Kid

This straightforward revenge flick is way above average. As a child, C.Thomas Howell witnessed the murder of his parents. Years later returning to the small town where they were killed, Howell proceeds to arrange fatal "accidents" for those involved. R.Lee Ermey is the county sheriff, who was in on the murders, along with several other locals. As Howell goes about eliminating the guilty parties complications ensue, and it turns out the woman who takes a romantic interest in Howell, has a father who was one of the killers. The story and character development are good, with competent acting by all concerned. Recommended of it's type. - MERK

"Kid" is one of those movies where you're not going to be mesmerized by the acting or script; instead, it pulls you in with its scenery of beautiful Arizona, the music which is something out of a "80'S Hair Metal" CD, and by the story itself. Haven't we all wondered just a little about growing up with no family...always having to rely on no one but yourself? An interesting thought to me anyways. Each time I watch it I go back in time to a time when my family was still together and I took my teen-age freedom for granted. Although we never learn what C Thomas Howell's actual name is, we don't need to. Plenty of great fight sequences and around-the-corner suspense make this movie a must-own for anyone who didn't know the best years of their life would be the 80's until they were 30.

My review was written in April 1991 after watching the movie on Live video cassette.

C. Thomas Howell makes the transition from teen heartthrob to screen tough guy with okay results in "Kid", a routine vengeance melodrama that is being released directly to the video market Stateside.

Lesle Bohem's well-designed but highly derivative script recalls elements of Eastwood Westerns as well as John Sturges' "Bad Day at Black Rock".

Howell breezes into the small town of White Brush in a mythic cloud of dust. As flashbacks reveal, he returned to avenge his parents' murder by so-called respectable townsfolk.

Howell is a convincing antihero who systematically kills the villains in creative ways. He falls in love with young dreamboat Sarah Trigger whose father predictably turns out to be one of the murderers.

Blessed with a good cast, including reliable R. Lee Ermey as a particularly hissble sheriff, film sufers from an unconvincing finale. Also annoying is Tim Truman's repetitive music that fails in its attempt to conjure up Ennio Morricone's grandiose Western scores.

Okay. I'm a C. Thomas Howell fan. Always have been. From his newer B movies (red team, Avalanche) to his old movies. (The Outsiders, Side Out) And this movie is by far the best of the bunch. It starts out with an eeriy feel to it as The Kid steps off the bus in the center of the desert like town. Its a great movie though some of the acting is bad (the brothers) its a movie that will always be on my shelf and will be in my vcr alot as well. 7/10

This was a pretty fun little movie, but mostly I just wanted to point out the mis-credit.

I was hired by a friend of mine (at the time) named Steve Allen, to do some "guitar pyrotechnics" for Metal Louie in the bar scene (pretty funny stuff). I did the gig, and then years later see on IMDb that my work gets credited to Steve Allen, who wasn't even a guitar player!!! I have no way of changing the credit, but at least I can make a statement here, and put it on my own IMDb page and resume.

Sorry for vanity post, but I was pretty proud of that little bit of work, especially in 1991 when that sort of playing was at its height.

Cheers, Christopher Burns