Le mystère von Bulow

Claus von Bulow was accused and convicted of twice attempting to kill his wife, Sunny von Bulow. The film is about the appeal

Nicholas Kazan takes a huge risk, and has Sunny von Bulow (Glenn Close, who is marvelous) narrate the story, while in a coma. It pays off beautifully. We learn the lifestyle in which they inhabit, there daily arguments about Claus' "extra-curricular" activities, work, etc. In comes Alan Dershowitz (Ron Silver), who is hired by Claus to do the appeal.

Fascinating and provocative, we see the way Ron Silver tries to find out if his client is guilty or innocent. The cast is a treat to watch, down to even the smallest roles. But it's Jeremy Irons who dominates with his chilling performance.

By the end of the movie, we don't really care whether or not Claus is guilty, a testament to Barbet Schroeder, and Nicholas Kazan.

Striking, if sometimes creepy, performances by Glenn Close and Jeremy Irons highlight this unevenly directed take on the Claus Von Bulow story of the degenerate rich adapted from the book by Harvard Law School Professor Alan Dershowitz. Dershowitz, who loves being in the limelight almost as much as he loves the law, took on the task of saving Claus Von Bulow from prison for the attempted murder of his rich wife initially as a means of raising money to help him in his pro bono cases. The rather heavy-handed manner in which we are advised of this should not detract from Dershowitz's work. The irony is that as the case developed Dershowitz became persuaded that Claus was innocent.

Whether Dershowitz convinced himself of Von Bulow's innocence to assuage a possibly guilty conscience is a good question. Remember Dershowitz is the guy who said after the O.J. Simpson trial (he was one of Simpson's lawyers) that he didn't know whether Simpson was guilty or not. While that may be a good stance for a defense attorney, it is an insincere one for the public figure that Dershowitz has become.

Starring as Dershowitz is Ron Silver in an uneven performance that at times made me think of Gabe Kaplan doing a young and uncomedic Groucho Marx. I wonder if Dershowitz was entirely flattered.

Director Barbet Schroeder (Barfly 1987; Single White Female 1992) uses several points of view to tell the story, including a voice-over from Glenn Close's Sunny Von Bulow as she lies comatose, but also from recollections by Jeremy Irons' Claus Von Bulow. We see some scenes twice, colored by the differing points of view. This technique is entirely appropriate since what really happened is far from clear to this day. It is Claus Von Bulow's fortune that was reversed. Whether the first two juries or the third were right is something Schroeder leaves for the audience to determine.

But make no mistake about it: the heart of the movie is Jeremy Irons' Oscar-winning performance. His subtle artistry based on a deep conception (true to life or not) of the aristocratic and Germanic Claus allowed him to create a persona that is cold and aloft, yet somehow sympathetic. The contrast with Silver's Brooklyn-born hyper-energetic Dershowitz made for some good cinematic chemistry, although sometimes it came across like nice Jewish boy defends a vampire.

Glenn Close's flawless rendition of the idle, drug-befouled Sunny reminds us once again that she is a great actress. Unfortunately I don't think Schroeder spent as much time and energy as he should have with the people who played Dershowitz's law students. They seemed amateurish and unconvincing in just about every scene. And there were too many of them--law students, that is. Some distillation of intent, and more directorial guidance might have helped.

Nicholas Kazan's script has a number of good lines in it, not the least of which is this: Dershowitz: "You are a very strange man." Claus Von Bulow: "You have no idea." Also nice was Von Bulow's observation after they are seated in the restaurant and after the waiter has called him "Doctor" Von Bulow: "When I was married to Sunny, we never got this table. Now, two injections of insulin and I'm a doctor." Indeed it is partly Kazan's snappy, comedic and self-revelatory lines that humanize Claus Von Bulow's character and persuade us that he could very well be innocent.

While I like Dershowitz's self-serving style and his confidence, what I admire most about the man is his realistic conception of the defense attorney's role in our society and his idea of what makes a good lawyer; that is, a good lawyer is one who recognizes not only that every person deserves the best defense their resources allow, but that he himself deserves to defend those with the best resources.

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The spooky yet amusing performance turned in by Jeremy Irons is worth watching all by itself. As an added bonus, the film is quite good as well. "Reversal of Fortune" thrives on its deft pacing, which keeps its relatively action-free plot interesting until the end. To the film's credit, the mystery is never fully solved; the viewer must ultimately decide the truth for himself. A treat for any thoughtful filmgoer.

Reversal of Fortune sent more chills down my spine than any horror movie. The story once more proves why real murder cases are so interesting: It is not a (supposed) criminal act or the lawsuit that fascinates but the detailed insight into human relations and behavior patterns which a investigation of the circumstances allows. Barbet Schroeder, certainly a brilliant observer, seems to share this view and created a wonderfully stylized, finely crafted, superbly cast movie around the Claus von Bülow trial.

Fotography, lighting and the set design really are of the first order. The main "stage" of the film is a big mansion in Newport, Rhode Island. I don't know how much of the movie was shot on location - in any case the place reminded me strongly of Manderly, the country home in Alfred Hitchcock‘s "Rebecca". Somehow Sunny von Bülow, she is seen lying in her state of eternal coma and heard recounting events and musing about them in a voice over, is the mythical Rebecca Hinrich become flesh and blood in the most gruesome way imaginable.

The home of the von Bülows has the feel of a funeral parlor. The most important room is Sunny von Bülow's private bathroom, the door of which is flanked by two porcelain busts on high pedestals, like some gate of doom. Despite the warm colors, the opulent furniture, the glossy surfaces (they seem to come out directly of an old fashioned women's magazine), it is deadly cold in the world of the von Bülows. The emotional detachment of the whole family - apparently even the children - is truly horrific. The most hilarious scene is ever expressionless Claus von Bülow joining his wife in the marital bed with a thick sweater, a scarf and a woolen cap (Sunny von Bülows insists on keeping the window open on principle even in freezing temperatures). He turns away from his wife and, as the last act before turning off the light, puts his earplugs in.

Oh, and then there is law professor Dershowitz and his team. What has he got to do with this movie? Very little, I should say. The bubbly intellectualistic crowd occasionally allow the viewers to relax a little, but their sporadic intrusions into the "circle" of the von Bulows in no way counterbalance the weight and the frigid opulence that comes to dominate Reversal of Fortune. And that's just fine with me – as far as cinematic art is concerned.

Barbet Schroeder's darkly comic murder mystery 'Reversal of Fortune' was actually better than I thought it would be. It surrounds a social climber Claus Von Bulow (Jeremy Irons - Lolita) who is Charged and convicted with the double counts of attempted murder on his obnoxious and drunken wife Sunny Von Bulow (Glenn Close - Fatal Attraction) with insulin. Claus needs a lawyer to appeal so he contacts a stereo-typical Jewish lawyer, Alan Dershowitz, played incredibly by Ron Silver. Alan takes on Claus' case even though he believes him to be guilty and Alan and his team try to prove him innocent. Glenn Close gives a small but engrossing performance in this as the not so sympathetic victim while Jeremy Irons steals the entire film with his creepy and neurotic yet brilliant and amazing performances as the could-be murderer Claus. The screenplay is really solid and although kind of predictable offers nice thrills and very dark humor. 'Reversal of Fortune' rightfully won Jeremy Irons the Oscar for Best Actor in a Leading Role. If you want something kind of out-there be sure to rent 'Reversal of Fortune' one of these days. Grade: B