Harley Davidson et l'homme aux santiags
Titre original : Harley Davidson and the Marlboro Man
ÉVALUATION IMDb
6,1/10
24 k
MA NOTE
Forcés par la saisie imminente du bar de leur ami, deux copains de toujours vont décider de voler le fourgon blindé d'une banque, sans savoir que sa cargaison n'est pas de l'argent mais une ... Tout lireForcés par la saisie imminente du bar de leur ami, deux copains de toujours vont décider de voler le fourgon blindé d'une banque, sans savoir que sa cargaison n'est pas de l'argent mais une nouvelle drogue de rue.Forcés par la saisie imminente du bar de leur ami, deux copains de toujours vont décider de voler le fourgon blindé d'une banque, sans savoir que sa cargaison n'est pas de l'argent mais une nouvelle drogue de rue.
- Prix
- 1 nomination au total
Avis en vedette
Here it is 2011 and I'm STILL lovin' this movie! As a matter of fact up until I looked over my IMDb history, I thought I had already reviewed it but much to my surprise I haven't. I guess that will make this review that much more better as it will be one of the more current ones.
This is one of those "you-either-get-it-or-you-don't" movies made to appeal to the egos and fantasies of the rugged alpha male. You get that sense at the opening credits as Mickey Rourke's intro scene during the opening credits makes you want to go out and ride a chopped up steel horse. It's the ultimate escape, at least for men! It's laced w/ moral fiber in that it's all about being down-and-out and still managing to drum up the where-with-all to help your fellow man. IMHO I think this movie's setbacks are through no fault of any of its creators or participants. Looking at many of the cynical reviews of movie-goers and critics of its time, it was clearly ahead of its own genre. And although many might find the title as well as some of the names of the characters to be cheesy (Virginia Slim, Jack Daniels, etc), I admire that they took the risk to acknowledge the outlaw, anti-hero biker image through images of Americana. I also read somewhere (probably on this site) that Rourke did this movie out of desperation which doesn't help a new viewer go in w/ a favorable attitude. Hopefully Mickey can look back and appreciate this piece of work like much of us do. I've still yet to see Butch & Sundance but now I'm inspired to check out Redford and Newman's piece even if it's just for the similarities that many reviewers have suggested.
I guess it comes down to the fact that this is much like anything else in that it isn't for everybody. Perhaps the audience it was intended for has dwindled substantially (if it's ever really been out there). But if that's so, we can always take comfort in knowing that we have something we can truly appreciate w/o having to be fashionable.
This is one of those "you-either-get-it-or-you-don't" movies made to appeal to the egos and fantasies of the rugged alpha male. You get that sense at the opening credits as Mickey Rourke's intro scene during the opening credits makes you want to go out and ride a chopped up steel horse. It's the ultimate escape, at least for men! It's laced w/ moral fiber in that it's all about being down-and-out and still managing to drum up the where-with-all to help your fellow man. IMHO I think this movie's setbacks are through no fault of any of its creators or participants. Looking at many of the cynical reviews of movie-goers and critics of its time, it was clearly ahead of its own genre. And although many might find the title as well as some of the names of the characters to be cheesy (Virginia Slim, Jack Daniels, etc), I admire that they took the risk to acknowledge the outlaw, anti-hero biker image through images of Americana. I also read somewhere (probably on this site) that Rourke did this movie out of desperation which doesn't help a new viewer go in w/ a favorable attitude. Hopefully Mickey can look back and appreciate this piece of work like much of us do. I've still yet to see Butch & Sundance but now I'm inspired to check out Redford and Newman's piece even if it's just for the similarities that many reviewers have suggested.
I guess it comes down to the fact that this is much like anything else in that it isn't for everybody. Perhaps the audience it was intended for has dwindled substantially (if it's ever really been out there). But if that's so, we can always take comfort in knowing that we have something we can truly appreciate w/o having to be fashionable.
Good buddy movies don't have to have to seem real. The more far-fetched the better, And not many movies stretch as far as this one. The combined charisma of Rourke and Johnson make up for the questionable story. Tom Sizemore is a great villain, and Daniel Baldwin is not half bad as his cold blooded henchman. The other thing that stands out about this film is the futuristic feel to the movie. It was made in 1986 and the movie was supposed to take place in 1996, so it guesses as to what changes would be. It's another corny, but fun touch. Top that off with a gorgeous cameo from Tia Carrere and you have all the trappings of a great, cheeseball buddy-movie.
This is my ultimate guilty pleasure. All my critical faculties tell me it's a trashy action flick with no particular value. But critical faculties don't mean a thing when chemistry is as kinetic as that between Rourke and Johnson, who for my money have Newman and Redford beat by a mile in one of the best "buddy" teamings ever. Moreover, the movie is beautifully cast down the line and the pace is always great. Everything from the costuming of the lead characters to the atmosphere in the bar to the performances by Tom Sizemore and Daniel Baldwin are right on target. But mainly it's Johnson and Rourke's connection that makes the movie. They're terrific. I've seen this movie several times and it never loses me for an instant. Yeah!
If it werent for these 2 cool actors this movie would at best be a B-movie, but Mickey Rourke and Don Johnson are COOL and they save this movie.
The good: lots of gangsters, lots of machos, lots of shootouts and chases, lots of chicks and motorcycles and barfights.
The bad: this story is quite silly, the shootouts are silly and so are the bad guys. Still I didnt mind it because I just wanted to see shootout after shootout by some cool dudes. And COOL THEY ARE! Yes sir indeed.
The good: lots of gangsters, lots of machos, lots of shootouts and chases, lots of chicks and motorcycles and barfights.
The bad: this story is quite silly, the shootouts are silly and so are the bad guys. Still I didnt mind it because I just wanted to see shootout after shootout by some cool dudes. And COOL THEY ARE! Yes sir indeed.
This was a typical late 80's early 90's action flick....but its memorable for the title alone...just like all of these action movies THE PLOT IS EXTRA! the dialogue is head and shoulders above anything Stalone or Segal ever said...and the bickering between Johnson and Rourke is genuinely funny.... Above Average Action; Very Good Dialogue (for an action movie)
Le saviez-vous
- AnecdotesIn numerous interviews, Mickey Rourke has said that he signed on to this film purely for financial reasons. He said it made him feel "like a sell-out" and fueled his descent into self-loathing in the mid-1990s.
- GaffesWhen the boys get caught behind the aircon unit on the roof, they would have been killed when Alexander and his goons opened fire. 5.56mm rounds would have penetrated the tin like it was cheese.
- Citations
Harley Davidson: It's better to be dead and cool, than alive and uncool.
- Autres versionsUK cinema and video versions were cut by 2 secs by the BBFC to remove shots of a butterfly knife. The cuts were waived for the 2003 MGM DVD release.
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Harley Davidson and the Marlboro Man?Propulsé par Alexa
- What are the differences between the old British BBFC 15 Version and the Original Version?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Harley Davidson and the Marlboro Man
- Lieux de tournage
- Pima Air Museum - 6000 East Valencia Road, Tucson, Arizona, États-Unis(airplane graveyard)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 434 726 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 200 549 $ US
- 25 août 1991
- Brut – à l'échelle mondiale
- 7 434 726 $ US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Harley Davidson et l'homme aux santiags (1991) officially released in India in Hindi?
Répondre