Projet: Zone interdite

SHADOWZONE was, I believe, Full Moon's first picture. It's well done on a low budget and I was satisfied with most of it. I actually first got interested in this film when I saw the coming attraction for it on the FRIDAY THE 13th PART VIII video. The deaths were cool, the acting was good, and the plot was commendable, especially considering what we're getting from Full Moon nowadays. This film was not an ALIEN rip-off. I read somewhere that this was an ALIEN rip-off and was surprised as I found really no similarities. Also of note, there is no Full Moon Videozone included with this film. No. Instead, we have a "talking" full moon! **1/2out of****I watched this at about 12:00AM, and then watched it again at 7:00PM. I can definitely tell you that this film is more effective if watched late at night. It's more fun too.

The first thing you need to know about 'Shadowzone' is that it's a blatant rip-off of a dozen other films from the same sci-fi/horror genre. The first that comes to mind is 'Alien,' but there are elements of plenty others in there, too.

It doesn't have much of a budget, which is a shame because there is a decent idea buried somewhere in it. What lets it down is that there isn't enough invested in the characters. Every one is a total stereotype and you know who'll be monster-fodder and who's going to make it from the word go.

It's about an investigator who does to a top secret military base to investigate the death of a worker. Once there, he finds the scientists are dabbling in doorways to other dimensions (never a recipe for 'happily ever after'). Then, we have a monster who - remains relatively unseen - as it bumps them off, one by one.

The acting isn't great, the special effects are stretched and what tension is pretty much directly lifted from Alien (check out the 'motion tracker' type scene which is almost totally taken from the scene in Alien where Ripley observes Dallas while he treks through the vents, plus the music which sounds almost identical).

It's not the worst 'monster-munching' movie out there. There are some nice moments here and there, but the overall vibe of 'seen it all before' outweighs what little good is there.

Ah, the 80s, when Full Moon/Empire/Whatever movies still had a budget and were actually watchable. This one does it's best to remind the viewer that he has seen this story countless times. However, "Shadowzone" is competently made and directed, the cast is o.k. and the special effects are EXCELLENT for what they must have cost. It delivers the gory goods, too (nice exploding head...). Monster movie fans will surely get a kick out of this...

Late night TV as a kid, I would stay up in the hopes of coming across something so outrageously fun, or trashy, and that's how I initially came across this Full Moon production. This and "CRASH AND BURN" seemed to be on a loop every couple of months, becoming a staple of my late-night TV habits. Actually it's been quite awhile since I've last watched "SHADOWZONE", maybe around 15 years. My memory was rather fuzzy, but watching this little b-film again, after all these years. It remained a diverting, down-pat viewing. Mainly it reminded me of those plethora cheap Alien rip-offs, and boy, this film lifts some set-ups from "ALIEN". I must admit, it wasn't as exciting as I remembered; nonetheless it was actually efficiently made by J.S Cardone, for such a limited looking production.

When it's not simply splashing blood against walls as the victims get attacked for most part off-screen, there are a few effective moments of suitably grotesque make-up FX and a touch of splatter. You can't fail with a head explosion. Even the creature design, and we do get a good look at it, provides solid enough practical effects despite the stiff movements. The script's theory behind its origin, structural metabolism and how it adapts to survive is rather creative, yet it's hodgepodge, as the science behind all of this commotion is nonsensical and poorly expanded on, sometimes even stalling and taking away from the simple-minded fun.

The mystery of what's going on in this underground facility slowly builds up to the danger that will unfold. Now that's when stupidity comes into play, to keep the story moving and to cause some deaths. Don't you just love it when our heroine needs something to destroy the computers, so he heads out the corridor to find an emergency axe in a glass case. Um, just wait a minute -- It's been there all this time, untouched, no one thought of using it when you got a hostile creature from a parallel dimension lurking about. Things don't start off that seriously though, with the script providing moments of morbid humor, but once the creature hits the scene, that changes and the cheap, tight surroundings gets claustrophobic trapping the occupants inside.

The turning point is when James Hong (who was appearing in nearly everything that was low-budget horror related in the late 80s to early 90s) decides to get himself knocked off. I was disappointed by that, but Louise Fletcher, Miguel A. Nunez Jr and Cardone regular Frederick Flynn do make something of their characters, even providing quirky shades, as our heroine played by David Beecroft, whose character is sent there by NASA to investigate the death of one the researchers' subjects, had all the personality of a wooden plank.

My review was written in March 1990 after watching the movie on Paramount video cassette.

One of the better Charles Band fantasy pics in some time, "Shadowzone" is a suspenseful thriller that has better-than-average home video prospects in its Paramount video release.

The film had a bief theatrical run on 42nd Street in January from JGM Enterprises.

Pic unfolds in the nailbiter tradition of Robert Wise's "The Andromeda Strain". James Hong and Louise Fletcher are scientists in a secret lab underground. David Beecroft visits as a NASA investigator following a mysterious death there.

With assistants Shawn Weatherly and Miguel Nunez, the scientists are conducting deep sleep experiments. Things go haywire when a monster from another dimension is called up accidentally. It only wants to return home, but wreaks havoc anyway.

Helmer J. S. Cardone does a solid job of maintaining tension while paying homages to such film classics as "The Thing". Cast is very good, with Hong getting a non-stereotyped assignment (as Dr. Von Fleet0 with a Germanic accent, no less. As the nude experimental subject in a coma, Maureen Flaherty has minimal diaglo but makes quite an impression on screen.