L'âge de vivre

This is a very convincing film of the life of Derek Bentley and his eventual execution. 1950s Britain is just beginning to emerge from the years of post-War austerity with all of the milk bars, pop records and teddy boy youth culture showing a new, malign confidence. The undercurrent is definitely youth crime gone wild. But is Derek Bentley really one of the gang?

Christopher Eccleston is absolutely brilliant playing Bentley, and truly captures the inner torment and diffidence of a young man suffering from years of epilepsy and failure at school. Bentley is clearly not normal and probably more impressionable than most people of his age – this is the essence of this tragic story. He wants to be like everyone else but stupidly chooses the wrong people – or do they choose him?

You are never sure whether Bentley's friend Chris Craig (the brilliant Paul Reynolds) is a nasty piece of work or maybe someone else led astray, this time by his truly monstrous, menacing older brother Niven Craig (Mark McGann) who he sees receiving 10 years for armed resistance to police arrest. Who is Craig - is he Pinkie in Brighton Rock (Boulting 1947), Jimmy Hanley in the Blue Lamp (Dearden, 1950) or one of the famous five with a gun?

After his brother's trial, Chris lies down at night and then – rather poignantly and in a nice little flourish from director Peter Medak – lays down his handgun on his bedside table, finding a gap amongst his toy cars, trams and aeroplanes. Perhaps he's just a naïve little kid after all.

When the gang goes to the cinema what else would they watch but a Jimmy Cagney gangster movie? Maybe if they'd watched the Blue Lamp instead they would have been warned off.

Anyway, Bentley clearly did not murder the policeman on the rooftop - that was Craig (some say it was a policeman's bullet gone astray). Bentley was executed for a crime he did not commit, pure and simple.

Good, haunting musical score by Michael Kamen.

A shocking portrayal of the use of the Death Penalty in the United Kingdom during the 1950's. A mentally unstable young man with epilepsy called Derek Bentley faces the gallows for a crime he did not commit, While the accomplice, Christopher Craig, who did fire the fatal shot, only serves time at Her Majesties Pleasure. In reality Christopher Craig only served 10 years while Derek Bentley had his life taken away. A gritty drama telling of Bentley and Craig's criminal exploits in South London shortly after the war.

I did not know about this case before I watched this film, but the synopsis on the back of the video case was so compelling I had to rent it. I did not expect to be emotionally involved but it was hard to keep from shouting at the TV screen that it's unfair. The system portrayed seemed almost hellbent on sending Derek to the gallows, guilty or not. Even when evidence seem tainted or appeared to cast doubts on the veracity of some of the testimonies, the only cry ringing out was that a cop was killed and someone's blood must be spilled in revenge. It is chilling to know that sometimes justice can be blinded when emotions are involved, showing how important it must be to fully understand the implications before imposing any penalties which cannot be reversed even if desired.

In the 50's, in the post-war London, Derek Bentley (Christopher Eccleston) is a mentally retarded teenager with mentality of a child. He lives with his family and spends most of his time inside his room, with his cats, dogs and a turtle. When he buys a compact vinyl in a store with his sister, he befriends the delinquent teenager Chris Craig (Paul Reynolds), whose older brother is a notorious thief, and dresses like American gangsters. This friendship leads Derek to one of the most famous cases of unfair trial of the England history.

"Let Him Have It" is a 1991 film based on a true story of a mentally deficient nineteen-year-old teenager that was sentenced to the gallows in 1953 for a crime that he did not commit. The film shows manipulation of the testimonies, a strange behavior of the judge that gives directions to the jury and disregards the request of merci from the jury. The performances are top-notch, highlighting Christopher Eccleston, but this film is very unpleasant. In Brazil, "Let Him Have It" was released o VHS only and it was worthy watched it again after so many years. My vote is seven.

Title (Brazil): "O Segredo de Uma Sentença" ("The Secreto of One Sentence")

This movie is one of the saddest pictures ever made. Made even more sad by the fact that this is based on a true story. I couldn't believe this was Christopher Eccleston's 2nd movie; I hadn't seen him in anything before JUDE. I'm utterly speechless to talk about this movie. I noticed someone commented saying this is like DEAD MAN WALKING; that movie does not compare to this. Bare in mind that LET HIM HAVE IT WAS MADE 4 years before DMW. I felt this one was much, much, much more rendering and mournful. God bless you Brits for making films on social content with such potency; American audiences could take a lesson from you: SCUM, LONELINESS OF THE LONG DISTANCE RUNNER, ALFIE, ...if, TRAINSPOTTING (best movie ever made)