment of the telling (whether this be the accents, the errors or just the attitude). This also contributes to the lack of depth in the film and generally, although it looks slick, it doesn't provide anything in the way of emotional engagement despite the fact that it spawned the manipulative and saccharine Bryan Adams hit that seemed to taint everyone's wedding back in 1992.
The direction is glossy but it cannot get to the heart of anything and Reynolds also fails to get that much out of his cast. As a result Costner simply trades on his rather stiff charm, occasionally enjoying himself but generally taking the whole thing too seriously. Rickman effortlessly dominates the film by chewing the scenery in each and every scene his colourful performance makes Costner (who can be good) look as stiff as a board. I've never seen the appeal of Mastrantonio at the best of times and this is not the best of times. She is dull and pretty poor all round. Freeman is a good face but is a modernisation too far. Slater is pointless although support from Wincott, Blessed, Brimble and a few others is good if not that great.
Overall then this is a rather joyless spectacle but one that is glossy enough to perhaps do the job for undemanding viewers. It isn't that much fun and the attempts at emotional engagement are mostly cloying and sentimental. The cast are mixed but the only one able to inject life into the rather stiff material is Rickman, who easily livens his scenes but cannot carry the film. Worth a look if you are in a undemanding mood but just don't expect anything more than the blockbuster basics.
Despite the critics' complete and utter distaste for the film, I found it fun, well-acted, and fast-paced. Great performances abound including Morgan Freeman as the Moorish warrior Azeem, Alan Rickman as the hysterical Sheriff of Nottingham, and Kevin Costner as our stalwart Robin of Locksley.
There are great action sequences including the battle against the hired Celts and Nottingham's soldiers and the final confrontation at the climax of the film.
Finally, don't be put off by Costner's lack of an English dialect. It doesn't hurt the film at all, and is just something critics were instantly attracted to, as it is their job to find faults.
Highly recommended.
As the pace built, my unease at the somewhat incongruous accents dissipated and i was left to enjoy a great film with some fine performances. Notably from Michael McShane as Friar Tuck and Alan Rickman as the evilly comic Sheriff of Nottingham.
The pace of the film rarely slackens, building up to a rip roaring finish.
Enjoy.
The story doesn't particularly need explaining, but for people who have lived on Mars for their whole lives here it is. Robin of Locksley, a young soldier, returns from the Crusades to find the city of Nottingham and its surrounding area terrorised by the evil Sherrif of Nottingham (Alan Rickman). Robin takes refuge in the nearby Sherwood Forest, where he gathers a band of woodland outlaws who are always stealing money and treasure taken by the Sherrif and giving it back to the poor. His dashing antics impress Maid Marian (Mary Elisabeth Mastrantonio), a childhood friend, and he quickly becomes popular with the poor and honest folk who nickname him Robin Hood - Prince of Thieves.
The film is very old-fashioned, but it occasionally gives away its 1991 release status with modern touches (the fancy camera-work in which the camera is seemingly fixed upon an arrow as it is fired at a target; the introduction of a Moorish warrior character [Morgan Freeman] to broaden the film's cultural reference; Rickman's self-deprecating pantomimic turn as the wicked Sherrif). On the whole, it is an entertaining film with a good balance between the action and the romance. The best performance - surprisingly - comes from Michael Wincott who oozes menace as the Sherrif's despicable cousin Guy of Gisbourne. There are some quite significant factual errors, the best (by "best" I mean "funniest") of which is when Robin and his Moorish companion stand at the foot of the white cliffs of Dover and Robin tells him: "by nightfall we will dine with my father!" Quite a feat, since Nottinghamshire is about 200 miles away and this pair are travelling on foot!
Le saviez-vous
- AnecdotesAlan Rickman turned down the role of the Sheriff twice before he was told he could more or less have carte blanche with his interpretation of the character.
- GaffesIn the battle with the Celts, nearly every Celt who is hit by an arrow and killed is played by stunt coordinator Nick Gillard, who thus dies several times as different characters. If you look carefully you can recognize him.
- Citations
Sheriff of Nottingham: Just a minute. Robin Hood steals money from my pocket, forcing me to hurt the public, and they love him for it?
[Scribe nods]
Sheriff of Nottingham: That's it then. Cancel the kitchen scraps for lepers and orphans, no more merciful beheadings, and call off Christmas.
- Générique farfeluAll initial copies of the original 1991 UK 'PG' Video had the full promo video for Bryan Adams' "Everything I Do (I Do It For You)" played underneath the credits at the end of the film.
- Autres versionsIn the extended DVD version, the scene with the witch admitting to being Nottingham's mother is edited back in, along with a subplot in which she spies on him around the castle (thus explaining her knowledge of events Nottingham has learned of but which she has not yet been told, something Nottingham took to mean she could see the future) and additional footage which makes it clear that Nottingham's true allegiances lies with the Devil, which explains the line "Look to the beasts which share our god."
- Bandes originales(Everything I Do) I Do It for You
Performed by Bryan Adams
Courtesy of A&M Records
Produced by Mutt Lange (as Mutt Lange)
Written by Michael Kamen, Bryan Adams (as B. Adams) and Mutt Lange (as R.J. Lange)
Meilleurs choix
- How long is Robin Hood: Prince of Thieves?Propulsé par Alexa
- What is "Robin Hood: Prince of Thieves" about?
- What are the differences between the theatrical cut and the Extended Edition? What about the UK Extended Edition? Is it uncut?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Robin Hood: Prince of Thieves
- Lieux de tournage
- Hadrian's Wall, Angleterre, Royaume-Uni(Where Robin fights some sheriffs men before arriving at his father's castle)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 48 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 165 493 908 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 625 602 $ US
- 16 juin 1991
- Brut – à l'échelle mondiale
- 390 493 908 $ US
- Durée2 heures 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1