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Contes de la Nuit Noire

Titre original : Tales from the Darkside: The Movie
  • 1990
  • 14A
  • 1h 33m
ÉVALUATION IMDb
6,2/10
20 k
MA NOTE
Contes de la Nuit Noire (1990)
Home Video Trailer from Paramount Home Entertainment
Liretrailer0 min 40 s
1 vidéo
50 photos
Dark ComedySupernatural HorrorComedyFantasyHorrorThriller

Ajouter une intrigue dans votre langueTo stall a witch plotting to eat him, a boy reads her horror tales dealing with a collegian's resurrection of a mummy, a murderous cat, and an artist's pact with a gargoyle.To stall a witch plotting to eat him, a boy reads her horror tales dealing with a collegian's resurrection of a mummy, a murderous cat, and an artist's pact with a gargoyle.To stall a witch plotting to eat him, a boy reads her horror tales dealing with a collegian's resurrection of a mummy, a murderous cat, and an artist's pact with a gargoyle.

  • Director
    • John Harrison
  • Writers
    • Michael McDowell
    • Arthur Conan Doyle
    • Stephen King
  • Stars
    • Debbie Harry
    • Matthew Lawrence
    • Christian Slater
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,2/10
    20 k
    MA NOTE
    • Director
      • John Harrison
    • Writers
      • Michael McDowell
      • Arthur Conan Doyle
      • Stephen King
    • Stars
      • Debbie Harry
      • Matthew Lawrence
      • Christian Slater
    • 95Commentaires d'utilisateurs
    • 66Commentaires de critiques
    • 54Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire au total

    Vidéos1

    Tales from the Darkside: The Movie
    Trailer 0:40
    Tales from the Darkside: The Movie

    Photos50

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    Rôles principaux31

    Modifier
    Debbie Harry
    Debbie Harry
    • Betty (segment "The Wraparound Story")
    • (as Deborah Harry)
    Matthew Lawrence
    Matthew Lawrence
    • Timmy (segment "The Wraparound Story")
    Christian Slater
    Christian Slater
    • Andy (segment "Lot 249")
    David Forrester
    David Forrester
    • Priest (segment "The Wraparound Story")
    Robert Sedgwick
    Robert Sedgwick
    • Lee (segment "Lot 249")
    Steve Buscemi
    Steve Buscemi
    • Bellingham (segment "Lot 249")
    Donald Van Horn
    • Moving Man (segment "Lot 249")
    Michael Deak
    Michael Deak
    • Mummy (segment "Lot 249")
    Julianne Moore
    Julianne Moore
    • Susan (segment "Lot 249")
    George Guidall
    • Museum Director (segment "Lot 249")
    Kathleen Chalfant
    Kathleen Chalfant
    • Dean (segment "Lot 249")
    Ralph Marrero
    • Cabbie (segment "Lot 249")
    David Johansen
    David Johansen
    • Halston (segment "Cat From Hell")
    Paul Greeno
    • Cabbie (segment "Cat From Hell")
    William Hickey
    William Hickey
    • Drogan (segment "Cat From Hell")
    Alice Drummond
    Alice Drummond
    • Carolyn (segment "Cat From Hell")
    Dolores Sutton
    Dolores Sutton
    • Amanda (segment "Cat From Hell")
    • (as Delores Sutton)
    Mark Margolis
    Mark Margolis
    • Gage (segment "Cat From Hell")
    • Director
      • John Harrison
    • Writers
      • Michael McDowell
      • Arthur Conan Doyle
      • Stephen King
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs95

    6,220.3K
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    Avis en vedette

    6view_and_review

    No Cat's Eye, but Still Good

    Much like Cat's Eye was a series of three short stories, Tales from the Darkside is done similarly. In this Stephen King work a boy tries to avoid being cooked and eaten by a witch by occupying her with fanciful stories.

    There were three total stories featuring some well known actors. Some were already established, like Rae Dawn Chong and William Hickey. Others I don't believe were as well known at the time, such as Christian Slater, Steve Buscemi, and Jullianne Moore.

    I thought the three stories were solidly done. I can't remember the order but the order of preference for me was: 1.) Mummy story, 1A.) Gargoyle story 3.) and a distant third was the cat story.

    None of the stories were very spooky or scary, in fact you could say they were somewhat comical (especially the mummy story), but they all had an intriguing premise. The three stories all wrapped into the initial story made for a good movie.
    6Rick-34

    Some very good, some meh

    Tales from the Darkside mixes together three individual stories, all "narrated" by a kid in a "wraparound" story he's telling to a woman (Deborah Harry) preparing to cook him. As with Arabian Nights, Timmy is trying to stay alive by telling stories. The first story is the best of the three: "Lot 249" features Christian Slater as well as pre-fame Steve Buscemi and Julianne Moore in a mummy story. The pacing is good, the story works, and the acting is well above what one expects in a cheap horror story. The second story, "Cat From Hell" is an adaptation of a Stephen King short story about a cat that has killed its way through most of a family. An old man (William Hickey) hires a hit man (David Johansen) to kill his cat and the story goes from there. This is yet another example of a Stephen King story that works very well on paper but has gotten mangled horribly in translation to screen. Part of the problem is the special effects involving the cat look dreadful now - but I don't think they were even state of the art in 1990. Regardless, I don't quite know how you could film a fight between a man and a cat and not have the result end up looking ridiculous. "Cat From Hell" didn't really try very hard. The third story, "Lover's Vow", concerns a man who witnesses a friend murdered by some kind of gargoyle-type creature. The gargoyle promises to spare him his life in return for the man's pledge to never tell anybody about the encounter. It's an interesting premise that is tested when the man later hooks up with a young woman played by Rae Dawn Chong. Ultimately the story doesn't make all that much sense, and again the story is hurt by relatively weak special effects. The wraparound story works very well, as does "Lot 249", but ultimately that doesn't feel like enough to redeem the weakness of the other two segments. "Cat From Hell" in particular is a failure. But I would recommend watching the movie if only to see early-career work from Buscemi and Moore in "Lot 249".
    willywants

    Pretty good.

    This is really three shorter movies, bound together by a fourth tale in which the other three stories are read. The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a "cat from hell" who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the "in-between" bit is the story of a woman preparing to cook her newspaper boy for supper. Not the best king adaption, but hey, it ain't bad either. A good cast and some nice special effects. The Gargoyle was nasty! Plenty of gore here, but used in just enough moderation to be effective. A couple of tense moments, some god scares (Especially in the story about involving an elusive, seemingly immortal cat.) and pretty good music. Pretty good movie, just nothing really spectacular or life-changing. My rating for "Tales from the Darkside: The Movie"--6/10.
    6kannibalcorpsegrinder

    Fine for what it is, but not that spectacular

    Preparing for a dinner party, a witch starts to cook a young boy for the party, and when is told what will happen to him, decides to stall for time by telling her three stories while a local priest searches for a way to stop the whole thing.

    The Good Stor(ies): Lot 249-Receiving a special package, a professor enlists several friends to open his newest prize, lot 249 from a special auction that contains the remains of an ancient Egyptian mummy, and becomes obsessed with trying to bring it to life using the magical scrolls sent along with it. Went a string of murders around their college campus appears to have them befuddled, they learn the secret of why the lot was bid on and try to get away from it. This is a light and breezy tale, mostly centered around the mummy's antics, as the few killings are quite eerie and creepy. The attack in the dorm, which includes the graphic killing where it removes the brain with a wire hanger through the nose, and a later one inside a living room is really great. The special effects on the mummy are great, making it look effectively rotten and crumbling, and it's destruction scene is great, playing that off as well. It ends predictably, but that's a minor after-thought here.

    The Bad Stor(ies): Cat from Hell-Summoned to a giant mansion, a hit-man finds that his charge wants him to kill a cat. Surprising and a little befuddled over the request, he explains that the creature has had a long-standing habit of killing those in its path, including the former inhabitants of the house. Left alone to deal with it, he finds that killing the cat isn't the easiest assignment of his career. This here had a lot of potential, with an intriguing story and some really inspired ideas, notably the idea of the cat's motive for coming back. The flashback scenes are good fun, and the fact that a major attack sequence is shot through the cat's POV is really great. The main thing that stops this one is that it's way too long. The majority of the segment consists of the two talking about what the cats' done to deserve the punishment, taking a lot of drama out of the chase. The conclusion is also foretold from the beginning, which all of the stories consists of and makes it feel really uninspired.

    Lover's Vow-Trying to create new artwork, a struggling artist is told by his agent that his work can no longer be represented through his agency. Walking through an alley, he runs into a strange woman out alone in the night and offers help. Becoming obsessed with a strange creature he saw that spared his life for the secrecy of its existence, he allows it to become his sole desire to his own detriment. What really hurts this one is the inordinate amount of cheese on display. The design of the gargoyle, with the large eyes, big mouth and intricate designs on the side of his head, make it more cute than fearsome. The easily determinable rubber used for the creation makes it another strike. There's also the fact that it takes way too long to get to its really good parts, concentrating on the romance angle way too much, and the way they get together also is a little unbelievable. As with the others, the ending is way too predictable and doesn't really get the chance to become the possible shock it could've had.

    Rated R: Graphic Violence, Graphic Language, Brief Nudity and children-in-jeopardy.
    BaronBl00d

    "All the Better to Eat You With My Dear"

    Tales From the Darkside: the Movie was a very entertaining film. It has four stories in it. The first is a wrap-around story about a woman going to cook a ten year old boy for dinner, yet the child reads stories to her to try and delay his death. In a way, this is related to tales of the Arabian Nights. The three other stories are the ones told by the young boy. All of them are actually very interesting, have elements of fright, are generally well-acted, and have some kind of message. One deals with an ancient mummy out to avenge a smart yet socially outcast student at a college. Another story deals with a malevolent cat out to duel with a hitman paid $100,000 to kill a cat. Gruesome but great story with some real good acting, especially by William Hickey. Love that voice! The final story deals with a relationship between a gargoyle and an artist. An intriguing tale and has Rae Dawn Chong in it(a nice asset). All the stories are well-made and well-written, the wrap-around story being the weakest due to its resolution. Nonetheless, Tales From the Darkside is a fun horror film in the vein of Tales From the Crypt and Creepshow.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      "Tales from the Darkside: The Movie" is considered by many fans and Tom Savini himself to be the 'official' "Creepshow 3". Following the success of Stephen King and George A. Romero's Histoires à mourir debout (1982), Laurel Entertainment (Creepshow & Creepshow 2 (1987)'s production company) toyed with the idea of a Creepshow television series. After several negotiations and changes (due to rights holders etc.), the decision was made to change the title for the series to "Tales from the Darkside" (to be helmed by none other than Creepshow director and Creepshow 2 screenwriter, George A. Romero). After the series' great success, just roughly three short years after Creepshow 2 hit theatres, Tales from the Darkside: The Movie came to fruition in 1990 as the successor to the original two Creepshow installments, sharing many of the same crew as the Creepshow installments.
    • Gaffes
      (at around 5 mins) In preparing to cook Timmy, Betty remarks that she could never do long division and asks aloud how much is 75 divided by 12. When Timmy answers and asks why, she indicates that she is trying to determine his cooking time. But if she is, she must multiply 75 by 12. (The answer is 900, or 15 hours.)
    • Citations

      Carola: You promised you'd never tell!

    • Connexions
      Featured in The Tonight Show Starring Johnny Carson: Robert Klein/Kevin Spacey/Mary Peyton Meyer (1990)
    • Bandes originales
      Tales from the Darkside (Original Theme)
      Composed by Donald Rubinstein (as Donald A. Rubinstein) and Erica Lindsay

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    FAQ

    • How long is Tales from the Darkside: The Movie?
      Propulsé par Alexa
    • Is "Tales from the Darkside: The Movie" considered to be the the official "Creepshow 3?"
    • How does this movie differ from the Creepshow movies?

    Détails

    Modifier
    • Date de sortie
      • 4 mai 1990 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Tales from the Darkside: The Movie
    • Lieux de tournage
      • Bronxville, New York, États-Unis
    • sociétés de production
      • Paramount Pictures
      • Laurel Productions
      • Darkside Movie
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 500 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 16 324 573 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 5 028 096 $ US
      • 6 mai 1990
    • Brut – à l'échelle mondiale
      • 16 324 573 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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