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Paris Is Burning

  • 1990
  • 14A
  • 1h 18m
ÉVALUATION IMDb
8,2/10
20 k
MA NOTE
POPULARITÉ
4 963
253
Paris Is Burning (1990)
Regarder Official Trailer
Liretrailer1 min 40 s
2 vidéos
47 photos
Documentary

Une chronique de la scène de drag à New York dans les années 1980, mettant l'accent sur les balles, le voguing et les ambitions et les rêves de ceux qui ont donné à l'époque sa chaleur et sa... Tout lireUne chronique de la scène de drag à New York dans les années 1980, mettant l'accent sur les balles, le voguing et les ambitions et les rêves de ceux qui ont donné à l'époque sa chaleur et sa vitalité.Une chronique de la scène de drag à New York dans les années 1980, mettant l'accent sur les balles, le voguing et les ambitions et les rêves de ceux qui ont donné à l'époque sa chaleur et sa vitalité.

  • Director
    • Jennie Livingston
  • Stars
    • Brooke Xtravaganza
    • André Christian
    • Dorian Corey
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,2/10
    20 k
    MA NOTE
    POPULARITÉ
    4 963
    253
    • Director
      • Jennie Livingston
    • Stars
      • Brooke Xtravaganza
      • André Christian
      • Dorian Corey
    • 53Commentaires d'utilisateurs
    • 34Commentaires de critiques
    • 82Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 17 victoires et 1 nomination au total

    Vidéos2

    Official Trailer
    Trailer 1:40
    Official Trailer
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Clip 3:40
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Clip 3:40
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride

    Photos47

    Voir l’affiche
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    Rôles principaux28

    Modifier
    Brooke Xtravaganza
    • Self
    • (as Carmen and Brooke)
    André Christian
    • Self
    • (as Andre Christian)
    Dorian Corey
    Dorian Corey
    • Self
    Paris Duprée
    Paris Duprée
    • Self
    • (as Paris Dupree)
    Pepper LaBeija
    Pepper LaBeija
    • Self
    Junior LaBeija
    • Self
    Willi Ninja
    Willi Ninja
    • Self
    Sandy Ninja
    • Self
    Kim Pendavis
    • Self
    Freddie Pendavis
    Freddie Pendavis
    • Self
    Sol Pendavis
    • Self
    Avis Pendavis
    • Self
    Octavia St. Laurent
    Octavia St. Laurent
    • Self
    • (as Octavia Saint Laurent)
    Stevie Saint Laurent
    • Self
    Anji Xtravaganza
    • Self
    • (as Angie Xtravaganza)
    Bianca Xtravaganza
    • Self
    Danny Xtravaganza
    • Self
    David Xtravaganza
    • Self
    • Director
      • Jennie Livingston
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs53

    8,219.8K
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    Avis en vedette

    joeochoaesq

    Really well made. Interesting. Sad, too.

    I will confess that I had no idea what I was walking into when I saw it. At the time, I was between jobs and seeing every movie I could. It was either that-or look for a job!

    Remember seeing the title and thinking it was about WW2, Hitler, etc. Of course, once the movie started, I was surprised.

    It was a very cool movie. I don't think it matters if you're straight, gay, or somewhere in between. It opened my eyes to a whole new sub-culture I never knew existed. What I saw was a group of men very passionate about something in their lives. Fascinating to watch them transform their appearance.

    Sad to see how their families didn't accept them or when there was a death of one of the principals. I remember they showed one of the actors truly depressed b/c his family (maybe his father) tossed all of the clothes he had collected. Outside of the monetary value, he really had pride in all that he had amassed over the years.

    I left thinking I wouldn't want to try it, but I thought it would be very fun to attend one of these balls.
    queenhelly

    more than an introduction to vogue

    This is my favorite documentary... the subtle undertone of this movie that not everyone gets is the socio-economic commentary. Most people see this movie as an introduction to the world of drag queens or introduction to voguing and "balls". But if you dig deeper it is even sadder believe it or not. It's sad to think that most of these wonderful "larger than life" folks are dead, but it holds a very deep social commentary for anyone who is not a straight white well to do male. (by the way, despite my user name I'm a biological female ! ha ha... but I'm Hispanic so I am marginalized by sex as well as ethnicity...) Anyway the comments on being female... Pepper Labeija explaining why he would never get a sex change "women have it worse than anyone" or Octavia St. Laurent... "all men are dogs... sooner or later they all start barking" are comments u'd hear straight women say all the time. And what it means to be a black or Hispanic in the trickle down world of Reaganomics and beyond... before you even factor in homosexuality... please watch it again and really listen for the racial and economic commentary. Those from Pepper Labeija and Dorian Corey are particularly poignant... ("I emulated Deitrich and Monroe... it wasn't acceptable to emulate Lena Horne... even as a black"- Dorian Corey) I'm sorry to be "preachy" but I love this movie and it has a lot more to say than the "fad" it glorified. I am a straight Latina who grew up in the NYC club scene but for me the best thing about this movie besides the great dancers and "characters" is what it says about being a marginalized group in the dog eat dog 1980's, and what they did to hold on to a semblance of family and fame. Most of the house "mothers" died within a few years of the movie... Pepper Labeija (my very favorite) died recently... but before he died he sadly had his feet amputated because of diabetes... yet he, I should call Pepper SHE... appeared in a Ball, in full Egyptian regalia, carried by strapping shirtless men to the delight of all those in attendance. May we all enjoy love and acceptance, no matter what it is that makes us different.
    10preppy-3

    Absolutely riveting

    Documentary starts in 1986 in NYC where black and hispanic drag queens hold "balls". That's where they dress up however they like, strut their stuff in front of an audience and are voted on. We get to know many of the members and see how they all hold together and support each other. As one man says to another--"You have three strikes against you--you're black, gay and a drag queen". These are people who (sadly) are not accepted in society--only at the balls. There they can be whoever and whatever they want and be accepted. Then the film cuts to three years later (1989) and you see how things have changed (tragically for some).

    Sounds depressing but it's not. Most of the people interviewed are actually very funny and get a lot of humor out of their situations. They're well aware of their position in society and accept it with humor--just as they should. We find out they all live in "houses" run by various "mothers" and all help each other out. The sense of community in this film is fascinating.

    When this film came out in 1990 it was controversial--and a big hit. It won Best Documentary Awards at numerous festivals--but was never even nominated for an Academy Award. Their reason was "Black and hispanic drag queens are not Academy material". Fascinating isn't it? Homophobia and racism all together.

    Seen today it's still a great film--and a period piece. It just isn't like that anymore--the NY they show no longer exists. The balls are still held but not in the spirit we see here. Also drag has become more "accepted" in society (for better or worse). And I've heard the houses are gone too. That's kind of sad. I WOULD like to know where these characters are now--I know two died of AIDS but I have no idea about the others. And what DID happen to that 13 year old and 15 year old shown?

    Still, it a one of a kind documentary--fascinating, funny and riveting. A must see all the way! A definite 10. Where's the DVD???
    10giatime

    I Love this movie.

    First of all I am a butch, straight white male. But even with that handicap I love this movie. It's about real people. A real time and place. And of course New York City in the 80's. I had many gay friends growing up in New York in the eighties and the one thing about them i always admired was their courage to live their lives the way they wanted to live them. No matter what the consequences. That's courageous. You have to admire that. This is a great film, watch it and take in what it was like to be a flamboyant African American or Hispanic Gay man in the New York of the eighties. It's real life. Bottom line it's real life.
    10DeltaX27

    Some answers as to where they are now.....

    While many unfortunately passed on, the ballroom scene is still very much alive and carrying on their legacy. Some are still very much alive and quite well, Octavia is more radiant and beautiful than ever, Willi Ninja is very accomplished and gives a great deal of support to the gay community as a whole, Pepper Labeija just passed on last year of natural cause, may she rest in peace. After Anji's passing Carmen became the mother of the house of Xtravaganza (she was in the beach scene) and she is looking more and more lovely as well. Some balls have categories dedicated to those who have passed, may they all rest in peace. There is currently another project underway known as "How Do I Look?", you can check out the website at www.howdoilooknyc.org.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      A young Pepper LaBeija can be seen very briefly as a contestant in the 1968 documentary The Queen (1968), about a drag beauty pageant held in New York City. The legendary Crystal LaBeija, original mother and founder of the House of LaBeija, is also featured giving a fierce and shady reading.
    • Citations

      Dorian Corey: I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot an arrow and it goes real high, hooray for you.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Doc Hollywood/Return to the Blue Lagoon/Hot Shots!/Paris Is Burning/Another You (1991)
    • Bandes originales
      Is It All Over My Face!
      Performed by Loose Joints

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    FAQ16

    • How long is Paris Is Burning?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • août 1991 (United States)
    • Pays d’origine
      • United Kingdom
      • United States
    • Site officiel
      • Official Facebook
    • Langue
      • English
    • Aussi connu sous le nom de
      • The Children Are
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • sociétés de production
      • Art Matters Inc.
      • BBC Television
      • Edelman Family Fund
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 500 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 3 905 297 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 310 127 $ US
      • 11 août 1991
    • Brut – à l'échelle mondiale
      • 3 906 006 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 18 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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