Le visiteur

It is possible and dangerous to read too much into a director's final film as being a "swan song" or a "culmination," and it seems to be an easy "insight" by those unable to come up with something better. But here we have a veritable summation and a compelling final statement of a brilliant career.

Whenever I watch an S. Ray film, I always feel lost trying to find a main theme or thrust in the story. Here we have several: ancient custom vs. technology, self-discovery, mystery/doubt, etc. But they all co-mingle in this extraordinarily complex character (based on Ray himself no doubt, hence the high level of insight). His was a cinema of life, scattered and bewildering, yet sublimely beautiful.

Still, Ray remains one of the few great directors from his era who never quite mastered the use of colour. Indeed, the lingering shots of images lacks the power of say the chandelier in "Jalsaghar," and the regret and sorrow on the faces of the family doesn't come anywhere close to the final scenes of "Pather."

On top of this we have Ray trying most explicitly to be philosophical. Some of Manmohan's laments on civilisation resemble passages from "Notes From Underground," and we even have the husband talking about having to "put two and two together," but these themes seem to be mentioned for the sake of mentioning them. Ray, like Manmohan, was an anthropologist, not a philosopher. Still, there are some deeply touching moments in this overall capably and thoughtfully made film.

3 out of 5 - Some strong elements

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle-class perspective on the world.

This film is notable for being Satyajit Ray's final project. He may be best known for the s-called "Apu Trilogy" much earlier in his career. But, to be honest, I enjoyed "Stranger" far more. It was more polished, had a more intelligent script and dialogue. It is something of a masterful movie.

As I often say in reviews, I am not typically a fan of Indian / Bengali films. I rarely see one -- even those considered the best -- that I enjoy. But I would wholeheartedly endorse "The Stranger".

Enchanting film that carefully builds on its music and bakground and mysticism. The characters all are "agantuk" (outsiders) in their own way, and none so much as the man who prides himself on being most conventional until his world is turned upside down. On the surface, this is a marvelous essay on trust and identity and spirituality. Dig further, it is this and much more.

One of the greatest films I have ever seen, it is directly comparable with his second movie (pather Panchali) as his finest till date. The movie is all about family relationships and the idea of money. He knows how to direct the regular 'life', pitched in reality and his movies give enough reason for us to understand his brilliance. Utpal Duttas performance is mesmerizing and together , with Ray's sublime direction and Utpal's sensitive,sensational acting this movie is a masterpiece for 'teachers' and 'students'. Just Brilliant. Stop watching mindless movies of Spielberg and direct your valuable time towards Ray, Kurosawa, Chang wook park, Truffaut, Eisenstein, Ritwik Ghatak, Pudovkin, Kieslowski, Almadovar, Antonino, Godard, Wong kar Wai, Fellini, Bertolucci, Makmalbaf, Kiarostami, Bergman, Wajda, Jeunet, Szabo etc

This remarkable film is in many ways a self portrait of Satyajit Ray because he was none other than an anthropologist and philosopher in the true sense of playful, childlike wonder. This is the the story of how how a life of curiousity and wonder have to survive in this cruel and foolish world which judges everything in materialistic terms. The philosopher is always and everywhere a stranger,though full of joy, simplicity and wonder at Being which is fervently demonstrated in the 'cosmic magician' sequence. Only those with the child in them alive will understand!