ÉVALUATION IMDb
7,2/10
32 k
MA NOTE
Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.
- Prix
- 3 victoires et 5 nominations au total
Anthony Luke Lucero
- Malcolm Kaiser
- (as Anthony Lucero)
Alexander Enberg
- Alex
- (as Alex Enberg)
Avis en vedette
What a film!!, this is a film that very accurately represents how it feels to be unpopular, or the new kid in high school. Slater gained much respect from me for his terrific performance is Hard Harry, a new kid at a school where the staff don't seem to care about the students, Harry runs a pirate radio station as an anonymous student at the high school, and shares his feelings about the school, he gains a large following of students who feel the same way he does, but then trouble starts. This is a truly great film, with great performances, this is probably the "Rebel Without A Cause", for our generation. ***1/2 out of ****.
10MEHHS
I'm 28 now, but this film is still very important to me. PUTV is the best teen drama out there (though there aren't many to compete with it), it really grasps how so alone some teenagers can feel and how rejectedby the system they so often are. The film has dated some what, but if there ever was an early warning sign of the problems that face American schools today (columbine esque) this is it. You can only push teenagers so far before they lose the plot, end up killing themselves or other people, PUTV is about those feelings. Slater is the bomb in this film, he is truly awesome and Mathis plays a great sidekick. The fact she shows a bit of flesh makes the movie highly genuine, yes girls do get naked with boys whilst at high school. PUTV does now suffer with its meaning to the modern era, but modern kids still do get dejected and rejected and this film is a great message in saying.... You Are Not Alone! 10/10 Then.... 8/10 Now.
Pump up the Volume (1990) is perhaps one of the most inspiring films that ever found their way to the celluloid forum. Upon viewing the film for the first time as a ten-years-old kid back when it was released in cinemas, I remember feeling profoundly moved by the main lead and the events his character sets in motion. This genuine masterpiece doesn't only teach us about leadership and the ability of one individual to make a difference in the world; it is also a triumph of the human spirit in general and of the youth over decadent grown-up ideas specifically.
The story presents us Mark Hunter (a then young and extremely talented Christian Slater), a teenage high school student that moves with his parents from the big city to the suburbs, when his father gets a new job as an educational consultant for a middle-America region. The days are the early nineties, when internet was probably considered radical science fiction at best, and Mark finds himself all of a sudden pretty lonely in the new school. Luckily, his parents buy him a ham radio in order to keep connected with his friends back east, and Mark finds a unique way of passing time by transmitting his thoughts about the suburbs and the lousy life of 1990 teenagers, using his ham radio as a local broadcast device. Upon gaining fame and listeners, Hunter adopts a pseudonym, one "Happy Harry Hard On" which brings messages of freedom of speech and thought to his fellow classmates at school. When stumbling upon information concerning illegal steps his school has taken regarding problematic students, things start to get out of control. As Mark, he tries to keep a low profile and doesn't blend in with the ongoing events, but as Harry he feels he must take a stand and speak up his thoughts and ideas. But can a voice be heard without its owner taking responsibility to its actions?
The notions and ideas which arise upon viewing Pump up the Volume are intriguing and fresh until this very day, 16 years after its initial release. For the younger ones, it teaches how to stand up for what you believe in and try to right society's wrongs. For grown-ups, it serves an interesting conflict about the bounders of democracy and the part the media plays in each and every one of our lives. Look out for Samantha Mathis's powerful role as Nora DeNiro, Hunter's female admirer, and one of the only people around him that know he's behind the controversial broadcasts. Also look out for a very very young Seth Green (Austin Powers, Without a Paddle) as one of the students that helps spread Harry's tapes across the school.
On a personal note, I have to say that I hold credit to this movie for a lot of who I am in my grown-up life. The film taught me I could use my words to make a difference, and for the past ten years I've been doing just that as a journalist and newspaper editor here in central Israel. For that I will always be thankful to the makers of Pump up the Volume, and I suspect it'll stay my all-time favorite for years and years to come! Naturally, I rank this one a must-see film, with a 10 out of 10 rating.
The story presents us Mark Hunter (a then young and extremely talented Christian Slater), a teenage high school student that moves with his parents from the big city to the suburbs, when his father gets a new job as an educational consultant for a middle-America region. The days are the early nineties, when internet was probably considered radical science fiction at best, and Mark finds himself all of a sudden pretty lonely in the new school. Luckily, his parents buy him a ham radio in order to keep connected with his friends back east, and Mark finds a unique way of passing time by transmitting his thoughts about the suburbs and the lousy life of 1990 teenagers, using his ham radio as a local broadcast device. Upon gaining fame and listeners, Hunter adopts a pseudonym, one "Happy Harry Hard On" which brings messages of freedom of speech and thought to his fellow classmates at school. When stumbling upon information concerning illegal steps his school has taken regarding problematic students, things start to get out of control. As Mark, he tries to keep a low profile and doesn't blend in with the ongoing events, but as Harry he feels he must take a stand and speak up his thoughts and ideas. But can a voice be heard without its owner taking responsibility to its actions?
The notions and ideas which arise upon viewing Pump up the Volume are intriguing and fresh until this very day, 16 years after its initial release. For the younger ones, it teaches how to stand up for what you believe in and try to right society's wrongs. For grown-ups, it serves an interesting conflict about the bounders of democracy and the part the media plays in each and every one of our lives. Look out for Samantha Mathis's powerful role as Nora DeNiro, Hunter's female admirer, and one of the only people around him that know he's behind the controversial broadcasts. Also look out for a very very young Seth Green (Austin Powers, Without a Paddle) as one of the students that helps spread Harry's tapes across the school.
On a personal note, I have to say that I hold credit to this movie for a lot of who I am in my grown-up life. The film taught me I could use my words to make a difference, and for the past ten years I've been doing just that as a journalist and newspaper editor here in central Israel. For that I will always be thankful to the makers of Pump up the Volume, and I suspect it'll stay my all-time favorite for years and years to come! Naturally, I rank this one a must-see film, with a 10 out of 10 rating.
Christian Slater plays Mark Hunter, a disaffected teen that secretly runs a pirate radio station, which in the early nineties was a big deal. He does this for mostly therapeutic reasons, but soon gains a rabid fan base among his fellow high school students. Soon he begins to realize that his words are having an impact and when one student calls in for help and finding none takes their own life, things become very real for Mark. Nora Diniro, played by the underrated Samantha Mathis, figures out Mark is the voice behind the radio persona, and helps Mark as he tries to elude the FCC and get a final message out.
This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
102cents
I loved this film
When I was 17 I first saw the second half of this movie on TV, the next day I scoured my local video shops to buy the film so that I could watch the first half.
I know that sounds a little sad but I really felt that at the time this film was spot on. Parents do seem to hate you, it is incredibly hard to talk to a girl that you want to ask out and school is the last place you ever want to be. This film had the emotions just about right.
I now see its faults but I still feel that it is an excellent movie to its targeted age group, everyone who ever wanted to "rise up in the cafeteria and stab them (teachers) with your plastic fork".
I could fill this review with quotes, the speech on why teen suicide is a bad idea is up there with the "Am I funny?" scene in goodfella's.
Christian Slater is excellent, apparently it's his favourite movie and you can see that he enjoyed making it. He does dark-teen like no one else, this is Nicholson at 16! In my humble opinion this film is at the top of the teen-flick chart alongside Heathers.
Samantha Mathis makes an intriguing leading lady, she really gets her character spot on. Miss Mathis also provides one of the best sexual tension scenes ever in this genre. (it's all in the music)
A young Seth Green also makes an appearance that I am sure he would rather forget, his acting is fine it's how he looks thats the problem !!
This film is dark, funny and brutaly honest. If you are under 20 and still hate the world this will kill a couple of those boring 'too old to play to young to drink' hours.
Highly recommended.
When I was 17 I first saw the second half of this movie on TV, the next day I scoured my local video shops to buy the film so that I could watch the first half.
I know that sounds a little sad but I really felt that at the time this film was spot on. Parents do seem to hate you, it is incredibly hard to talk to a girl that you want to ask out and school is the last place you ever want to be. This film had the emotions just about right.
I now see its faults but I still feel that it is an excellent movie to its targeted age group, everyone who ever wanted to "rise up in the cafeteria and stab them (teachers) with your plastic fork".
I could fill this review with quotes, the speech on why teen suicide is a bad idea is up there with the "Am I funny?" scene in goodfella's.
Christian Slater is excellent, apparently it's his favourite movie and you can see that he enjoyed making it. He does dark-teen like no one else, this is Nicholson at 16! In my humble opinion this film is at the top of the teen-flick chart alongside Heathers.
Samantha Mathis makes an intriguing leading lady, she really gets her character spot on. Miss Mathis also provides one of the best sexual tension scenes ever in this genre. (it's all in the music)
A young Seth Green also makes an appearance that I am sure he would rather forget, his acting is fine it's how he looks thats the problem !!
This film is dark, funny and brutaly honest. If you are under 20 and still hate the world this will kill a couple of those boring 'too old to play to young to drink' hours.
Highly recommended.
Le saviez-vous
- AnecdotesThe onscreen chemistry between Christian Slater and Samantha Mathis was genuine. They were in the midst of a year-long relationship while filming this movie.
- GaffesAt the beginning of the movie, Hard Harry plays Leonard Cohen's "Everybody Knows" from a record with a Motown label, but all of Cohen's studio albums to date have been released by Columbia. Also, though he is shown playing the first track on the record, "Everybody Knows" is actually the third track on the album 'I'm Your Man' on which the song originally appears.
- Citations
Mark Hunter: Eat your cereal with a fork and do your homework in the dark.
- Bandes originalesEverybody Knows
Written & Arranged by Leonard Cohen
Performed by Leonard Cohen
Published by Stranger Music (BMI)/Geffen & Robinhill Music c/o WB Music (ASCAP)
Courtesy of CBS Records, Music Licensing Department
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- How long is Pump Up the Volume?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Y a-t-il une vie après le lycée?
- Lieux de tournage
- Saugus High School, Saugus, Californie, États-Unis(Hubert H Humphrey High School)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 11 541 758 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 601 489 $ US
- 26 août 1990
- Brut – à l'échelle mondiale
- 11 541 758 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Plein volume (1990) officially released in India in English?
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