Terre Rouge

Without a doubt, one of the more realistically shocking and provocative films I have ever seen. One of the most important "lost" independent films ever. Definitely ranks in the top 5 best Canadian films ever.

I don't want to describe it too much, because it is best viewed with virgin eyes - no expectations.

The short summary is that a logging company has gone too far with its clear-cutting of the great Canadian woods, now subject to native Indian terror attacks against the loggers. A nebbish Toronto lawyer gets involved in the case, and meets a mysterious Indian (the always wonderful and most talented Graham Greene). What follows is a harrowing and devastating journey not only into the ancient woods of Canada, but into the darkest recesses of the human soul. Anger, rage, revenge, violence, redemption, tolerance, and ECOLOGY - all words to describe the feelings and attitudes of this shocking film. A definite MUST SEE! - unfortunately though, this is one of the rarest films made in the last 20 years. Never shown on TV, and pretty much unavailable on VHS (forget DVD, at least as far as I know it was never released on disc). Best chance is to pick it up in Canada at an art-house vid store. If you do ever see the box, don't miss the chance, rent it! Clearcut is proof that cinema is and always should be, the leading art form of our society. Films like this challenge, provoke, and serve as catharses. They have a purpose, and it is more than just to entertain. I was 16 when I saw it, and it changed my view of the world, in a positive way. It made me aware of issues while helping me explore the human psyche. Probably one of the few R rated films I would recommend that young people view (supervised of course) - it might actually enlighten them on issues of violence and rage in society.

WATCH CLEARCUT BY ALL MEANS!

SUPPORT Canadian CINEMA!! It should be so much better and richer than what it is - what is wrong with Canucks? Egoyan, Arcand, Jewison and Cronenberg cannot be the only popular cinema talents in one of the greatest countries on earth?!

There are a lot of themes at play in this movie, many of which are still as relevant as ever, as I *think* it's primarily examining the different aspects of being an "ally" and the implications of how an ally can inherently always choose to side with the oppressor and retreat into their own privilege.

That being said, I'm not entirely sure that I'm right about that - I imagine a lot of the meaning here's in the eye of the beholder, which characters they find themselves identifying and/or sympathizing with, etc.

Point being that the strongest thing about this film is it tells a super engaging story that deals with really complex, important issues (capitalism, racism, imperialism, alienation, allyship, what retribution might really look like, etc.) without dumbing it down to the point that it's spoon-feeding you things like "who is the good guy?" or "what should I take away from this?" or "how should I feel about anything that happens to any of these characters?" And I mean that in a good way - I'm not confused because of indifference, but because there are challenging things about every character and nearly every choice each character makes.

I don't know if I'd even consider it a horror movie. I mean, I don't know what else I'd call it, but - and I'm saying this as a major lover of horror and a deep believer in all of the different ways it can be used - I feel like it's a bit reductionist to label it as horror. I was never scared, any violence and gore is visually underplayed (deliberately). I guess I'd consider it folk horror, but in the same way I'd say the original Wicker Man and Deliverance are folk horror - like Wicker Man is also a musical comedy, Deliverance is also a survival thriller, and for whatever reason those are the two movies of which I was most reminded by this. For context, the original Wicker Man is my favorite movie, so I don't use the comparison lightly.

But yeah, suffice it to say - great movie that you should definitely watch.

Arthur is the spirit-guide Peter McGuire finds during his sweat-lodge vision; a water-spirit who becomes the personification of McGuire's own anger. If you don't believe me on this, pay attention to the water shots (starting with the opening shot of the movie), the sweat-lodge sequence, and listen carefully to almost everything Wilf says. Once you understand what Arthur is, you can see that the primary themes explored are (1) talk vs. action, and (2) if you cannot control your anger, your anger will control you. I found Ron Lea a bit too wimpy to carry off the final scene, but overall, this is a very thought-provoking movie, which I recommend to anyone who likes to think.

I recently watched Clearcut (1991) on Shudder. The storyline centers around an activist lawyer who is passionate about protecting Native American lands and forests from logging companies. After losing a case, his Native American client takes matters into his own hands, involving the lawyer in actions that push ethical boundaries, including torture. The lawyer must grapple with the question of how far is too far.

This movie is directed by Ryszard Bugajski (Interrogation) and stars Graham Greene (The Green Mile), Ron Lea (Punisher: War Zone), Michael J. Reynolds (The Descent Part 2) and Michael Hogan (Red Riding Hood).

This film is highly engaging and Graham Greene delivers a tremendous performance. His dialogue, mannerisms, actions, and reactions are remarkable. The overall acting is solid, and while the horror elements are more focused on the circumstances and threats, there is a torture scene that's a standout moment. The storyline and premise are excellent, and the ending is brilliant, providing a perfect conclusion.

In summary, Clearcut is a unique addition to the horror genre, well-written, and expertly put together. I would rate this a 7.5/10 and strongly recommend it.

Istvan Kolnhofer is quite correct when he says this is "One of the most important "lost" independent films ever".

I have little to add to the other reviewers other than this film is right on my top shelf next to _Fight Club_ and _Aguirre_ and there it stays.

This can be called a horror flick in its truest form - gnawing dread permeates throughout. But don't expect a splatter-fest - it's not. This is low budget indie at its absolute best. Lack of budget is more than compensated by superb scripting and performance. This is what really sets it head and shoulders above the "stream of consciousness" indie crap that continually oozes out of the film festivals.

Despite it's age, it is as pertinent as ever and stands up to regular repeat viewing. If you ever get a chance to see it, do so - but also note, the less you actually know about this film, the greater your experience will be. Definite keeper.