ÉVALUATION IMDb
5,2/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre langueA veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin... Tout lireA veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin to kill his wife.A veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin to kill his wife.
- Prix
- 1 victoire et 1 nomination au total
Jim Belushi
- Shandy
- (as James Belushi)
Avis en vedette
"Diary of a Hit-man" is something more than the average entry into the neo-noir genre of many such films produced in the 80s/90s. They usually hold a similar trashy appeal, more style than substance, and not too much in the way of quality performances. Forest Whitaker helps to make this an exception from the mold. Here, playing a variant of his later role in "Ghost Dog", he lets you into the mind of a conflicted, controlling, somewhat neurotic hit-man.
This film was adapted from a play by Kenneth Pressman, and the middle act pays testament to that. A series of scenes in a small apartment capture a real depth of emotion, both from Whitaker and his target (played by Sherilyn Fenn). It seems almost claustrophobic, but there's a power to it. Roy London doesn't show a lot of experience in his direction, but he does express a good deal of humanity. This is a grounded film, personal. There's no cheap exploitation feel, nor is there any sense of big budget Hollywood.
The acting is the real reason to watch "Diary of a Hit-man". Even the small roles have something to offer. I particularly liked the two doctors, one a psychiatrist (John Bedford Lloyd), the other an optometrist (Ken Lerner). James Belushi and Sharon Stone show up briefly, but aren't given a whole lot to do. This isn't an overly complicated or particularly far-reaching film, but the narration lets you under its skin, and there's no terrible overacting or delusions of grandeur. The title might seem cheap, but "Diary of a Hit-man" has a lot more to offer.
This film was adapted from a play by Kenneth Pressman, and the middle act pays testament to that. A series of scenes in a small apartment capture a real depth of emotion, both from Whitaker and his target (played by Sherilyn Fenn). It seems almost claustrophobic, but there's a power to it. Roy London doesn't show a lot of experience in his direction, but he does express a good deal of humanity. This is a grounded film, personal. There's no cheap exploitation feel, nor is there any sense of big budget Hollywood.
The acting is the real reason to watch "Diary of a Hit-man". Even the small roles have something to offer. I particularly liked the two doctors, one a psychiatrist (John Bedford Lloyd), the other an optometrist (Ken Lerner). James Belushi and Sharon Stone show up briefly, but aren't given a whole lot to do. This isn't an overly complicated or particularly far-reaching film, but the narration lets you under its skin, and there's no terrible overacting or delusions of grandeur. The title might seem cheap, but "Diary of a Hit-man" has a lot more to offer.
Dekker (Forest Whitaker) is a troubled hitman. He tries therapy. He's having eyesight problems. He gets a new job which he hopes to be his last. He gets a suspicious change including a hit on a baby. He is about to kill Jain (Sherilyn Fenn) when he's interrupted by her friend Kiki (Sharon Stone).
I like the meandering setup to the hit. I like spending time with Dekker. I even like going to the eye doctor. Once he gets into the apartment, he needs a good reason for delaying. He has to give a reason. It becomes stretched out. He could get that reason by talking to Jain. I don't really understand Dekker's thinking. Quite frankly, it starts with changing the hit. He smells something fishy right away but he should do something about it. I just want Dekker to be written smarter.
I like the meandering setup to the hit. I like spending time with Dekker. I even like going to the eye doctor. Once he gets into the apartment, he needs a good reason for delaying. He has to give a reason. It becomes stretched out. He could get that reason by talking to Jain. I don't really understand Dekker's thinking. Quite frankly, it starts with changing the hit. He smells something fishy right away but he should do something about it. I just want Dekker to be written smarter.
I saw this movie well after it was out, caught it about 10 minutes after is started, and was doing something else at the time the TV was on. After just a few moments, I was spell bound (I love Ms. Fenn) but she was not the one who grabbed my attention. It was this soft spoken hit man truly agonizing with the situation.
When it was on again, (you know Showtime runs the same movie multiple times a month) even though I knew the ending, (I will not spoil it) I watched it again, beginning to end. I was captivated by Forest's portrayal.
I referenced this movie to someone, and they reminded me he was in the Crying Game. I'd not made the connection.
I was told to see Ghost Dog, which I enjoyed even more.
Having just got back from seeing The Last King Of Scotland, and having watched the season he was on The Shield, I have to say Forest has turned into one of the finest actors of our time. I hope he wins his Oscar this year.
When it was on again, (you know Showtime runs the same movie multiple times a month) even though I knew the ending, (I will not spoil it) I watched it again, beginning to end. I was captivated by Forest's portrayal.
I referenced this movie to someone, and they reminded me he was in the Crying Game. I'd not made the connection.
I was told to see Ghost Dog, which I enjoyed even more.
Having just got back from seeing The Last King Of Scotland, and having watched the season he was on The Shield, I have to say Forest has turned into one of the finest actors of our time. I hope he wins his Oscar this year.
Forest Whitaker is an incredible actor. He is truly an amazing actor. One of the best actors of this generation.
And in this movie, he really shines. He does a really strong performance. His voice over is really good. He plays a very troubled hit man with an identity crisis and maybe a mid life crisis. He's very troubled by his job. Troubled by his purpose in life. He gets paid well for his hitman job and he's very good at his job.
But he's very tired and very troubled by his routine. We get a lot of monologues of his inner thoughts. And I really loved this part of the movie. Forest Whitaker is talking to himself and to the audience. We get to hear everything he's feeling. We get to hear his inner conflict. We get to connect with him and his inner feelings.
The second part of the movie all deals with him taking a job and having a hard time finishing the job, having an inner conflict in hurting innocents. The second part of the movie is the conflict and turmoil between him and Sherilyn Fenn. They have a very strong and dark confrontation and the dilemma of Forest Whitaker hurting two innocents.
He has a job to do but his conscience won't let him do it. There's a lot of money on the line but he is troubled by his morality.
I really liked this movie and everyone gave good strong performances. Even the smaller roles like the psychologist was very good.
And in this movie, he really shines. He does a really strong performance. His voice over is really good. He plays a very troubled hit man with an identity crisis and maybe a mid life crisis. He's very troubled by his job. Troubled by his purpose in life. He gets paid well for his hitman job and he's very good at his job.
But he's very tired and very troubled by his routine. We get a lot of monologues of his inner thoughts. And I really loved this part of the movie. Forest Whitaker is talking to himself and to the audience. We get to hear everything he's feeling. We get to hear his inner conflict. We get to connect with him and his inner feelings.
The second part of the movie all deals with him taking a job and having a hard time finishing the job, having an inner conflict in hurting innocents. The second part of the movie is the conflict and turmoil between him and Sherilyn Fenn. They have a very strong and dark confrontation and the dilemma of Forest Whitaker hurting two innocents.
He has a job to do but his conscience won't let him do it. There's a lot of money on the line but he is troubled by his morality.
I really liked this movie and everyone gave good strong performances. Even the smaller roles like the psychologist was very good.
Dorest Whitaker stars as a hitman hired by a commodities trader who asks him to murder his wife who he says is a drug addict who gave birth to an addicted baby who isnt his... Whitaker, doing one final job, goes but has his doubts of the authenticity of the husband and breaking his professional vow to himself, begins talking with the woman (Sherilyn Fenn in one of her best roles) A highly dramatic film that runs like a theater drama. Very Well done and underappreciated On a scale of one to ten.. 7
Le saviez-vous
- AnecdotesThe only feature film directed by Roy London.
- GaffesRevolvers can not be suppressed. There's a gap between the rotating part and the barrel. The sound just from that is deafaning.
He also refers to the revolver as satin stainless steel when in the movie it's obviously non stainless blue steel.
- ConnexionsFeatured in Sharon Stone - Una mujer de 100 caras (1998)
- Bandes originalesLuther
Written by Gregory Haughey
Performed by Gregory Haughey
Copyright 1990 Rhythm Method Music Services
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- How long is Diary of a Hitman?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Diary of a Hitman
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 815 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 17 388 $ US
- 3 mai 1992
- Brut – à l'échelle mondiale
- 31 815 $ US
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