Lune rouge

When homicide detective Kyle Brodine starts seeing the wife of businessman Rupert Monro he finds himself falling in love with her. When her relationship gets violent with her husband he begs her to leave him, however she doesn't but when she accidentally kills him with an illegal gun she turns to him for help. Unable to go to the police he helps her cover it up. However later the police suspect foul play and Kyle and his partner are put on the case. As they investigate more evidence begins to point to Kyle and it appears that Rachel has not been totally honest with him.

Proof that good noir still exists. This film never saw the inside of an UK cinema – it went straight to video on release. However the plot is a good tangled web of murder, mystery and deceit. It manages to be twisty despite the fact that this sort of thing has been done many times before. The plot unfolds late and very quickly, managing to be believable and gripping.

The main reason for this is a great performance from Ed Harris. The feeling of him being sucking into something is written all over his face – and the way he goes from cop in control of all the details into a hunted animal is really good. Stowe is also really good and the support cast also has quality – whether it be Charles Dance or a young looking Del Toro.

Overall this may not break box office records but as a thriller it is twisty, contains plenty of good lines and has a great lead performance from Harris.

Although I'm a film buff I had never heard of this film, but found it surprisingly good. The plot isn't particularly startling but there are some neat twists. Above all, there is a terrific performance from Ed Harris as Kyle. You can see from the way the other cops react to him just how good he is at his job, and how much they respect him, and his fall from grace is heart-rending. By the end of the film, he looks about ten years older than he did at the beginning. His romance with Rachel is totally convincing - just the way he looks at her says it all. All in all, an interesting film which didn't deserve to sink without trace.

I've rented a few movies lately that have been alright but have failed to really catch my attention. This, however, was different. First of all, it's film noir, and you gotta love film noir. "Palmetto", "Body Heat", "Double Indemnity", "The Big Sleep". A good guy gets screwed by a beautiful temptress. Only, in "China Moon" it's different. I won't tell the ending or any details. But this was a very well executed film, very suspenseful. It doesn't follow any cliches and it always has new tricks and twists. Like a lot of film noir, this film features heat, wetness, the night, and cops. A lot of movies attempt film noir but don't always achieve its true spark. This film achieves it.

Ed Harris and Madeleine Stowe are underneath the temperamental "China Moon" in this 1994 film also starring Benicio del Toro.

Harris and del Toro are Kyle Bodine and Lamar Dickey partner detectives with a Florida police department. One night at a bar, Kyle meets Rachel Munro (Stowe) and falls for her immediately. She's unhappily married and has photos of her husband (Charles Dance) with another woman.

Kyle doesn't know this at the time, and tracks her down. They start seeing one another. When her husband winds up dead, Kyle helps her to cover it up.

Though the plot is derivative, this is a classily done film with terrific acting, sensual love scenes between the two leads, an easy pace and beautiful photography. It reminded me a little of "Body Heat." The plot won't be hard to figure out, but be prepared for a couple of twists.

Ed Harris gives a forceful performance as Kyle, and del Toro is understated as Lamar. When the camera rests on Stowe, she's flawlessly beautiful, and what clothes! She gives an effective performance and has a nice chemistry with Harris.

"China Moon" is a small, meticulously done movie with loads of talent behind it. The story has been told many times, but somehow, if it's done well, it's always good for another encore.

41. CHINA MOON (thriller, 1994) Homicide Det. Bodine (Ed Harris) is a veteran of the force who knows the ins and outs of every crime scene. He meets Rachel (Madeline Stowe), a beautiful woman whose sensual charms he falls under. They begin a steamy relationship. But then he finds out she's married to an abusive and powerful man. Sensing her infidelity he confronts her, and in an act of self-defense she kills him. She seeks Bodines' help. But will he bring her to justice or help the woman he loves?

Critique: Nifty little thriller borrows from the film-noir tradition. The solid screenplay by Roy Karlson introduces many elements of the genre. There's the honest cop who falls for the habitual 'femme-fetal', and the violent husband as 'middle-man' who ends up dead. But just when you think things are headed into conventional plotting, there's a twist.

Good direction by first-timer John Bailey elicits excellent acting all around. Ed Harris gives another powerhouse performance, Madeline Stowe plays the would-be 'femme fatale' role beautifully, as well as an array of solid supporting actors including Benicio del Toro (who reminded me of James Dean in his younger days). Great ending too.

QUOTE: Kyle: "You were just fV@*!ng me weren't you?! I was loving you and you were fV#!ing me!"