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This movie freaked me out when I saw it many years ago. The plot concerns a young single mom raising a rebellios teenage daughter(Lisa) who, tired of what she deems her mom's overprotectivness, begins crankcalling handsome strangers and unwittingly begins a phone flirtation with a serial killer.

This movie would be a great choice for mothers and daughters to view. What makes it so scary is it's realism.This is a situation that could happen to anyone, It stays with you, there are a few really terrifying scenes.I'd recomend this movie to anyone who likes thrillers, "Lisa" will make girls wonder just who it is their striking up a conversation with.

Lisa (the lovely Staci Keanan) is 14 and boy-crazy, but Katherine, her overprotective single mother, refuses to let her date until she turns 16. While Lisa is out getting groceries one night, she literally runs into Richard and instantly develops a crush on the much older man. Along with her best friend, she finds out where he works and uses sneaky tactics to get his phone number. She begins calling him repeatedly, engaging in seductive conversations without revealing her identity. When Lisa's stalking gets more and more risky, her friend convinces her that if she revealed herself to Richard, he'd be furious about the age difference. Lisa then devises a plan to push Richard and Katherine together in an attempt to get her mother's mind on something other than controlling her life. What Lisa doesn't know is that Richard is a serial killer who was leaving the scene of his latest crime when she bumped into him.

Director Gary Sherman's output has always been largely ignored. Even "Dead & Buried", which is one of my absolute favorite horror films, wasn't widely known for the longest time. "Lisa" is no different. Unlike the aforementioned gem, however, it doesn't have a DVD or Blu-ray release to help it gain more viewers. That said, it is certainly worth seeking out.

The film contains some strong performances. Staci Keanan, who was the sole reason to watch popular sitcom, "Step by Step", carries the picture. She is infinitely charming with a quick wit and my kind of quirkiness. She's also great at portraying this naive, vulnerable girl who thinks she's tougher than she is. Lisa and her mother share a good relationship, but we see the wedge that is driven between them as the former grows increasingly bitter due to the rules placed over her. It doesn't help that she witnesses Katherine spurn a friendly guy at the local bowling alley, an act which leads Lisa to believe that she's being punished for her mother's past mistakes. Cheryl Ladd is well-cast as Katherine, and her chemistry with Keanan is palpable. Short of casting Jordan Ladd herself in the titular role, I don't think we could have seen a more believable mother and daughter pairing. D.W. Moffet makes for an interesting maniac. Rich, good-looking and suave, he could easily get women, but he would rather slaughter them. Dubbed the "Candlelight Killer" by the press, he leaves messages on his victims' answering machines warning them of what he's about to do before he does it. Jeffrey Tambor is in the film too, but he's underused in a throwaway role.

We get some solid suspense here, particularly during a scene where Lisa finds herself stuck in Richard's vehicle. It's made worse by the fact that she doesn't know just how bad it would be if he found her. The film's climax is also tense and surprisingly violent. We also get an amusing bit, be it intentional or unintentional, where Richard uses Katherine to head-butt her own daughter. I will say that the film falters a bit towards the end, mainly due to a poor decision made by one of the characters. This in turn makes for a predictable finale. I also thought that the look of the film wasn't as impressive as it could have been, especially taking into account the eerie, fog-drenched photography of "Dead & Buried". The score sort of made up for the generic look, being moody whereas the atmosphere wasn't.

In the end, this is a worthwhile effort thanks in large part to the performances on display. It's a well-acted film, and the suspense benefits as a result.

Lisa is a lesser-known seductive thriller that toys with the perils of connecting with a stranger over the phone (back then, a landline) in the late 80s. When 14-year-old Lisa (a cute Staci Keanan) falls for the much older, outwardly charming Richard (D.W Moffett), she stalks him and connects with him virtually over phonecalls. This is particularly fueled by the fact that Lisa's (single) mom Katherine (the lovely Cheryl Ladd) doesn't want her to date until she's 16, while her bestie Wendy is allowed by her parents to do so. Little does she know that Richard is a serial killer targeting young women, and he gives chase to Lisa, thinking she's her mother.

The film hasn't exactly aged well and is filled with questionable logic but it delivers pretty solidly as a cat-and-mouse thriller. The horror is minimal - if you think a killer leaving recorded messages and jumping out of the shadows leaving a trail of violence in his wake is good enough, it does alright. But in terms of building an atmosphere, it's pretty far behind. We're introduced to Richard's antics early on, and by the time the second kill happens, we already know his pattern and it really doesn't build any further layers of mystery. And the way the character has been written too is quite ordinary.

What works in the film are the following: the uneasy mother-daughter chemistry between Keanan and Ladd, the charming 80s Los Angeles setting, the pulpy elements (like Lisa getting unexpectedly stuck in Richard's car), and the blood-soaked finale.

A 14 years-old girl (Staci Keanan) inadvertently strikes up a secret relationship with a distinguished restauranteur in Hollywood (DW Moffett). Unfortunately, he might also be the notorious Candlelight Killer, which would put her and her mother in danger (Cheryl Ladd).

"Lisa" (1990) is a coming-of-age drama meshed with PG-13 slasher. Writer/director Gary Sherman knows how to make atmospheric horror in view of his well-done "Dead & Buried" (1981). I happened to see Brian De Palma's "Dressed to Kill" (1980) the night prior and it was thoroughly artistic and well-written with genuine surprises. This film, by comparison, strikes me as by-the-numbers, which no doubt had to do with the modest budget.

Nevertheless, "Lisa" is a perfectly serviceable film in which the mother & daughter are successfully fleshed out and you find yourself caring for them and their outcome. Staci was only 14 during shooting while Cheryl was 38. If you're a fan of either, this is certainly worth checking out, even though it's not exactly high art.

The movie runs 1 hour, 35 minutes, and was shot in Hollywood (the apartment, flower shop and school) and Muse restaurant on Beverly Boulevard in Los Angeles.

GRADE: B-

This film begins with a young teenager by the name of "Lisa Holland" (Staci Keanan) who enjoys playing flirtatious pranks on slightly older men. As it so happens, one night while returning from a nearby grocery store, she happens to bump into a man by the name of "Richard" (D. W. Moffett) and she immediately becomes mesmerized by his good looks. Determined to know more about him she secretly follows him and upon learning his name decides to tease him in her usual manner. What she doesn't realize, however, is Richard is a psychopath who the newspapers have dubbed "The Candlelight Killer" who has recently raped and killed 8 other women-and he now wants to find out more about Lisa in the worst sort of way. Now, rather than reveal any more, this film had a bit more suspense than I initially expected and for that reason it left me pleasantly surprised overall. Likewise, having a beautiful actress like Cheryl Ladd (as Lisa's mother "Katherine Holland") certainly didn't hurt in any way either. Be that as it may, while this film may not be a blockbuster by any means, it was certainly good enough for the time spent and I have rated it accordingly. Slightly above average.